Last Summer, Two Trees bought the Domino Sugar Factory site in the Williamsburg neighborhood of Brooklyn to be developed into a new mix-use master plan. The previously proposed scheme by Rafael Viñoly Architects (seen here) consisted of four large towers along the East River water front, but the design was largely disliked by the community, and as a result Two Trees hired SHoP Architects along with James Corner Field Operations to have a go at the design. The result is a wildly different scheme, consisting of five towers with 60% more open space along the water front, 631,000 square feet of new office space (versus the previous 98,000 square feet), and over two-thousand new apartments. This marks a huge change for what could be considered as the most important waterfront real estate in Brooklyn, and potentially become the new image of Brooklyn for the whole world.
On display at Leslie Feely Fine Art in New York from April 11 to June 30, 2013, the Frank Gehry At Work exhibition features a selection of over 30 diverse process models by Gehry, which are drawn from significant constructions and concepts of the architect’s prolific career. These organic forms, which consist of a wide array of materials, stand as testament to Gehry’s tactile approach, enhancing our perception of this sculptural architect and his work, illuminating the subtleties of Gehry’s thought—and working—process. More images and information on the exhibition after the break.
Coming up this Friday, March 8th, at the Center for Architecture in New York, the ‘Beyond New York: Organic vs Geometrical Context’ lecture is part of the Architecture Dialogue Committee’s on-going series to introduce the next generation of architects not practicing in New York City. For this event, they have invited Spela Videcnik from OFIS arhitekti of Ljubljana, Slovenia to share insights about architectural and urban design from 6:00pm-8:00pm. Videcnik, who is currently teaching Architectural Design at Harvard’s GSD, will present OFIS’s design approach through their most recently built projects, such as the Basket Apartments (Paris) and The Cultural Centre for Space Technologies (Slovenia), and how these different geometries inform their current work. For more information, please visit here.
Originally constructed for the 1939 World’s Fair, the resilient structure of New York’s Queens Museum of Art has been undergoing its fourth and most ambitious renovation since April 2011. This $68 million renovation, designed by Grimshaw Architects, will double the institution’s size, expanding the museum to a total of 105,000 square feet upon its completion in October 2013.
Architects, artists, and designers are invited to participate in the competition to Rethink the Post-Sandy Rockaway. MoMA PS1’s Young Architects program is seeking ideas for alternative housing models, creation of social spaces, urban interventions, new uses of public space, the rebuilding of the boardwalk, protection of the shoreline, and actions to engage local communities and to aid in the effort to rebuild from Hurricane Sandy. Judges will be selecting 25 proposals to be displayed on Rockaway Beach in April. The deadline for submissions is March 15. For more information, please visit here.
Last week, our latest featured film showed New York in the ’60s - this time we move to the future, about 200 years from now. This film, directed and co-written by Luc Besson, shows a New York City with flying cars and technological systems applied all around the human environment.
Enjoy and let us know your thoughts of how our cities will look in the next century!
Pratt Institute’s School of Architecture will present “COLD war COOL digital,” an exhibition of 20 scaled prototypes of modernist, pre-fabricated, and globally-distributed Cold War era housing systems that were created using contemporary 3D printing technologies (opening reception 2/18 at 6:15, details below). The exhibition will investigate architectural modernism and its global influence and will connect with contemporary prototype pre-fabrication methods and digital research in housing and skyscraper design. A symposium that explores the technical, aesthetic, and political aspects of prototyping and pre-construction in architecture will be held tonight in conjunction with the exhibition.
Continue reading for more details…
“Let’s dump the word “zoning,” as in zoning ordinances that govern how land is developed and how buildings often are designed. Land-use regulation is still needed, but zoning increasingly has become a conceptually inappropriate term, an obsolete characterization of how we plan and shape growth.” - Roger K. Lewis
Zoning, a concept just over a century old, is already becoming an outdated system by which the government regulates development and growth. Exceptions and loopholes within current zoning legislation prove that city planning is pushing a zoning transformation that reflects the current and future goals and needs of city building. To determine how zoning and land use needs to evolve we must first assess the intentions of future city building.
Planners, architects, legislators and community activists have already begun establishing guidelines and ordinances that approach the goals of sustainability and livability. For example, the AIA has established Local Leaders: Healthier Communities through Design and has made a commitment to the Decade of Design: Global Solutions Challenge. New York City has come up with Active Design Guidelines: Promoting Physical Activity and Health in Design and its Zone Green initiative in regards to updating its zoning resolution. In addition, Philadelphia has augmented its zoning to include urban farms and community gardens and it is safe to assume that many other cities will follow this precedent.
So what is it about current zoning codes that makes it so outdated? Follow us after the break for more.
Can you imagine the intersection of Broadway and the Bowery in lower Manhattan as sparsely populated “Uptown” used as a burial ground for indigent people? Well, according to the the book Painting the Town by The Museum of the City of New York (via Ephemeral New York), this scene painted from memory by Albertis Del Orient Browere in 1885 depicts what Union Square used to look like back in 1828 – just 20 years before this area started to transform into the bustling, concrete jungle we know today.
Compare it to an updated photo of Union Square after the break.
White Noise (or The Buzz) reveals the latent potential of the community. It is the sound of the talent and value around us. The installation harnesses this latent value with an interactive sound environment (a collaboration with ARUP Acoustics) embedded in a playful series of figural abstractions, clad with white synthetic turf. The foregrounded backdrop of the architecture highlights the project’s main event, sharing and exchange among the people in the space, and manipulates readings of scale.
