On display at Leslie Feely Fine Art in New York from April 11 to June 30, 2013, the Frank Gehry At Work exhibition features a selection of over 30 diverse process models by Gehry, which are drawn from significant constructions and concepts of the architect’s prolific career. These organic forms, which consist of a wide array of materials, stand as testament to Gehry’s tactile approach, enhancing our perception of this sculptural architect and his work, illuminating the subtleties of Gehry’s thought—and working—process. More images and information on the exhibition after the break.
Coming up this Friday, March 8th, at the Center for Architecture in New York, the ‘Beyond New York: Organic vs Geometrical Context’ lecture is part of the Architecture Dialogue Committee’s on-going series to introduce the next generation of architects not practicing in New York City. For this event, they have invited Spela Videcnik from OFIS arhitekti of Ljubljana, Slovenia to share insights about architectural and urban design from 6:00pm-8:00pm. Videcnik, who is currently teaching Architectural Design at Harvard’s GSD, will present OFIS’s design approach through their most recently built projects, such as the Basket Apartments (Paris) and The Cultural Centre for Space Technologies (Slovenia), and how these different geometries inform their current work. For more information, please visit here.
Originally constructed for the 1939 World’s Fair, the resilient structure of New York’s Queens Museum of Art has been undergoing its fourth and most ambitious renovation since April 2011. This $68 million renovation, designed by Grimshaw Architects, will double the institution’s size, expanding the museum to a total of 105,000 square feet upon its completion in October 2013.
Landfill Reclamation: Fresh Kills Park Develops as a Natural Coastal Buffer and Parkland for Staten Island
Every natural disaster has an “aftershock” in which we realize the fragility of our planet and the vulnerability of what we have built and created. We realize the threat to our lifestyles and the flaws in our design choices. The response to Hurricane Sandy in October 2012 was no different than the response to every other hurricane, earthquake, tornado , tsunami or monsoon that has wrought devastation in different parts of the world. We recognize our impact on the climate and promise to address how our development has caused severe disruptions in the planet’s self-regulating processes. We acknowledge how outdated our systems of design have become in light of these damaging weather patterns and promise to change the way we design cities, coastlines and parks. We gradually learn from our mistakes and attempt to redress them with smarter choices for more sustainable and resilient design. Most importantly, we realize that we must learn from how natural processes self-regulate and apply these conditions to the way in which we design and build our urban spaces.
Since Hurricane Sandy, early considerations of environmentalists, planners and designers have entered the colloquial vocabulary of politicians in addressing the issues of the United States’ North Atlantic Coast. There are many issues that need to be tackled in regards to environmental development and urban design. One of the most prominent forces of Hurricane Sandy was the storm surge that pushed an enormous amount of ocean salt water far inland, flooding whole neighborhoods in New Jersey, submerging most of Manhattan’s southern half, destroying coastal homes along Long Island and the Rockaways, and sweeping away parts of Staten Island. Yet, despite the tremendous damage, there was a lot that we learned from the areas that resisted the hurricane’s forces and within those areas are the applications that we must address for the rehabilitation and future development of these vulnerable conditions. Ironically, one of the answers lies within Fresh Kills – Staten Island’s out-of-commission landfill, which was the largest landfill in the United States until it was shutdown in 2001. Find out how after the break.
The expandable multi-use cultural venue dubbed ‘Culture Shed’ is one of the most radical proposals to come out of New York’s Hudson Yards Development Project. Designed by Diller Scofidio + Renfro - the New York-based interdisciplinary practice that played a major role in designing the High Line - in collaboration with the Rockwell Group, this 170,000 square foot cultural center will be located at the south end of the Hudson Yards, with the main entrance located near the conclusion of the High Line at West 30th Street.
More information on the Culture Shed after the break…
“Let’s dump the word “zoning,” as in zoning ordinances that govern how land is developed and how buildings often are designed. Land-use regulation is still needed, but zoning increasingly has become a conceptually inappropriate term, an obsolete characterization of how we plan and shape growth.” - Roger K. Lewis
Zoning, a concept just over a century old, is already becoming an outdated system by which the government regulates development and growth. Exceptions and loopholes within current zoning legislation prove that city planning is pushing a zoning transformation that reflects the current and future goals and needs of city building. To determine how zoning and land use needs to evolve we must first assess the intentions of future city building.
