Co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, Mike Taylor of Hopkins Architects will be delivering a lecture on his current work at the Cooper Union in New York. Taking place on Tuesday, October 30th, the leader of the design team for the London 2012 Velodrome, and a senior partner at Hopkins Architects is “guided by deeply-rooted architectural, environmental, and social convictions.” Widely lauded for its elegant carefully engineered form, the Velodrome’s sustainable and flexible design has won awards for its architecture and engineering, as well as its civic presence from the RIBA, the Architects Journal, and the BCI, among others. For more information, please visit here.
Client: Bank of America at One Bryant Park, LLP, a joint venture between The Durst Organization and Bank of America
Location: New York, NY
Size: 50,000 SF
As an entry for the Land Art Generator Initiative Competition 2012 – Freshkill Park New York, ‘Wind Fountain’ is based on an adaptation of the piezoelectric effect – a well known property of certain materials to produce electrical power when they undergo strain and stress. Designed by Gembong Reksa Kawula, the project is shaped as an artificial tree, with each unit consist of 450 flexible thread 30 meters high made of carbon fiber reinforced resin pole that will sway in the wind. More images and architects’ description after the break.
Taking place Wednesday, October 24th, at Cooper Union in New York, Tod Williams and Billie Tsien will be delivering their ‘Head/hand’ lecture highlighting their current work. Co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, the body of work presented ranges from large cultural institutions to new skating rinks for Brooklyn’s Prospect Park, the Andlinger Center for Energy and the Environment at Princeton University, and the recently awarded commission to design the New Embassy Compound in Mexico City. “To see architecture as profound optimism” is the foundational principle behind the work of Tod Williams and Billie Tsien. The husband-and-wife firm began working together in New York in 1977, establishing their firm nine years later in the same Central Park South studio where they work today. For more information, please visit here.
Each year the Architectural League presents the work of significant international figures who powerfully influence contemporary architectural practice and shape the future of the built environment. Co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, the program kicks off this year with the Alberto Kalach lecture, which will highlight his current work. Cited as one of the most versatile and prolific architectural voices in Mexico City today, Alberto Kalach co-founded the firm Taller de Arquitectura X (TAX) in 1981. Kalach’s concern for the emerging problems of his vast native city has inspired projects at a range of scales, from his minimal $5,000 houses to housing developments and urban master plans. Kalach’s most ambitious speculative plan, México Ciudad Futura, is the largest project ever conceived for Mexico City. The lecture is taking place Monday, Octobr 15, at 7:00pm at Cooper Union in New York. For more information about the event, please visit here.
Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.
Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”
Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.
Today at 6:30pm in New York City, Design critic Alexandra Lange will moderate a panel of award-winning female architects (Galia Solomonoff, Claire Weisz of WXY Design, and Marion Weiss of Weiss/Manfredi) on “their experiences in a male-dominated field and how the gender landscape has changed since the start of their own careers.”
According to an excellent blog post by Lange, she already knows the first question she’s going to ask: How do they feel about Architect Barbie? But the panel will go beyond gendered toys. As Lange points out, many women have been reluctant to discuss the issues facing women in architecture, preferring to let their work speak for itself; however, the reality is that little has changed for women over the last 15 years (As Lange says: “when I graduated from college in 1994 the percentage of female members of the AIA was 15 percent. In 2010, it was 17 percent.”)
The time is ripe to truly explore this issue and possible solutions -including systemic change and improved work/life balance (not just for women, but for all architects).
If you’re interested in taking part in this panel, you can buy your tickets ($20) here.
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair is a unique open call to design students and design professionals living in the North America, Central America, South America and the Caribbean. Design an iconic, movable outdoor seating element for NYC’s 25-acre historic Battery Park, AKA The Battery. The winning design will be fabricated for use in The Battery, which annually welcomes six million visitors. They are offering an earlybird registration rate for all who register by this Sunday, Sept. 30. All design entries are due October 30. To register and for more information, please visit here.
Featuring more than twenty-five films from eleven countries, public programs, and an architectural driving tour of Lower Manhattan, the fourth season of the Architecture and Design Film Festival is taking place October 18-21. Returning to Tribeca Cinemas, in New York City, the films in this year’s Festival consider a range of topics, including contemporary and historic visionary architects, the creative design process, architecture as cultural emissary, the creation of the High Line, and modernist architecture on the East and West Coasts, among other subjects. The Festival features two world premieres, two U.S. premieres, and numerous films shown in New York City for the first time. Tickets go on sale October 1. More information after the break.
With last year’s opening of the 9/11 Memorial at Ground Zero and the near-completion of the World Trade Center One, Daniel Libeskind’s vision for the World Trade Center site is close to presenting the future of NYC’s downtown financial center, 11 years after the attacks. Studio Daniel Libeskind was selected to develop the master plan for the site in 2003, and since has been coordinating with NYC’s numerous agencies and individual architects to rebuild the site. The project, in Libeskind’s words, is a “healing of New York”, a “site of memory” and “a space to witness the resilience of America”.
