When applying “major surgery” to a beloved, 20th century “masterpiece”, you’re going to face some harsh criticism. Such is the case for Norman Foster, as the legendary British architect has been receiving intense backlash from New York’s toughest critics for his proposed renovation to the New York Public Library. First, the late Ada Louise Huxtable exclaimed, “You don’t “update” a masterpiece.” Now, the New York Time’s architecture critic Michael Kimmelman claims the design is “not worthy” of Foster and believes the rising budget to be suspect.
More on Kimmelman’s critique and Foster’s response after the break…
Organized by Christopher Marcinkoski and Javier Arpa, in cooperation with the Architectural League of New York, ‘The City That Never Was’ symposium will be taking place Friday, February 22, from 9:00am-5:30pm EST at the Scholastic Building in New York. The one day event will use the current economic and housing crisis in Spain as a lens to reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. It will be organized through four primary themes — infrastructure, waste, landscape, and instant urbanism – in order to explore new possibilities for how future patterns of urbanization can be conceived, financed, planned, deployed, and inhabited. For more details, including the complete itinerary and speaker information, please visit here.
Martin Barry, founder and director of reSITE in Prague and associate at W Architecture and Landscape Architecture in New York, will give an evening lecture at 6:30pm EST on February 7th. Taking place at the NYU Silver Center, his lecture will focus on how organization is advocating for more transparent, contemporary and sustainable urban planning in Czech cities. Martin will discuss the outcomes of reSITE 2012 and describe their plans for reSITE Festival and Conference to take place in June 2013. The event is presented by NYU Department of Art History & Urban Design and Architecture Studies with Czech House NYU. For more information, please visit here.
In an effort to address housing concerns throughout the city, New York City held the adAPT NYC Competition in search for a micro-unit apartment building that would be developed into a new housing model for the “small household population”. The winner and five finalists were announced earlier this week, revealing a sharp focus on consolidating various living areas to save space and resolving to give multi-functionality where ever possible. There is also an emphasis on community in each of the proposals, making up for the small units with more public amenities within the building. Join us after the break to take a closer look at the projects.
The bursting of the housing bubble wreaked havoc on cities across the United States causing widespread blight in once-thriving community economies. Foreclosed, abandoned and condemned homes continue to pockmark neighborhoods and communities, adding to the vacant lots of populous but affected cities like Philadelphia. The Mayor’s Office of Philadelphia approximates that there are nearly 40,000 vacant lots throughout the city of brotherly love, about 74% of which are privately owned, making them virtually inaccessible to rehabilitation. But the city has a strong drive to amend these conditions. With organizations like DesignPhiladelphia’s “Not a Vacant Lot” and the city’s Redevelopment Authority, some of this land is being put to good use.
New York City Mayor Michael Bloomberg has announced the winner of adAPT NYC - a city-sponsored competition that challenged developer-led teams to design an innovative micro-apartment that responds to 21st century housing problems. With an all time high of 8.4 million people, and an expected million more by 2030, New York City’s shortfall of affordable one and two person apartments is continuing to grow at a staggering rate. In an effort to solve this imbalance, the winner of adAPT NYC will build an experimental project on a piece of city-owned land in Kips Bay, Manhattan, that has been alleviated from the 1987 density restriction that requires all new apartments to be greater than 400 square feet.
“The growth rate for one- and two-person households greatly exceeds that of households with three or more people, and addressing that housing challenge requires us to think creatively and beyond our current regulations,” said Bloomberg.
So, who won adAPT NYC? Find out after the break!
New York City’s Midtown West will be experiencing a large makeover over the coming years. Shortly after Hudson Yards broke ground in late 2012, Brookfield Properties initiated the first phase of its 5.4 million-square-foot master plan for Manhattan West on the corner of 33rd Street and 9th Ave. Hovering over Penn Station’s Railroad tracks, an engineering feat will support two 60-story towers that will encompass residential and commercial functions, as well as public and community space.
The Museum of Modern Art and MoMA PS1 has selected CODA’s (Caroline O’Donnell, Ithaca, NY) large-scale, self-supporting Party Wall, made from leftover shreds of skateboard material, as winner of the 2013 Young Architects Program (YAP). Drawn from five finalists, the porous skin of CODA’s temporary urban landscape will shade visitors of the Warm Up Summer Music series with its reclaimed woven screen, while providing water in refreshing cooling stations and seating with its detachable wooden skin on the lower half of the linear structure.
“CODA’s proposal was selected because of its clever identification and use of locally available resources – the waste products of skateboard-making – to make an impactful and poetic architectural statement within MoMA PS1′s courtyard,” said Pedro Gadanho, Curator in MoMA’s Department of Architecture and Design. “Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public.”
Continue after the break for the complete project description.
Created and conceived by Patrick Duffy, the creative director of the OUT NYC, and designed by award-winning Italian designer and architect Antonio Pio Saracino, the Arches of Hope installation will be launched at its opening reception on Thursday, January 17, from 6:30pm-8:30pm at the OUT NYC and be on display until January 24. In collaboration with Lifebeat: Music Fights HIV/AIDS and the MTV Staying Alive Foundation, the stunning and inspiring interactive art installation will be unveiled on the eve of President Obama’s second inauguration as part of a multi-faceted campaign aimed at raising awareness of the rise of HIV and AIDS in young people. More images and information after the break.
Situ Studio has been selected from eight competitors as winner of the fifth annual Times Square Valentine Heart Design, cosponsored by Times Square Arts, the public art program of the Times Square Alliance, along with Design Trust for Public Space. The young, Brooklyn-based practice won the jury over with their Heartwalk proposal made of New York and New Jersey boardwalk boards that were salvaged from the aftermath of Hurricane Sandy.