Planners, architects, legislators and community activists have already begun establishing guidelines and ordinances that approach the goals of sustainability and livability. For example, the AIA has established Local Leaders: Healthier Communities through Design and has made a commitment to the Decade of Design: Global Solutions Challenge. New York City has come up with Active Design Guidelines: Promoting Physical Activity and Health in Design and its Zone Green initiative in regards to updating its zoning resolution. In addition, Philadelphia has augmented its zoning to include urban farms and community gardens and it is safe to assume that many other cities will follow this precedent.
So what is it about current zoning codes that makes it so outdated? Follow us after the break for more.
Can you imagine the intersection of Broadway and the Bowery in lower Manhattan as sparsely populated “Uptown” used as a burial ground for indigent people? Well, according to the the book Painting the Town by The Museum of the City of New York (via Ephemeral New York), this scene painted from memory by Albertis Del Orient Browere in 1885 depicts what Union Square used to look like back in 1828 – just 20 years before this area started to transform into the bustling, concrete jungle we know today.
Compare it to an updated photo of Union Square after the break.
White Noise (or The Buzz) reveals the latent potential of the community. It is the sound of the talent and value around us. The installation harnesses this latent value with an interactive sound environment (a collaboration with ARUP Acoustics) embedded in a playful series of figural abstractions, clad with white synthetic turf. The foregrounded backdrop of the architecture highlights the project’s main event, sharing and exchange among the people in the space, and manipulates readings of scale.
Designed by ODA, 100 Norfolk Street expresses the unlimited potential and ambition hidden in the New York Block as it stands significantly taller than its neighbors. Located within the Lower east side Manhattan, the design creates a rather unusual condition, a mid-block – freestanding building overlooking the area, offering strong light exposure for the interior residential spaces and direct views of Downtown, Midtown and the Williamsburg Bridge. More images and architects’ description after the break.
The City of New York has long awaited renovations to the East River Greenway. Squeezed between the FDR Drive to the west and the river to East, there are a few scattered public parks connected by a path that has been weathered and torn apart over the years. The proposed “Blueway” is a coordinated collaboration – between Manhattan Borough President Scott Stringer, Community Boards 3 and 6, State Assembly Member Brian Kavanaugh, and New York’s WXY architecture and urban design - that takes suggestions from the general public to develop a scheme that works within the framework of the existing Greenway and provides specific sites waterfront access, development of wetlands and greater connectivity to the city and its waterways.
The stretch along the Greenway, which is the focus of WXY’s scheme, runs from Midtown East at 38th street to the Brooklyn Bridge. Running along the FDR, this area expands towards the river and finds its way under the highway’s overpass. Unlike the Hudson River Parkway along the West Side Highway, the East River Greenway has meager waterfront access and few piers to facilitate its development. A study, executed by several city departments in 2011, determined ways to improve amenities along the Greenway and proposed incorporating elements such as ambient lighting and street furniture. Now the focus has shifted to the river itself to determine ways in which to increase its usability and accessibility After Hurricane Sandy revealed the vulnerability of the hard edge of the East River, these same design considerations are now being used to create a resistant and effective buffer against future storm surges.
See what’s happening at the East River Blueway Plan after the break.
Just in time for Valentine’s Day, Situ Studio has unveiled the fifth edition of Times Square’s annual Heartwalk installation – a heart-shaped “room within the city” made of salvaged Sandy debris. Inspired by the “collective experience of Hurricane Sandy and the love that binds people together during trying times,” Heartwalk begins as two weathered ribbons of wooden planks that gradually lift to form an illuminated heart enclosure in the middle of Duffy Square.