Follow us after the break for more on the elements and progress of the master plan.
MoMA Exhibit: 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design
MoMA‘s new installation 9 + 1 Ways of Being Political will exhibit works from the museum’s collection that offer fresh perspectives on the last 50 years of architecture that is a signature of the evolving conditions of our political context. The exhibit is in response to the general perspectives of today that consider architecture as having been overwhelmed by our economic realities. Through a range of media, including a performance piece by Andrés Jaque Arquitectos (at MoMA PS1 on September 16 and 23), 9 + 1 Ways of Being Political argues that architecture maintains its political influence with a variety of critiques that span decades. The exhibit is divided into nine sections and examines the blurs between social, political and public space in which architecture resides. 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design opens tomorrow, September 12th, and will run through March 25, 2013.
To honor the memory of those who tragically lost their lives in the terrorist attacks of September 11, 2001, New York-based Davis Brody Bond has been commissioned to design the National September 11 Memorial Museum at the heart of the former World Trade Center site in New York. Serving as a complement to the National September 11 Memorial, the museum will tell the story of 9/11 through multimedia displays, archives, narratives and a collection of monumental artifacts, while commemorating the life of every victim of the 2001 and 1993 terrorists attacks.
Continue after the break to learn more.
Today in Lower Manhattan, thousands of visitors are crossing a landscaped plaza of oak trees towards two black granite, sculptural voids, carved deep into the earth, to commemorate the victims of September 11, 2001. Designed by Michael Arad of Handel Architects, the National September 11 Memorial has transformed the last remnants of the former World Trade Center (WTC) towers into a power civic space for contemplation and healing. Here, the painful memory of 9/11 is preserved and honored, while the necessary bustle of everyday life is able to move forward.
Continue after the break for more images and information.
Storefront for Art and Architecture is opening up its fall exhibition season starting September 25th with ‘Past Futures, Present, Futures’. The exhibition, which will be up until November 17th, presents 101 unrealized proposals for New York City, with 101 reenactments by invited artists, architects, writers, and policy-makers to create alternative visions for the present and future of the city. The exhibition is curated by Eva Franch and designed by Leong Leong. An opening reception will take place on September 25, 2012 from 7pm to 9pm. For more information, please visit here.
The New York Chapter of the National Organization of Minority Architects (nycobaNOMA) will be hosting the ‘Crafting the Interview 3.0′ event, which has been postponed to take place October 13 at FXFOWLE from 11am – 5pm. In order to provide the necessary tools to craft a successful interview, they have planned a Portfolio + Resume Review Day for graduating college students and young professionals seeking feedback on their portfolio. A panel presentation will provide information about the job hunting process and current market trends. The event will offer constructive one-on-one feedback to participants and a panel discussion comprised of professionals representing different sectors of the architectural + design community. To register for the event and for more detailed information, please visit here.
SPURA is one of the many adopted acronyms used to describe New York City’s division of neighborhoods. But unlike SOHO, NOHO, or Tribeca, SPURA is actually the name of a development site in Lower Manhattan, the Seward Park Urban Renewal Area, to be exact. The history of the site is a story of politics, economics and social pressures. After fifty years of debates between community leaders, activists and designers, the City Planning Commission has given a proposed development plan the green light. That means that following a land-use review process called ULURP, a city council vote and the Mayor Bloomberg’s final approval, the site may finally transition from a street level parking lot into a mixed-use development full of retail stores, offices, community facilities, a new Essex Street market, a hotel, a park and 900 apartments that will occupy 1.65-million-square-feet.
Join us after the break to read more on the development and to see other alternative creative proposals that this site has inspired over the years.
Now through November 5th, the Museum of Modern Art will be running Century of the Child: Growing by Design, 1900-2000, a new exhibit that surveys modern design and innovation through the exploration of childhood development and well-being. Prior to the 20th century, childhood was not considered a time of development for the human brain. As Ken Johnson points out in his reviewof the exhibit, “children were considered small adults to be put to work as soon as possible”. The 20th century changed all that and modern psychology bore a great deal of influence on investigations into childhood and development. Modernist design followed, creating a whole new set of tools that children could interact with, learn from, and be entertained by. The exhibit has an assortment of furniture, toys, books, games and posters all designed for the child.Read on for more after the break.
Let’s look at these examples after the break.
R 20th Century is pleased to present AFTER, curated by Kelly Behun and Alex P. White of kelly behun|STUDIO. AFTER, which is on view September 19-October 27, will feature works from kelly behun|STUDIO, one of the most innovative, experimental design studios working today, and R 20th Century, one of the leading galleries for the exhibition of historic and contemporary design.
Designs in the exhibition draw inspiration from methods of sampling, appropriation, and deconstruction and how these ideas relate to postmodern notions of authorship. AFTER acknowledges “reference” in ways that are alternately direct, irreverent, poetic and oblique. More information on the exhibition after the break.