New York-based SO-IL has unveiled plans for a new Brooklyn art gallery, dubbed Artes Amant. The 1,320-square-meter building will house the production, display and storage of art in a four-story "concrete mass" that is "spatially marked by its industrial past."
"This arts’ building is an exploration in soft form, where a cluster of shells acts to diffuse an exterior presence and shape the building’s interior," says SO-IL.
Sounds of rushing water have been reported behind the walls of the lower concourses of the World Trade Center site. As DNAinfo reports, rumors say officials have found an underground leak within the newly built complex and fear that it may be coming from the 3,200-foot-long slurry wall that separates the site from the Hudson River.
With the construction of their High Line-adjacent residential building 520 West 28th Street, Zaha Hadid Architects have constructed a temporary construction shelter to protect pedestrians in the event of any falling construction materials. However, as is often the case with Zaha Hadid designs, this is a construction shelter unlike any other, serving as a protective shelter but also as an artistic installation.
Named Allongé, the installation is "is inspired by the connectivity and dynamism of movement along the High Line," allowing visitors to the High Line to move through 34 meters (112 feet) of sweeping metallic fabric supported by a curvilinear steel frame, offering a spatial experience that foreshadows the presence of Hadid's building at the site.
A variety of project designs, such as public elementary and high schools, charter schools, and higher education facilities, were submitted to the Committee, many of which incorporated “informal and flexible spaces for collaboration and social interaction adjacent to teaching spaces,” as well as staircases with amphitheater or forum designs.
Find out which projects received awards, after the break.
One of the most fascinating things about vernacular architecture is that, while outsiders may find a certain city fascinating, local residents might be barely aware of the quirks of their own surroundings. In this photographic study from Issue 4 of Satellite Magazine, originally titled "The Telescope Houses of Buffalo, New York," David Schalliol investigates the unusual extended dwellings of New York State's second-largest city.
The first time I visited Buffalo, New York, I was there to photograph the great buildings of the city’s late nineteenth- and early twentieth-century expansion for the Society of Architectural Historians: monumental buildings designed by Louis Sullivan, Fellheimer & Wagner, and, later, Frank Lloyd Wright. Many of these architects were the period’s leading designers, outsiders from Chicago and New York City hired to announce the arrival of this forward-looking city at the connection of Lake Erie and the Erie Canal.
These remarkable buildings, and the grain elevators that made them possible, have been thoroughly documented and praised, but they are also a far cry from the vernacular architecture I typically study. When I returned to Buffalo for the second, third, and—now—sixth times, I became fascinated by another building type: the Buffalo telescope house.
Toronto-based architectural photographer Michael Muraz has shared with us some of the first images seen inside Santiago Calatrava's nearly complete World Trade Center Transportation Hub. Set to open this year, the "glorious" birdlike structure boasts a 355-foot-long operable "Oculus" - a "slice of the New York sky - that floods the hub's interior with natural light, all the way down 60-feet below street level to the PATH train platform.
Though its been shamed for being years overdue and $2 billion over budget (making it the world's most expensive transit hub), the completed project is turning heads. Take a look for yourself after the break.
Governor Andrew Cuomo has unveiled a $4 billion plan to redevelop New York's outdated LaGuardia Airport. Originally built in 1939, LaGuardia has been running inefficiently and overcapacity for decades.
The redesign, envisioned by HOK and Parsons Brinckerhoff, will unify the airport's fragmented terminals with a single roof, while providing expanded transportation access, elite passenger amenities and increased taxiway space. Terminal B will be replaced with a larger structure that will (eventually) connect to the renovated Terminals C and D.
“I always had an affinity for architecture which I attribute to growing up in a neighborhood and town that was constantly under construction. Our house was the first on the block. I think that in a way I was more interested in the abstractness of the foundations and the initial framing then in the completed structures themselves. Things I made back then had that incompleteness about them. As I became more aware of architecture in the wider world Brutalism was one of the styles of the moment. Looking at architecture magazines as a child and seeing hotels in French ski resorts (Marcel Breuer at Flaine) made of concrete suited my sensibility, I was hooked.”
For New York-based Calvin Seibert, sandcastles are more than just a fun summer hobby. Using a paint bucket, homemade plastic trowels, and up to about 150 gallons of water he creates spectacular modernist sandcastles. Read on after the break for an interview with Seibert and to see more photos of his work.
Steven Holl Architects has broken ground on the “Ex of In House,” an experimental guest house and artist studio in Rhinebeck, New York. The house is part of the firms’ ongoing research project “Explorations of In,” which questions “current clichés of architectural language and commercial practice” and explores spatial language, energy, openness and public space.
Grégoire Alessandrini’s blog “New York City 1990’s” contains an enormous collection of images taken between 1991 and 1998 that artfully depict New York. The website is a snapshot of New York in the 1990s, capturing the spirit of the era with photographs of New York’s architecture that could only exist at that time. As politics and public sentiment have changed, the city has changed with it, and much of the New York Alessandrini captured no longer exists.
To document just how much New York has changed in the past 25 years, we have curated a selection of Alessandrini’s images and set each photograph next to a Google Street View window corresponding to the photographer’s location at the time. In the photographs where Alessandrini observes from an elevated vantage point, the Street View images are as close as possible to the photographer’s location.
Read on after the break to see the images of New York’s dynamic change from the 1990s to 2015.
British architect David Adjaye is set to submit plans for new Studio Museum in Harlem. Designed to replace the 47-year-old museum's existing facility on Manhattan's West 125th Street, the new $122 million proposal will more than double the museum's space, allowing it to become a premier center for contemporary artists of African descent.
According to the New York Times, Adjaye was chosen to design the museum due to his sensitivity regarding the artists and surrounding neighborhood, which in turn inspired the project; the project's main space will feature a four-story, multi-use core marked by an "inverted stoop" that will act as an inviting "living room" and host for public programs.
“I wanted to honor this idea of public rooms, which are soaring, celebratory and edifying — uplifting,” he told the New York Times. “Between the residential and the civic, we learned the lessons of public realms and tried to bring those two together.”
With its interior and exterior blended together, the entire building becomes a stage. Featuring large windows that allow the public to watch performances and training activities inside, people on each side are both viewers and viewed.