Frank Gehry’s design for the performing arts center at ground zero in New York has been shelved and the planning board will instead select a design from three other finalist architects, the New York Times has reported. This follows on reports from February that Frank Gehry’s original design was being revised and his plans for an initial 1,000 seat center were being abandoned. “We’re in the process of selecting a new architect,” said John E. Zuccotti, the real estate developer who is the chairman of the arts center’s board. “Three architectural firms are being considered.” Gehry, however, has said that he’s heard “zero at ground zero” and hasn’t been informed of the board’s decision. To learn more about the plans for the performing arts center see the full article from the New York Times.
The 6th Annual Architecture and Design Film Festival is set to return to New York City on October 15th for five days of premieres and showings. With a special themed focus on Women in Architecture, the US’s largest architecture-related film festival will present over twenty five feature-length and short films in a programme curated by Kyle Bergman and Laura Cardello. Designed to provide “rare glimpses and intimate portrayals of seminal figures and growing movements in the fields of architecture, design, urbanism and fashion,” this year’s festival will also feature a 3D film series exploring six iconic structures from filmmakers such as Wim Wenders and Robert Redford.
Explore the highlights and find out more about the festival after the break.
The US Patent and Trademark Office have awarded a patent to Apple for the design of their flagship store on Fifth Avenue in New York, reports MacRumors. The patent, applied for by Apple in 2012, applies to the above-ground glass cube, which was originally designed by Bohlin Cywinski Jackson and – after a renovation in 2011 – is made of just 15 glass panels with minimal steel fixings. More on the patent after the break.
As part of Mathews Nielsen Landscape Architects‘ ongoing blog at Metropolis Magazine about effective implementation of landscape design principles, this article discusses one of the more unusual methods developed to create resilience and prevent storm damage: oysters. Drawing on her experiences creating an oyster reef at Mathews Nielsen Landscape Architects’ Pier 42 project in New York, Johanna Phelps explains the challenges and opportunities that arise in establishing this unusual type of natural infrastructure in an urban location.
Since Hurricane Sandy struck New York in 2012, the city’s waterfront design discussions have focused on ideas of resiliency and planning for storm events. The recent Rebuild by Design competition sponsored by the U.S. Department of Housing and Urban Development (HUD) and the Presidential Hurricane Sandy Rebuilding Task Force, featured six winning proposals that all envisioned a beefed-up Manhattan shoreline capable of handling large storm events and other hazards effects of climate change. Of the handful of ambitious designs, Scape/Landscape Architecture’s Living Breakwaters plan was the most interesting: the project called for the reestablishment of New York’s erstwhile oyster reefs, which the architects said would improve local ecology.
Originally published by Metropolis Magazine as “Playing in Traffic“, this article by Jack Hockenberry delves into the relationship between man and vehicle, illustrating the complex dynamic created in New York – a city with over 2.1 Million registered vehicles. Contrary to the car-centric schemes of New York’s infamous former Master Planner Robert Moses, Hockenberry argues that the city is the “negative space” while vehicles are obscured by our unconscious.
It is a curiosity of modern urban life that the more cars crowd into cities, the more they become invisible. It’s a great feature that comes standard on any model these days. Unfortunately we can’t control it from the driver’s seat—however much we would like to wave our hands and watch through our windshields as gridlocked cars disappear, liberating us from traffic imprisonment. The invisibility I am speaking about only works if you’re a pedestrian or bicyclist. The number of motorized vehicles parked or driving at any given moment on the streets of New York City is astounding. An estimated 2.1 million are registered in the city, according to the state’s Department of Motor Vehicles. Yet we never fully register them visually when we’re walking on the streets. The city is the negative space and that is how our eyes increasingly navigate urban landscapes. Everything around the cars and trucks gets knitted together by the eye and, even though the vehicles are present, we have gradually learned to ignore them unless we’re standing in the direct line of moving traffic.
What influence do art and space have on the contemporary architectural design process? MoMA‘s most recent exhibition on architecture and design Conceptions of Space strives to answer this question. Themed under the umbrella of spatial relations, Curator Pedro Gadanho ruminates on the subject in a broad and philosophical sense. The exhibition delves into the topic using an interdisciplinary approach, incorporating research from French philosopher Michel Foucault on the subject of the expanded field. The exhibition aims to explore the relationship between the development of space and its deep-seated roots in the creative arts.
New York City have released images of fourteen tower proposals as part of a controversial scheme to bring affordable housing to the 85 acre Brooklyn Bridge Park, originally designed by Michael van Valkenburgh and realised in 2004. The schemes, designed to be located on “two coveted development sites” on Pier 6, have been actively met with strong opposition from local community members. The park and surrounding area has seen a number of interesting recent regeneration proposals, from an 11,000ft² beach beneath the Brooklyn Bridge to a triangular pier proposed by BIG. Read on to see the proposals in detail, including those by Asymptote, Pelli Clarke Pelli, Davis Brody Bond, and Bjarke Ingels Group (BIG).
In 2011, the Tribeca-based design duo of James Ramsey and Dan Barasch proposed a radical project to transform an abandoned subterranean trolley terminal in Manhattan‘s Lower East Side into an underground park filled with natural light and vegetation, eventually proving their design with a full size mock-up of their design for light-capturing fiber-optic tubes. Since then, they haven’t had nearly the same level of publicity – but that doesn’t mean they aren’t still working. This article by The Architects’ Newspaper catches up with Ramsey and Barasch as they attempt to make their $50 million project a reality by 2018. Read the full article here.