More images after the break…
After months of debate, the United States Congress has passed a bill that will allocate $51 billion to Hurricane Sandy relief helping the thousands who lost their homes and businesses to the devastating storm last October. New York Governor Andrew Cuomo announced that $400 million of the aid will be used to fund New York’s buyout program, an initiative to help address the damaged homes and coastline. The program is two-fold; in part it will help reimburse the property damage caused by the storm, but the initiative has a larger goal, which is to address the nature of coastal flooding and create a barrier that would mitigate the damage created to the coast by storm surges in the future. Since the storm, there have been many suggestions as to how to prepare for the type of damage brought on by Hurricane Sandy of 2012 and Hurricane Irene of 2011. These suggestions range from flood gates to barrier reefs. Cuomo’s buyout program, as reported by the Architect’s Newspaper Blog, hopes to encourage residents along vulnerable flood zones to sell their land to the city for the development of a natural coast that would absorb the impact of strong winds and storm surges.
More after the break…
After an “arduous” public review and a heated debate over affordable housing, New York’s City Council has unanimously awarded final approval to BIG’s tetrahedral-shaped West 57th apartment building in Manhattan. As reported by Crain’s New York Business, a compromise has been made to include 173 affordable housing units within the 32-story, 750-unit residential building and the neighboring industrial building that will be converted into 100 additional rental apartments. As you may recall, the community board and Councilwoman Gail Brewer initially threatened to “torpedo the project” if the apartments were only made affordable for a 35 year period. However, Durst apparently won them over by contributing one million dollars into an affordable housing fund.
“The good news, which is the mantra of my office and community board No. 4, is there will be, yes, by law, 35 years of income-restricted affordable housing,” stated City Councilwoman Brewer, who represents the area.
When applying “major surgery” to a beloved, 20th century “masterpiece”, you’re going to face some harsh criticism. Such is the case for Norman Foster, as the legendary British architect has been receiving intense backlash from New York’s toughest critics for his proposed renovation to the New York Public Library. First, the late Ada Louise Huxtable exclaimed, “You don’t “update” a masterpiece.” Now, the New York Time’s architecture critic Michael Kimmelman claims the design is “not worthy” of Foster and believes the rising budget to be suspect.
More on Kimmelman’s critique and Foster’s response after the break…
Organized by Christopher Marcinkoski and Javier Arpa, in cooperation with the Architectural League of New York, ‘The City That Never Was’ symposium will be taking place Friday, February 22, from 9:00am-5:30pm EST at the Scholastic Building in New York. The one day event will use the current economic and housing crisis in Spain as a lens to reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. It will be organized through four primary themes — infrastructure, waste, landscape, and instant urbanism – in order to explore new possibilities for how future patterns of urbanization can be conceived, financed, planned, deployed, and inhabited. For more details, including the complete itinerary and speaker information, please visit here.
Martin Barry, founder and director of reSITE in Prague and associate at W Architecture and Landscape Architecture in New York, will give an evening lecture at 6:30pm EST on February 7th. Taking place at the NYU Silver Center, his lecture will focus on how organization is advocating for more transparent, contemporary and sustainable urban planning in Czech cities. Martin will discuss the outcomes of reSITE 2012 and describe their plans for reSITE Festival and Conference to take place in June 2013. The event is presented by NYU Department of Art History & Urban Design and Architecture Studies with Czech House NYU. For more information, please visit here.
In an effort to address housing concerns throughout the city, New York City held the adAPT NYC Competition in search for a micro-unit apartment building that would be developed into a new housing model for the “small household population”. The winner and five finalists were announced earlier this week, revealing a sharp focus on consolidating various living areas to save space and resolving to give multi-functionality where ever possible. There is also an emphasis on community in each of the proposals, making up for the small units with more public amenities within the building. Join us after the break to take a closer look at the projects.
The bursting of the housing bubble wreaked havoc on cities across the United States causing widespread blight in once-thriving community economies. Foreclosed, abandoned and condemned homes continue to pockmark neighborhoods and communities, adding to the vacant lots of populous but affected cities like Philadelphia. The Mayor’s Office of Philadelphia approximates that there are nearly 40,000 vacant lots throughout the city of brotherly love, about 74% of which are privately owned, making them virtually inaccessible to rehabilitation. But the city has a strong drive to amend these conditions. With organizations like DesignPhiladelphia’s “Not a Vacant Lot” and the city’s Redevelopment Authority, some of this land is being put to good use.