In a permanent state of architectural transience, New York City continues to be adorned with new skyscrapers with every passing day. Historically fueled by financial prosperity coupled with the demand for commercial space, the only way to continue to build was up. Blue Crow Media’s latest map, “Art Deco New York Map” showcases over sixty buildings from the era, celebrating the eclectic nature of Art Deco architecture that is so deeply inherent to the identity of the city.
Paul Rudolph, despite vaulting to international success in the early 1940s and 50s for his Brutalist structures, saw an abrupt end to the popularity of his signature style as postmodernism gained prominence. As tastes shifted to different fare, so too did Rudolph's approach - leaving a number of his unbuilt proposals to gather dust.
No longer.
This article was originally published on June 16, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Built in the early days of airline travel, the TWA Terminal is a concrete symbol of the rapid technological transformations which were fueled by the outset of the Second World War. Eero Saarinen sought to capture the sensation of flight in all aspects of the building, from a fluid and open interior, to the wing-like concrete shell of the roof. At TWA’s behest, Saarinen designed more than a functional terminal; he designed a monument to the airline and to aviation itself.
This AD Classic features a series of exclusive images by Cameron Blaylock, photographed in May 2016. Blaylock used a Contax camera and Zeiss lenses with Rollei black and white film to reflect camera technology of the 1960s.
This article was originally published on December 5, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Even in Manhattan—a sea of skyscrapers—the Empire State Building towers over its neighbours. Since its completion in 1931 it has been one of the most iconic architectural landmarks in the United States, standing as the tallest structure in the world until the Twin Towers of the World Trade Center were constructed in Downtown Manhattan four decades later. Its construction in the early years of the Great Depression, employing thousands of workers and requiring vast material resources, was driven by more than commercial interest: the Empire State Building was to be a monument to the audacity of the United States of America, “a land which reached for the sky with its feet on the ground.”[1]
New York’s iconic Central Park was designed in 1858 by F.L Olmsted and C. Vaux, having been chosen in a competition against 32 other entries. The competition called for the design of a park including a parade ground, fountain, watchtower, skating arena, four cross streets, and room for an exhibition hall.
Of the 32 alternative entries, only one survives to this day. The sole survivor was drawn up park engineer John J. Rink. To give an indication as to how Rink’s plan would have aged in the Big Apple, NeoMam Studios and Budget Direct have published a set of visualizations derived from the design. Find out below what one of the world’s most iconic green spaces could have looked like if a 160-year-old decision had been different.
The design for the tallest residential building in the world has been unveiled, situated in New York City. “Central Park Tower” by Adrian Smith + Gordon Gill architecture will stand at 1,550 feet (472 meters). The firm’s Jeddah tower in Saudi Arabia is also currently under construction, on track to be the world’s tallest tower.
Reddymade has been unveiled as the winner of the Valentine Heart Design Competition installation in Times Square, New York. The scheme is inspired by the “history of the iconic New York urban space and its presence in the eyes of the world as a byword for a thriving intersection of people, place, and culture.”
The winning team explored the tectonic possibilities of intersecting shapes, investigating what happens with two different planes intersect. The resulting sculpture created two converging planes merging together to create an iconic ‘X’ which, when intersected by a cylindrical volume, creates a heart-shaped space.
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This article was originally published on July 22, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
The New Museum is the product of a daring vision to establish a radical, politicized center for contemporary art in New York City. With the aim of distinguishing itself from the city’s existing art institutions through a focus on emerging artists, the museum’s name embodies its pioneering spirit. Over the two decades following its foundation in 1977, it gained a strong reputation for its bold artistic program, and eventually outgrew its inconspicuous home in a SoHo loft. Keen to establish a visual presence and to reach a wider audience, in 2003 the Japanese architectural firm SANAA was commissioned to design a dedicated home for the museum. The resulting structure, a stack of rectilinear boxes which tower over the Bowery, would be the first and, thus far, the only purpose-built contemporary art museum in New York City.[1]
José Esparza Chong Cuy has been appointed as the new Executive Director and Chief Curator at Storefront for Art and Architecture. Following the departure of former director Eva Franch i Gilabert to London as the new Director of the Architectural Association, the extensive international search to fill her shoes began. An architect, curator, and writer, originally from Mexico, Esparza Chong Cuy was named and will assume the position starting November 1st.
Storefront, a non-profit organization based in New York City, engages in the advancement of design and architecture with interdisciplinary dialogue through exhibitions and projects that aim to transcend geographic and ideological boundaries. Charles Renfro, President of Storefront's Board of Directors, remarks, "We are thrilled to welcome José to the helm of Storefront, the very institution where he began his curatorial career over a decade ago."