The installation will be unveiled on Tuesday, February 12, 2013, and remain on view until March 8, 2013.
Learn more about Situ Studio’s winning proposal after the break.
New York’s Garment District, consisting of 18 blocks in the west side of midtown, was the city’s most well known industries in the boom of the 1920s through the early 50s. The influx of immigrants and the geography of New York City made it a natural hub for manufacturing and trading activity. The work began in small workshops and at home in crowded tenements and eventually grew out of these crammed space into factories and warehouses. The industry inadvertently transformed Seventh Avenue into rows of skyscraper factories that faithfully abided to New York City’s zoning regulations. The 125 loft buildings all shared the pyramidal forms due to step-back laws governing design.
Now, The Skyscraper Museum in New York City is celebrating this neighborhood and its influential development of business, industry and architecture and the mark that it left on the city with an exhibition called URBAN FABRIC. It is curated by Andrew S Dolkart, the Director of the Historic Preservation Program, and will be running through February 17th.
Learn more and watch the curator’s lecture after the break.
Quickly rising on the corner of 14th Street and 5th Avenue in Manhattan, this new, multipurpose facility will soon become the “heart” of The New School – an avant-garde university in New York City. The University Center, designed by Skidmore, Owings & Merrill (SOM), combines all aspects of a traditional campus into a single, 16-story building, offering 200,000 square feet of academic space on the first seven floors and 150,000 square feet for a 600-bed dormitory on the levels above.
The brass-and-glass structure, which is the largest construction project in the university’s 91-year history in Greenwich Village, is scheduled for completion in 2014.
In progress images and more information after the break.
When plans for the High Line were first revealed it made quite an impression on the design community. The converted elevated rail line, long abandoned by New York City, was threatened by demolition until a group of activists fought for its revival and helped transform it into one of the most renowned public spaces in Manhattan. Now Queens, a borough with its own abandoned infrastructure is on its way to redeveloping the land for its own version of the High Line, to be known as the Queensway Cultural Gateway.
In late December, the Trust for Public Land announced that New York Governor Andrew Cuomo has awarded a $467,000 grant to the organization to begin a feasibility study on the 3.5 mile Long Island rail line. Early proposals reveal a new pedestrian and bike path, public green space and a cultural gateway that will celebrate Queens’ diversity in art, sculpture and food, serving the 250,000 residents that live in the neighborhoods along the route, which include Rego Park, Forest Hills, Richmond Hill, Ozone Park and Forest Park.
Join us after the break for more.
Designed by architecture students, Ian M. Ellis and Frances Peterson, their proposal for the North Brother Island School for Autistic Children in New York City aims to provide a necessary resource for the Bronx, which is heavily underserved in terms of school for children with Autism Spectrum Disorder. The project is also designed with the intention that it will dissolve the negative stigma of the island, stabilize its naturalized growth as habitat for the birds, and introduce research and education programs to provide a cutting edge learning environment for the public, parents, and children. More images and architects’ description after the break.
After months of an “arduous” public reviewing process, BIG’s eye-catching West 57th apartment building in Manhattan has been approved by the City Planning Commission. The atypical design quickly gained international attention with its abruptly sloped, tetrahedral shape that rises from three stories to thirty-eight stories on an awkwardly sized single block site. Cleverly titled W57, the unique project was “born of logic”, as New York Magazine’s Justin Davidson would describe. It features a massive, football-sized courtyard with stunning Hudson River views and outdoor terraces for all 753 residents, along with a vibrant street life and close proximity to the Hudson River Park.
“Our approval will facilitate development of a significant new building with a distinctive pyramid-like shaped design and thoughtful site plan that integrates the full block site into the evolving residential, institutional, and commercial neighborhood surrounding it,” stated City Planning Commissioner Amanda Burden before voting in favor of the project.
Find out what it took to get W57 passed, after the break…
Including well-known speakers such as Peter Eisenman, Reinhold Martin, Joan Ockman, and Bernard Tschumi, the “Ruins of Modernity: The Failure of Revolutionary Architecture in the 20th Century” event will be taking place in New York City February 7th from 7:00pm-10:00pm. Free and open to the public, the event is part of a larger series of panels and events centered around the theme of the death of art that will take place during the month of February 2013 in NYC. The modernists’ project consisted in giving shape to an inseparable duality, wherein the role of architecture was deduced as simultaneously a reflection of modern society as well as an attempt to transform it. The event highlights and debates the thoughts proposed by architectural theorists such as Victor Hugo, Colin Rowe, and Reyner Banham while looking at how the the last century influences architecture today. For more information, please visit here.
Construction has exploded along the High Line ever since it opened: condos hover over the rehabilitated track and look out onto the Hudson, while the new location of the Whitney Museum is making headway on the southern end of the park as Google moves into its NYC headquarters to a building just a few short blows away. Now, the historic Chelsea Market may be looking at a facelift following approval from the New York City Council for increasing density in the building by developers, Jamestown Properties. The proposed vertical extension, which has made a brief appearance on a few architecture blogs, will provide the additional in demand office and retail space in the Chelsea neighborhood.
It’s a race to the top as developers are reaching higher and higher with impressive glass skyscrapers that house exclusive apartments and panoramic views across Manhattan, level with some of the city’s tallest buildings. Gary Barnett of Extell Development Co. is the man behind the 1,005 foot high One57 tower in Midtown Manhattan. He announced last month that he would be developing the tallest residential building in New York City (without the help of a spire). Adrian Smith, chosen as the architect for the job, is best known for his work on the Burj Dubai. The new building, still in its early stages of design planning and financing, will tower over the Empire State Building at a planned 1600 feet, that’s just 176 feet shy of World Trade One, the tallest building in Manhattan.