With his first exhibition in a New York museum since 1980, James Turrell will dramatically transform the sinuous curves of Frank Lloyd Wright’s Guggenheim Museum into one of the largest Skyspaces he has ever mounted. Opening on summer solstice, June 21, 2013, the temporary installation Aten Reign will give form museum’s central void by creating what Turrell has described as “an architecture of space created with light.”
Architects: James Carpenter Design Associates Inc
Location: 959 8th Avenue, New York, NY 10019, USA
Architect In Charge: Foster, Partners
Design Team: Johanna Kindvall, Jonathan Forsythe
Architect Of Record: Adamson Associates Architects
Design Principal: Torsten Schlauersbach, Richard Kress
Water Consultant: Fluidity Design Consultants
Cast Glass Fabrication: John Lewis Glass
Photographs: Andreas Keller
Held in conjunction with MoMA’s exhibition Le Corbusier: An Atlas of Modern Landscapes, “Le Corbusier/New York” is a two-day international symposium taking place June 8-9. The event will examine this world-renowned French architect’s ideas on the city before and after his first trip to the United States, along with his influence on generations of American architects. The journey through Le Corbusier’s work will begin on Saturday with an exclusive preview of the MoMA exhibition led by its curator Jean-Louis Cohen and Sunday’s events include engaging lectures at the Center for Architecture. Discussions will focus on how Le Corbusier’s ideas about New York City influenced his work and how, in turn, Le Corbusier’s legacy impacted the city’s built environment. For more information, please visit here.
Ground/Work is a design competition just launched yesterday that seeks to recognize emerging design talent with a highly visible built project in New York City for Van Alen Institute. Since 1982, the Institute has occupied the sixth floor of its building at 30 West 22nd Street in Manhattan, where a diverse program of competitions, curatorial initiatives, and public events has made Van Alen an influential center for design innovation. This year, the Institute is making its public-oriented mission central to the reinvention of its own office and event space, transforming the ground floor and lower level of its building for a new venue to house its entire work space and public programs. The deadline for submissions is June 13. For more information, please visit here.
Caution: This video may induce vertigo.
As the final segment of the One World Trade Center was hoisted into position – topping the structure out at a patriotic 1,776 feet – Curbed NY captured its journey via a small Go-Pro camera to reveal its fascinating, and somewhat nauseating, view of Manhattan.
While the US rejoices this monumental feat, a debate amongst architects, engineers and city officials lingers on whether or not the 408-foot spire will count towards the One WTC’s overall height and allow it to officially claim its title as the tallest building in the Western Hemisphere. Although the Port Authority argues that the spire doubled as a radio antenna is considered as non-essential telecom equipment and therefore should not be considered as part of the “architectural top”, the Council on Tall Buildings and Urban Habitat will make the final call in October.
Architects: Steven Holl Architects
Location: Campbell Sports Center, Columbia University, Manhattan, NY 10034, USA
Design Architects: Steven Holl, Chris McVoy
Partner In Charge: Chris McVoy
Associate In Charge: Olaf Schmidt
Project Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Area: 4459.0 sqm
Photographs: Iwan Baan, Chris McVoy
The Museum of Modern Art has commissioned Diller Scofidio + Renfro (DS+R) to design its controversial expansion that will overtake the former American Folk Art Museum in New York. This news comes after an intense backlash from prominent architects, preservationists and critics worldwide pressured MoMA to reconsider its decision to raze the iconic, Tod Williams and Billie Tsien-design museum in order to make way for its new expansion.
In response, DS+R has requested that MoMA gives them the “time and latitude to carefully consider the entirety of the site, including the former American Folk Art Museum building, in devising an architectural solution to the inherent challenges of the project,” as stated by Glenn D. Lowry, MoMA’s director, in a memo sent on Thursday to his trustees and staff. He added, “We readily agreed to consider a range of options, and look forward to seeing their results.”
More on the DS+R’s commission and the fate of the Folk Museum after the break…
City Council has approved Cornell’s two-million-square-foot tech campus planned to break ground in 2014 on New York’s Roosevelt Island. Masterplanned by Skidmore, Owings and Merrill (SOM), the ambitious carbon positive campus will offer housing for 2,000 full-time graduate students, world-class education facilities, a hotel, a corporate co-location building, and more than an acre of public open space. Construction will commence with the first, state-of-the-art academic building that will be designed by Thom Mayne, founder of Morphosis, who will incorporate the latest environmental advances, such as geothermal and solar power, to achieve net-zero energy for the landmark structure.