COOKFOX Architects and Oxford Properties have reimagined New York's St. John’s Terminal as a workplace of the future. The 1.3 million square foot proposal aims to connect the Hudson Square neighborhood to the waterfront at the end of The High Line. Combining outdoor space and greenery with 100,000 square-foot floor plates, the project reinterprets the industrial past of the former freight terminal. The project was created to shape how businesses innovate and create between Lower Manhattan and the waterfront.
This article was originally published by Autodesk's Redshift publication as "SHoP's Chris Sharples on Urban Architecture, Digital Fabrication, and the Public Realm."
Twin brothers Chris and Bill Sharples are two of the founding partners of SHoP Architects, a New York-based firm established 20 years ago to bring together diverse expertise in designing buildings and environments that improve the quality of public life.
The firm’s style is difficult to define, but a connective thread throughout SHoP’s portfolio is a design philosophy rooted in constraints. From digital models to next-generation fabrication and delivery techniques, technology is at the center of the firm’s movement toward an iterative approach that, as Chris Sharples says, “is beginning to blur the line between architecture and manufacturing.”
SHoP Architects' super-slender tower at 111 West 57th Street has reached supertall height, but the tower has begun missing pieces of its façade. As New York YIMBY revealed, sales have already started for the Manhattan skyscraper as new photographs show missing fragments of the terracotta façade. Located in Billionaire's Row just south of Central Park, the supertall is being created by JDS Development and Property Markets Group. The project aims to become an iconic terracotta skyscraper in Midtown as it passes its third setback.
The New York City Department of Building has created a real-time interactive map detailing every major construction project currently underway in the Big Apple. Covering Brooklyn, Queens, Staten Island, Manhattan, and the Bronx, the map also ranks projects by cost, size, and height.
While most city planning portals are already freely accessible to the public, the new interface of the “NYC Active Major Construction” map presents detailed information in a clean, fast, user-friendly manner, giving architects and residents-alike a deeper insight into construction trends in what Bjarke Ingels refers to as “a capital of the world.”
Since moving to New York in 2010, BIG founder Bjarke Ingels has built an impressive portfolio, from developed projects such as VIA 57 West and The Eleventh to propositions such as West 29th Street and The Spiral.
In a new interview with Louisiana Channel, Ingels steps back from the pragmatism of individual projects, and instead reflects on his view of New York, from multiculturalism and inequality to regeneration and skyscrapers.
Work on the Snøhetta-designed renovation of 550 Madison Avenue, better known as the AT&T Headquarters, has ground to a halt in New York City. The controversial postmodernist icon, designed by Philip Johnson and John Burgree, has become the youngest building in New York to receive "Individual Landmark" status by the Landmarks Preservation Commission (LPC), striking a blow to controversial efforts to renovate the building.
Under major renovation plans designed by Snøhetta, the scheme was set to be transformed at street level with a more transparent base, with the existing stone façade removed. Meanwhile, the signature ground floor element, an enormous arched entry, would be rendered a shadowy profile of its former self behind a fritted glass curtain wall. The plans attracted wide criticism, such as an intervention on film by Robert A M Stern, and grassroots campaigns including docomomo and change.org.
Last month, we reported on the topping out of 53 West 53rd, a skyscraper designed by Pritzker Prize-winning architect Jean Nouvel. The impressive 1,050-foot tall building will serve as a luxury residential condominium and offer its residents views across Central Park and downtown Manhattan. The Real Deal recently sat down with the architect to talk about his new project, and how he predicts it will transform the city’s iconic skyline.
Neighboring Grand Central Station, Company’s office building at 335 Madison Avenue has one of the most coveted locations in midtown Manhattan. Charged with completely renovating the building’s atrium and office floors, the local New York firm SHoP Architects has unveiled a set of interior renders that show their plans for the commuter-friendly office space.
In his ongoing study, Nikola Olic - a Serbian photographer based in Dallas, Texas - focuses on “architectural photography and abstract structural quotes that reimagine their subjects in playful, dimensionless and disorienting ways.” Often isolating elements of a facade, which obscures the viewer's sense of scale and perspective, Olic provides short descriptions of each image, acting as a “demystifying tool” and reminding us of the everyday nature of his subject matter. In the third collection shared with ArchDaily, the photographs are taken in Dallas, Fort Worth, Las Vegas, New York, Los Angeles, Long Beach, and Hong Kong.
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