Santiago Calatrava's long-awaited World Trade Center Oculus has officially opened. Thanks to EarthCam and the project's contractor Skanska USA, you can watch the $4 billion transportation hub take shape over the course of 42 months in just 65 seconds, from June 2011 to December 2014. For more, see what the critics have to say about the newly opened building here.
After 12 long years and a series of construction headaches, Santiago Calatrava’s $4 billion World Trade Center Transportation Hub has finally opened to the public. Once widely regarded as a symbol of hope for post-9/11 New York, the project’s ballooning budget and security-related revisions gradually soured the opinions of the public and top design minds including Michael Graves and Peter Eisenman, and provoked a multitude of mocking nicknames ranging from “Calatrasaurus” to “squat hedgehog” to “kitsch dinosaur.” All the while, Calatrava urged critics to reserve their opinion until the project’s opening. Now that day has arrived - did Calatrava receive the vindication he was insistent would come? Read on for the critics’ takes.
Half of Santiago Calatrava's $4 billion World Trade Center Transportation Hub is set to "quietly" open next week, according to a report by Crain's New York. Heavily criticized for being seven years overdue and twice its original cost, the public project has been labeled a "symbol of excess" by some and a "legacy project" by others. Despite the criticism, its 355-foot-long operable "Oculus" is "breathtaking" says New York Times reporter David Dunlap.
“It is necessary,” Calatrava told Dunlap, “that public space prevail... A balance is struck at Grand Central Terminal, and it will be here."
With the growth of new development and renovation in our two boroughs in the past five years, our professional associations are excited to collaborate on this event to celebrate the contributions of the design professions to the urban environment we all share.
In its inaugural year, the Brooklyn + Queens Design Awards (BQDA) program has been established to encourage excellence in architectural design, to raise public awareness of the built environment and to honor the architects, owners and builders of significant projects within the two boroughs. It is the goal and collaboration of the AIA Brooklyn and AIA Queens Chapters to promote chapter members and affiliates through the display of their design and service accomplishments.
The New York Landmarks Conservancy has announced Apple, Inc. as the recipient of its 2016 Chairman’s Award “for their contribution to preserving, restoring, and repurposing notable historic structures in New York City.”
In the latest video from the Louisiana Channel, six architects – Bjarke Ingels, Liz Diller, Daniel Libeskind, Robert A.M. Stern, Thom Mayne, and Craig Dykers – share what it’s like to build in New York. From the High Line to the 9/11 Memorial Museum Pavilion at Ground Zero, the architects each describe their approach to designing in the iconic city.
In an exclusive thirty minute-long discussion with Kevin Roche, described in this interview as "arguably the greatest living architect you've never heard of," Monocle's Steve Bloomfield hears about his early years in practice through to the evolution of his design philosophy over a career which has spanned five decades.
I think any man who really has faith in himself will be dubbed arrogant, I suppose. I think that's what happened to me. - Frank Lloyd Wright
In this video produced by Blank on Blank, Frank Lloyd Wright shares his thoughts on New York City, religious architecture, and being labeled arrogant. The interview was taken from a 1957 episode of The Mike Wallace Interview when Wright was 90 years old. Showing his trademark fieriness even at his advanced age, Wright claims that if he had another 15 years he would be able to change the whole of the United States for the better, dismissing the judgement of those with the audacity to call him arrogant. Watch the animated video above, and read on after the break for some of the interview's most quotable moments.
An image of Ismael Levya Architects' transformation of a six-story parking garage in New York City's Upper East Side has been revealed. The project, already under construction, will expand the structure into a 19-story residential tower that will house 56 luxury apartments. Described as a "lantern," the 210-foot-tall building was designed as "four distinct townhouse volumes with metal and glass."
Collective–LOK's Heart of Hearts installation has officially opened in New York City's Times Square, just in time for Valentine's Day. Winner of this year's annual Times Square Valentine Heart Design, a competition curated by the Center for Architecture, the "faceted ring of 12 golden, mirrored hearts" will remain on view in Duffy Square through March 6.
