1. ArchDaily
  2. Neo-Gothic

Neo-Gothic: The Latest Architecture and News

Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences

The annual festival Burning Man has revealed the design of the 2024 Temple at Black Rock City, which will become the central installation during the festival happening between August 25th and September 2nd, 2024, in Black Rock Desert, Nevada. Titled “The Temple of Together,” the proposal is designed by Caroline Ghosn, the first BIPOC, female Temple lead artist. The proposal takes cues from neo-gothic religious architecture, combined with Art Deco styles and Lebanese Khaizaran weaving techniques to create a symbol of unity and respect. The design was selected following an international competition that seeks to find novel interventions that fit within the Burning Man tradition.

Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences - Image 1 of 4Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences - Image 2 of 4Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences - Image 3 of 4Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences - Image 4 of 4Burning Man Reveals the 2024 Temple, Designed with Neo-Gothic and Khaizaran Influences - More Images+ 1

AD Classics: Red House / William Morris and Philip Webb

In the heart of a suburb just east of London stands an incongruous red brick villa. With its pointed arched window frames and towering chimneys, the house was designed to appear  like a relic of the Middle Ages. In reality, its vintage dates to the 1860’s. This is Red House, the Arts and Crafts home of artist William Morris and his family. Built as a rebuttal to an increasingly industrialized age, Red House’s message has been both diminished by the passage of time and, over the course of the centuries, been cast in greater relief against its context.

AD Classics: Red House / William Morris and Philip Webb - ResidentialAD Classics: Red House / William Morris and Philip Webb - Residential, Door, Facade, ArchAD Classics: Red House / William Morris and Philip Webb - ResidentialAD Classics: Red House / William Morris and Philip Webb - Residential, Garden, FacadeAD Classics: Red House / William Morris and Philip Webb - More Images+ 9

AD Classics: Palace of Westminster / Charles Barry & Augustus Pugin

At 6:20pm on the evening of October 16, 1834, a fire began in the old Palace of Westminster in London – the foremost seat of parliamentary governance for both the United Kingdom and the British Empire across the seas. The inferno, which burned until the early hours of the morning, destroyed so much of the medieval complex that neither restoration nor preservation were considered viable options – a new palace would have to rise from the ashes to surround the largely undamaged Westminster Hall.[1] The fire gave the United Kingdom a chance not only to replace what was considered as an outdated, patchwork of government buildings, but to erect a Gothic Revival landmark to spiritually embody the pre-eminence of the United Kingdom across the world, and the roots of modern democracy.

AD Classics: Palace of Westminster / Charles Barry & Augustus Pugin - Historic Preservation, FacadeAD Classics: Palace of Westminster / Charles Barry & Augustus Pugin - Historic Preservation, Facade, ArchAD Classics: Palace of Westminster / Charles Barry & Augustus Pugin - Historic Preservation, ArcadeAD Classics: Palace of Westminster / Charles Barry & Augustus Pugin - Historic PreservationAD Classics: Palace of Westminster / Charles Barry & Augustus Pugin - More Images+ 8

AD Classics: Neuschwanstein Castle / Eduard Riedel

Looming over the small Bavarian town of Hohenschwangau are the turrets and towers of one of the world’s most famous “fairytale” castles. Schloß Neuschwanstein, or “New Swan Stone Castle,” was the fantastical creation of King Ludwig II – a monarch who dreamed of creating for himself an ideal medieval palace, nestled in the Alps. Though designed to represent a 13th-century Romanesque castle[1], Neuschwanstein was a thoroughly 19th-century project, constructed using industrial methods and filled with modern comforts and conveniences; indeed, without the technological advancements of the time, Ludwig could never have escaped into his medieval fantasy.[2]

AD Classics: Neuschwanstein Castle / Eduard Riedel - Other, FacadeAD Classics: Neuschwanstein Castle / Eduard Riedel - Other, Facade, Arch, ArcadeAD Classics: Neuschwanstein Castle / Eduard Riedel - Other, Facade, Arcade, Arch, ColumnAD Classics: Neuschwanstein Castle / Eduard Riedel - Other, Arcade, Arch, ColumnAD Classics: Neuschwanstein Castle / Eduard Riedel - More Images+ 8