FIGMENT has teamed with the Emerging New York Architects Committee (ENYA) of the American Institute of Architects NY Chapter (AIANY) and the Structural Engineers Association of New York (SEAoNY) to host their 4th annual call for proposals to design and construct an architectural pavilion on Governors Island, the City of Dreams Pavilion. The City of Dreams Pavilion will be a gathering place for people to meet, learn about the arts programs on the island, be able to enjoy a performance or lecture, and experience the interaction of art and the historic context of Governors Island. Participants are being challenged to imagine a future New York City where anything is possible. The deadline to register is June 1, and submissions are due July 1. For more information, please visit here.
Location: 309 East 103rd Street, New York, NY 10029, USA
Design Team: Shannon Bambenek, Kees Brinkman, Kathy Chang, Steven Chen, A.B. Moburg-Davis, Marc Gee, Peter L. Gluck, Bethia Liu, Jill Reinecke , Elaine Sun, Stacie Wong
Area: 27800.0 ft2
Photographs: Erik Freeland, Theo Morrison
After weather conditions refused to cooperate on Monday, the final two sections of Freedom Tower have been lifted to the summit of the One World Trade Center. Construction of the gargantuan 758-ton, 408-foot spire – a joint Canadian-U.S. venture – began in December 2012, when 18 separate pieces were shipped to Manhattan from Canada and New Jersey. This final addition, including a steel beacon, means that the height of the building will soon rise from 1,368 feet to a more patriotic 1,776 feet once the segments are permanently installed within the next few weeks. However, it’s not yet certain that the building will officially be the tallest in the U.S.
Read more after the break…
Beginning in 2014 The Cooper Union for the Advancement of Science and Art (known more commonly as Cooper Union), the famed New York City college, will start charging tuition.
For more than 100 years, Cooper Union, which includes a prestigious architecture school, has been “free” (full-tuition support to all students). As such it has always stood apart, charting its own path and following its own independent mission. That Cooper Union is now dead.
For Cooper Union to have survived it would have had to remain simpleminded. And I mean this in the most flattering way.
Above all, another pamphlet is a conversation, a loose exchange of forms and ideas, an excuse to play, a frame through which to look, a shared excitement. It is an open dialogue with our friends, our histories, and our surroundings. Meaning both “more of the same” and “something different”, “another” contains the seeds of both continuity and change. Another pamphlet mines this contradiction – this tension between past and future – opportunistically interrogating, critiquing, and celebrating the discipline of architecture. Their latest issue, Symmetry no.05, was just released and they are having a launch event this Thursday, May 2, from 6:00pm-8:00pm at Printed Matter, Inc. in New York City. For more information, and to order a pamphlet, please visit here.
The extensive damage to low-lying waterfront zones caused by Hurricane Sandy in October 2012 reinforced the need for resilient infrastructure and redevelopment strategies for existing coastal communities throughout the greater New York area. Costly damage to buildings, roads, and utility systems by the storm raises the controversial question of whether areas of particular geographic vulnerability should be rebuilt, maintained and defended, or simply abandoned. In an effort to solicit creative ideas, the FAR ROC [For a Resilient Rockaway] competition seeks innovative proposals for the design and development of a comprehensive new master plan for Arverne East, a vacant 80+ acre Urban Renewal site on the Rockaway Peninsula in New York City. Submissions are due no later than June 14. For more information, please visit here.
Last year, we spoke at a packed lecture at the Center for Architecture, along with Bjarke Ingels, the Morpholio team and moderator Ned Cramer; we were discussing the impact social media and technology have on our profession and the way in which we design.
And now, thanks to the AIANY Global Dialogues Committee, we are happy to invite you to a new event taking place at the Center for Architecture on May 2nd, 2013 at 6:30PM, where together with Mark Wigley (Dean Columbia GSAPP) we will address the present and future of architecture education. The lecture will be followed by a panel with our friends Carlo Aiello (eVolo), David Fano (CASE), Jill Fehrenbacher (Inhabitat), Toru Hasegawa (Morpholio), Tim Maly (Wired Magazine ) and Cliff Kuang (Fast Company / Co.Design).
More details and RSVP form here, more information after the break. See you on Thursday!
Opening today at the Center for Architecture in New York, the ‘Low Rise High Density’ exhibition examines a housing type celebrated in the 1960s and ‘70s, and what it means in the United States today. Co-sponsored by the Institute for Public Architecture with AIA New York, architectural drawings, photographs, and oral histories will be presented with project architects, tracing the typology over the last 50 years. The exhibition will be on view until June 29. More information after the break.