Our latest movie in our Films & Architecture series is another ’60s classic, this time by the master filmmaker Alfred Hitchcock. In North by Northwest we see a New York in the heyday of its architectural glory, with one scene taking place at a newly constructed United Nations building. In fact, the last scene takes place in a “house” that, under Hitchcock’s instructions, was meant to seem designed by Frank Lloyd Wright (in reality, the house was just another set design). The film shows a variety of urban spaces, and puts special emphasis on the contrast between the densities of urban and rural realms.
As always, enjoy and comment!
How do we talk about architecture? Housing? Cities? Culture? Politics? And, equally important, how don’t we talk about them? Comments on Foreclosed, a forthcoming book and online archive of public reactions to Foreclosed: Rehousing the American Dream, a 2012 exhibition at the Museum of Modern Art in New York that was co-curated by the Buell Center, has been produced to document just this kind of public discussion and the various platforms that shape it.
On February 18th, The Buell Center will mark the completion of the book and website, www.commentsonforeclosed.com, with a public event, “Comments on Comments”. A performance of excerpts from the archive will open a multimedia panel discussion and Q&A. In so doing, certain gaps in the public conversation on American housing and urbanism will be identified, and systemic deficiencies called out.
Now on view at the Yossi Milo Gallery through March 2, rarely-seen images by modernist architectural photographer Ezra Stroller (American, 1915-2004) captures a Post-War American landscape with stunning images of industry, technology, transportation and working class Americans.
Beyond Architecture covers the full range of Stoller’s work, including photographs commissioned by Fortune, Architectural Forum, and House Beautiful magazines in the 1940s and for commercial projects for IBM, Upjohn Pharmaceuticals and CBS in the 1940s and 1950s. Included are photographs of Skidmore, Owings & Merrill’s John Hancock Building, Chicago, and the United Nations Headquarters, designed by an international team of architects led by Wallace K. Harrison and including Oscar Niemeyer and Le Corbusier.
A selection of these images after the break…
Designed by ODA, 100 Norfolk Street expresses the unlimited potential and ambition hidden in the New York Block as it stands significantly taller than its neighbors. Located within the Lower east side Manhattan, the design creates a rather unusual condition, a mid-block – freestanding building overlooking the area, offering strong light exposure for the interior residential spaces and direct views of Downtown, Midtown and the Williamsburg Bridge. More images and architects’ description after the break.
The City of New York has long awaited renovations to the East River Greenway. Squeezed between the FDR Drive to the west and the river to East, there are a few scattered public parks connected by a path that has been weathered and torn apart over the years. The proposed “Blueway” is a coordinated collaboration – between Manhattan Borough President Scott Stringer, Community Boards 3 and 6, State Assembly Member Brian Kavanaugh, and New York’s WXY architecture and urban design - that takes suggestions from the general public to develop a scheme that works within the framework of the existing Greenway and provides specific sites waterfront access, development of wetlands and greater connectivity to the city and its waterways.
The stretch along the Greenway, which is the focus of WXY’s scheme, runs from Midtown East at 38th street to the Brooklyn Bridge. Running along the FDR, this area expands towards the river and finds its way under the highway’s overpass. Unlike the Hudson River Parkway along the West Side Highway, the East River Greenway has meager waterfront access and few piers to facilitate its development. A study, executed by several city departments in 2011, determined ways to improve amenities along the Greenway and proposed incorporating elements such as ambient lighting and street furniture. Now the focus has shifted to the river itself to determine ways in which to increase its usability and accessibility After Hurricane Sandy revealed the vulnerability of the hard edge of the East River, these same design considerations are now being used to create a resistant and effective buffer against future storm surges.
See what’s happening at the East River Blueway Plan after the break.
Just in time for Valentine’s Day, Situ Studio has unveiled the fifth edition of Times Square’s annual Heartwalk installation – a heart-shaped “room within the city” made of salvaged Sandy debris. Inspired by the “collective experience of Hurricane Sandy and the love that binds people together during trying times,” Heartwalk begins as two weathered ribbons of wooden planks that gradually lift to form an illuminated heart enclosure in the middle of Duffy Square.
More images after the break…
Although preservationists continue to mourn the seemingly inevitable demise of Chicago’s Prentice Women’s Hospital, a solid victory for Brutalism has finally been confirmed. Lawmakers in Goshen, New York, have passed a proposal to renovate Paul Rudolph’s iconic Orange County Government Center, authorizing $10 million in design funding. The 15-6 vote was secured by the overwhelming evidence that an upgrade would be more cost effect than County Executive Ed Diana’s fallback plan to replace two-thirds of the building and preserving only the court section. In addition, lawmakers felt the pressure of a March 12 deadline that would risk losing up to $2.7 million in federal funds to repair water damage caused by Hurricane Irene and Tropical Storm Lee in 2011.
More after the break…
After months of debate, the United States Congress has passed a bill that will allocate $51 billion to Hurricane Sandy relief helping the thousands who lost their homes and businesses to the devastating storm last October. New York Governor Andrew Cuomo announced that $400 million of the aid will be used to fund New York’s buyout program, an initiative to help address the damaged homes and coastline. The program is two-fold; in part it will help reimburse the property damage caused by the storm, but the initiative has a larger goal, which is to address the nature of coastal flooding and create a barrier that would mitigate the damage created to the coast by storm surges in the future. Since the storm, there have been many suggestions as to how to prepare for the type of damage brought on by Hurricane Sandy of 2012 and Hurricane Irene of 2011. These suggestions range from flood gates to barrier reefs. Cuomo’s buyout program, as reported by the Architect’s Newspaper Blog, hopes to encourage residents along vulnerable flood zones to sell their land to the city for the development of a natural coast that would absorb the impact of strong winds and storm surges.
More after the break…