Developer Tishman Speyer has commissioned BIG to design a new office tower on the northern end of the High Line at Hudson Yards in New York City. Dubbed "The Spiral," the 1005-foot-tall tower is named after its defining feature - an "ascending ribbon of lively green spaces" that extend the High Line "to the sky," says Bjarke Ingels.
"The Spiral combines the classic Ziggurat silhouette of the premodern skyscraper with the slender proportions and efficient layouts of the modern high-rise," adds Ingels. "Designed for the people that occupy it, The Spiral ensures that every floor of the tower opens up to the outdoors creating hanging gardens and cascading atria that connect the open floor plates from the ground floor to the summit into a single uninterrupted work space. The string of terraces wrapping around the building expand the daily life of the tenants to the outside air and light.”
A design for a pavilion constructed out of recycled clothes hangers has been selected as the winner of the sixth annual City of Dreams Pavilion Competition. The temporary structure will be built on Governors Island and available to the public for summer 2016, pending final approval and fundraising.
Hosted by FIGMENT, the Emerging New York Architects Committee (ENYA) of the American Institute of Architects New York Chapter (AIANY), and the Structural Engineers Association of New York (SEAoNY), the competition speculates on possible futures with solutions to the current strain on economic and natural resources. Designers are required to consider their materials from sourcing to disposal, or ideally, reuse, promoting sustainable thinking.
Over 100 design proposals were submitted, and the jury selected four finalists who were each given a month to further develop their designs in response to jury comments. See the winning design and the three finalists after the break.
An image of Álvaro Siza's first US building has been released. The luxury New York tower, planned for the corner of West 56th Street and Eleventh Avenue in Midtown, will rise up to 120 meters (just over 400 feet) and offer 80 units, a private roof garden, sun deck, spa and fitness center, and more.
Siza is working with real estate development firms Sumaida + Khurana and LENY on the project. Sumaida + Khurana is the same developer who is collaborating with Tadao Ando on a luxury condominium at 152 Elizabeth Street.
The Google Cultural Institute have teamed up with New York City's iconic Solomon R. Guggenheim Museum, designed by Frank Lloyd Wright and completed in 1959, to open its doors through Street View. Additionally, the Solomon R. Guggenheim Foundation has made over 120 artworks from its collection available for online viewing. "Using Street View technology, it will now be possible to tour the museum’s distinctive spiral ramps from anywhere online," the Foundation said.
Architecture and Hip-Hop are both social, cultural practices that have remained at polar ends of a societal spectrum for most of their existence. Hip-Hop, which historically was born from communities of under-privileged youth, is often at odds with Architecture, a profession that has until recently, existed to almost solely service the top of society. With the affluence of certain hip hop artists – Pharrell Williams, Kanye West and Jay-Z, to name a few – hip hop has begun to encroach the realm of design, and ever so slightly, the dimension of architecture. A new “hip hop architecture” is being born.
Two major tenants, 21st Century Fox and News Corp have pulled plans to relocate to the BIG-designed 2 World Trade Center - the final building planned for the 16 acre site. 2 WTC was unveiled last summer after news broke that BIG would be replacing Foster + Partners as the building's architect. According to a report on The Wall Street Journal, the two media companies based their decision on the high cost of relocating; they plan to stay in their current Midtown site until at least 2025.
The project will be placed on hold until a new tenant is found.
New York City's Van Alen Institute have announced four new members—Haptic Architects, Mecanoo, Studio Libeskind, and Trahan Architects—to their International Council, a platform for exchange among leading architects, designers, developers, and planners. Furthermore, Jing Liu (SO–IL), Kim Herforth Nielsen (3XN), and Raymond Quinn (Arup) have joined its board of trustees to help guide the organisation's cross-disciplinary research, provocative public programs, and design competitions.
As part of OMA co-founder Rem Koolhaas' sixth interview with Charlie Rose, the Rotterdam-based Architect discusses why the Dutch port-city is his practice's base – and why he switched from journalism and scriptwriting to architecture. In the discussion, of which four snippets have been made available, Koolhaas also explains why he feels that smart technology has a "sinister dimension," and on how he—and his practice—have a tendency to "resist aesthetic."