The designs of the Nordstrom Tower in New York, the world’s tallest residential building at 1,775 feet tall, have been revealed to New York YIMBY by an anonymous tipster close to the project. The project at 225 West 57th Street by Adrian Smith + Gordon Gill Architecture will be one foot short of 1 World Trade Center, and with its 1,451 high roof will finally reclaim the title of United States’ tallest roof from Chicago‘s Willis Tower.
More on the Nordstrom Tower after the break
Foster + Partners has released new images of 425 Park Avenue in New York, the project which turned heads in 2012 when videos of the four competing architects presenting their proposals were released to Youtube. The new images show a slightly altered design for the glazed entrance, where a mezzanine on either side replaces what was originally a double height space in the entire lobby. The new images also give a glimpse into the building’s interiors, where curtain glass walls make the most of spectacular views across Manhattan and Central Park. Read on after the break for all the images.
AA Studio have revealed their plans for the development of Brooklyn‘s iconic New York Dock Company building, transforming the 230,000 square foot structure into a mixed-use complex of six commercial spaces on the ground floor, 70 residential loft apartments, and a rooftop deck and gardens above.
The design aims to be as faithful to the original structure as possible, retaining the existing poured concrete columns and walls and exposing the high concrete ceilings. As one of the earliest structures to use the technology, the retention and celebration of these features is a key aspect of the building’s conservation.
Read on after the break for more on the design
Built four decades after Louis Kahn’s death, New York City’s Four Freedoms Park - the architect’s posthumous memorial to Franklin D. Roosevelt and his policies – is becoming one of the architect’s most popular urban spaces. In a recent article for the Guardian, Oliver Wainwright investigates what he describes as perhaps Kahn’s ”best project”. Wainwright’s spatial description of the monument is interweaved by fragments of Kahn’s personal history, building up a picture of a space with “the feel of an ancient temple precinct” and “a finely nuanced landscape”. Although Gina Pollara, who ultimately realised the plans in 2005, argues that Four Freedoms Park ”stands as a memorial not only to FDR and the New Deal, but to Kahn himself”, can a posthumous project ever be considered as an architect’s best? Read the article in full here.
Our friends at The Creators Project have shared with us an awesome video of the latest MoMA PS1 installation: Hy-Fi. Designed by The Living, who have – in a fascinating move – recently been acquired by Autodesk, the tower’s many organic, biodegradable bricks are grown from a mushroom root in five days, with no energy required and no carbon emissions. In fact, the tower will be composted after MoMA PS1′s summer program is over. Learn more about this ingenious tower from the creator David Benjamin in the video above. And check out more images of the tower after the break.
If there is one thing to be learned from the unsuccessful prohibition period of the 1920s, it is that we, the people, will go to great lengths to exercise our right to drink alcohol in the company of others. Our determined forefathers could have simply enjoyed a small-batch bathtub brew in the comfort of their own homes, but instead they established a system of secret places to congregate and consume collectively, even under threat of federal prosecution. Though it is no longer a felony to consume alcohol, New Yorkers are still pushing the legal limits of drinking with others, challenging the open container laws that prohibit public drinking.
Drinking is a recreational activity. It is a means of stepping beyond the realm of normal perception and seeing things differently, in the metaphorical sense (though sometimes a literal one). It is an act of recreation and repose, the parallel of peering at passerby from a park bench. In New York City, as in most of the United States, it is illegal for any person to possess an open container of an alcoholic beverage in any public place, “except at a block party, feast or similar function for which a permit has been obtained.” Rarely do individuals have the resources for a block party or occasion for a full-scale public feast. More likely, they simply seek to crack open a can with neighbors on their front steps or with friends in Central Park, thereby enjoying a beverage in one of the country’s most vibrant and diverse public spheres for a mere penance. Unfortunately, that is not a legal option. Even the outdoor space we own is not completely open to our discretionary use: a resident cannot drink on his own stoop because it is “a place to which the public or a substantial group of persons has access.”
With hurricanes Sandy and Katrina etched into recent memory, the need for post-disaster relief housing is now. New York City and Garrison Architects have developed a modular, prefabricated housing system to relieve displaced citizens during the next “superstorm.” At only 40′ by 100′ long, they can squeeze into the city’s smallest corners – all while having kitchen, bedroom, bathroom and storage spaces. The prototype is on display in Brooklyn – but you can see the entire design at the A/N Blog.
The Municipal Art Society (MAS) of New York announced their list of honorees for the 2014 MASterworks Awards last week. These annual awards are dedicated to buildings, completed the year previously in the city of New York, that exemplify a high standard of design, and make a significant contribution to the city’s urban environment. This year, all of these projects are located outside of the city center and cover a wide range of programming, from an African-American heritage museum, to a pencil factory addition.
Vin Cipolla, president of MAS said that “the 2014 MASterworks winners strike a great balance between groundbreaking design and historic preservation. We are thrilled that all the winners this year are in the outer boroughs, proving that design excellence is happening throughout the city.” See the full list of winners here, or take a look at the five major category winners after the break!
Tadao Ando has unveiled designs of his latest project, a 7 story luxury residential project in Manhattan. The building at 152 Elizabeth Street is Ando’s first in New York, and includes his signature design features of simple cubic forms, polished in-situ concrete and curtain glass.
More on 152 Elizabeth Street after the break