The project began as a design by Ole Scheeren for local firm Pace Development, and was completed by his own firm following his departure from OMA in 2010. The architects describe the project:
The design of MahaNakhon dismantles the typical tower and podium typology, creating a skyscraper that melds with the city by gradually ‘dissolving’ as it flows downward to meet the ground. A series of cascading indoor/outdoor terraces at the base of the tower accommodates retail and entertainment facilities, evoking the shifting protrusions of a mountain landscape.
A simultaneous celebration of their cultural iconicity and distillation from their various contexts, Beautified China is a photographic essay by Kris Provoost (one-half of the vlogging duo behind #donotsettle) that tracks the evolution of Chinese architectural landmarks over the course of the past 7 years. Beginning his investigation with the 2010 World Expo in Shanghai, Provoost considers a decade of architecture proposed for China by the profession’s biggest names, many of which have been built now with monumental reputations in rising cities.
As long as there have been buildings mankind has sought to construct its way to the heavens. From stone pyramids to steel skyscrapers, successive generations of designers have devised ever more innovative ways to push the vertical boundaries of architecture. Whether stone or steel, however, each attempt to reach unprecedented heights has represented a vast undertaking in terms of both materials and labor – and the more complex the project, the greater the chance for things to go awry.
STAGE, a protoype for a new chef-led fast food concept, has debuted last week at Design Miami. Designed by internationally renowned architect Ole Scheeren for New York-based gourmet market and food supplier Dean & DeLuca, STAGE highlights interactive preparation, presentation, and consumption of food as a dynamic cultural and social experience. The new service format will become part of Dean & DeLuca’s expansion throughout key north American cities in 2017.
This theme of this year’s festival is “Housing For Everyone.” Inspired by a variety of influences, markedly the condition of displaced communities of political and disaster refugees, lectures will focus on “the growing understanding of how demographics and global urbanization are forcing change; and the imperatives to create shelter at one end of the spectrum, and sufficiency for occupation and investment at the other.”
http://www.archdaily.com/793244/peter-cook-patrik-schumacher-lead-list-of-speakers-at-waf-2016AD Editorial Team
The World Architecture Festival (WAF), the largest international gathering of architects, has announced its judges for 2016. The annual event, consisting of awards, a conference, and an exhibition, recognizes outstanding projects in a variety of categories, and is attended by over 2,000 visitors from 65 countries. This year's festival will be held from November 16-18, 2016 at Arena Berlin in Germany.
In his TED Talk filmed at TEDGlobal London in September 2015, Ole Scheeren eschews what he describes as the “detrimental straightjacket” of the modernist mantra “form follows function” in favor a phrase he attributes to Bernard Tschumi, “form follows fiction.” While Tschumi was referencing how cultural artifacts, such as literature, impact architecture, Scheeren reinterprets the phrase, imagining the stories of building users in order to inform the design process. Scheeren recounts, for example, how the daily activities of CCTV employees, the lifestyles of residents of a Singapore housing block, or the traditional tools of Thai fishermen have informed his various designs for OMA and Büro Ole Scheeren.
Of course, this “fiction” that Scheeren describes, these stories, are not really fictions at all, but the real experiences of the people who live or work in his buildings. In that sense, the fiction that drives his forms is really just another type of function, albeit a more human approach to function. Nevertheless, for Scheeren the stories of these designs goes beyond just the users, also encompassing the stories of the hundreds of people it takes to make such buildings a reality, and even how architecture can become a character in the narratives of our own lives.
Hong Kong- and Beijing-based Büro Ole Scheeren is expanding with the opening of two new offices in Berlin and Bangkok. As its founder, German architect Ole Scheeren says, the expansion will extend the practice's range of work with projects in Europe and North America. "Büro Ole Scheeren’s Berlin studio will act as a European base for work across the western hemisphere, while Büro Ole Scheeren in Bangkok, together with its subsidiary HLS, is charged with the further design development and construction supervision of the MahaNakhon tower, soon to be completed as Thailand’s tallest skyscraper," says the practice.
Participating in the What Can Design Do conference in Amsterdam, Ole Scheeren took time, along with several other creators, to discuss the impact of the working environment. Playfully dubbed, “Pod Sessions,” each talk takes place in De Vorm’s contemporary Pod chair, the PET plastic improving acoustics and signature Dutch felt providing comfort. In his Pod Session, Ole Scheeren, founder of Buro OS and lead designer on the CCTV Building in China, talks about the nature of a transitional workplace, the importance of collaboration, offices as a creative tool and the necessity of having a personal presence in a project. Having participated in projects across the world, Scheeren frequently moves to the site of his latest projects, as was the case with the CCTV Building.
Since the building's construction concluded in 2012, images of OMA's CCTV Headquarters have permeated the media. But inside views of this mutant skyscraper -- characterized by a soaring 72 meter cantilever -- have remained rare. Until now, that is. Images originally published by International Design and shared on WeChat by 广电独家 reveal the interior of OMA's CCTV Headquarters, including Emmy-winning set designer Jim Fenhagen's news studios.
The Guardian Art Center features none of the dramatic cantilevers and futuristic formal experimentation of Büro Ole Scheeren's other works. Instead the "hybrid art space" - located in the heart of Beijing, just a stone's throw from the Forbidden City - references the scale and materiality of the adjacent traditional buildings. The lower floors, containing an auction house and a museum with a 1,700 square meter exhibition-events space, comprise an aggregation of small "pixelated" blocks, clad in stone with a pattern of perforations derived from a 700-year-old Chinese landscape painting. Though the upper portion of the building, containing a 120-room hotel and a restaurant, is larger in scale, it is broken down by a facade of oversized glass "bricks," again a reference to the materials of the hutong next door and a "humble and non-elitist symbol in Chinese culture," according to the press release.
To find out more about this intriguing building, we spoke to Ole Scheeren, who assured us that in spite of its appearance, the Guardian Art Center is just as radical as his previous works. Read on after the break for the full interview.
It is difficult to even imagine an architectural practice more influential than OMA. Not only has Koolhaas' practice completed high-profile buildings worldwide, but it has also been the incubator for some of the world's most famous architects, with many striking out alone after a period working under Rem. This article in the Wall Street Journal profiles some of the latest crop of "graduates", including Bjarke Ingels and Ole Scheeren, who have founded their own practices in the last decade and are now acting as some of OMA's biggest competitors. You can read the full article here.