Italian design firm IaN+ has put forth their vision for a pair of museums along the Dòzsa Gyorgy Boulevard in Budapest, Hungary for the Liget Budapest International Competition. Connected by a central foyer, the two exhibition spaces will be based on a common grid of structural concrete walls whose cells will form galleries. One of these museums will be devoted to photography, the other to architecture, and each building, while similar in appearance, is designed to best accommodate the work they will display.
The Philadelphia Museum of Art has revealed Frank Gehry‘s designs for a 169,000 square foot expansion that will see the museum dig down to create a new set of galleries underneath its existing footprint. Already an unusual choice for a project whose brief called to preserve the architectural integrity of the existing building, Gehry’s design is an unexpectedly muted intervention, focusing on interior rearrangement and additions that are in keeping with the 86 year-old building’s aesthetic.
Perhaps the most dramatic alteration proposed by Gehry is a plan to punch a hole through the museum’s famous ‘Rocky steps’, the iconic training location from the Rocky film series, creating a window into the new subterranean galleries; however as the $350 million project will by necessity by undertaken in stages, this intervention is likely to be a subject of discussion for some time.
More on the design after the break
Peter Zumthor and the Los Angeles County Museum of Art (LACMA) have revealed a revised design for the museum’s $650 million new home on Museum Row in Los Angeles. The new design still features the sinuous glass and grey concrete slab raised a full story off the ground, but under the new proposal part of the museum would bridge Wilshire Boulevard to touch down on what is currently a car park opposite.
The change comes in response to criticisms that the previous design would put the neighboring La Brea Tar Pits at risk, threatening their status as an active paleontological research site and a popular tourist destination. The shape of the new design removes this risk by withdrawing from the boundary with the adjacent tar pits, without compromising on floor space in the museum.
More on the revised design after the break
Russian practice Project Meganom have won a competition to redesign the Pushkin State Museum of Fine Arts in Moscow. Their winning entry seeks to transform the museum complex into a hive of cultural activity, preserving the institution’s world class art collection whilst “actively engaging with the surrounding territory as a potential space for exhibition, dialogue, and communication.” The project focuses less on the provision of new areas but rather provides a single unified platform for a series of discordant parts, tying together all the elements of the environment into one cohesive design – “from buildings and monuments to benches and navigation.”
“They’ve got the mall. They’ve got the food court. Now they’ve got the multiplex.” Rowan Moore’s latest piece for the Guardian discusses the collaged plight of London’s British Museum as Rogers Stirk Harbour + Partners (RSHP) complete a large extension of exhibition spaces. Describing it as a “composite Foster-Rogers” building, Moore argues that “a strange distribution of space” coupled with “an inattention to the cultural complexities of the modern museum” have led to “a void, wrapped in a void, with another void to the side.” Although he states that “there are many things to like about RSHP’s building”, the total compilation of spaces, extensions and interventions have led to a museum more like a mall than a house of culture.
The Science Museum in London has announced two shortlists of high-profile architects in its competitions to design new Mathematics and Medicine galleries. Due to open by 2018, the new galleries will double the space inside the museum. Among the shortlisted practices are Zaha Hadid Architects, Amanda Levete Architects, Wilkinson Eyre and Caruso St John. Winners for both galleries are expected to be announced in early August.
Read on after the break for the full shortlists
The Mauritshuis, a Dutch 17th century city palace in The Hague, will reopen this week following a large scale renovation and extension designed by Hans van Heeswijk with servicing and fire engineering undertaken by Arup. Similar to Amsterdam’s Rijksmuseum, which reopened after a ten year restoration and remodelling in 2013, the Mauritshuis Royal Picture Gallery exhibits one of the finest collections of Dutch Golden Age paintings including Johannes Vermeer’s Girl With a Pearl Earring. Alongside a large scale renovation, Hans van Heeswijk have also extended the galleries with new exhibition spaces, an auditorium and educational spaces.
The Danish Agency for Culture has unveiled a new award for Library architecture as part of its Model Programme for Public Libraries project, a programme in association with Realdania which aims to generate new ideas about how the design of public libraries can change to meet the changing needs of today’s society.
The award, which will be announced at the annual conference of the International Federation of Library Associations and Institutions (IFLA) in Lyon, France, is sponsored by Schmidt Hammer Lassen Architects and has a prize of DKK 25,000.
More on the award, and how to enter, after the break
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.
Details have been released on the New York Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.
Venice Biennale 2014: “M9″ to Discuss the Links Between Cultural Institutions and Urban Regeneration
This year at the 2014 Venice Architecture Biennale, the Collateral Event M9 / Transforming the City will unveil an influential urban regeneration project planned for the heart of Venezia Mestre. Envisioned by British-Berlin practice Sauerbruch Hutton, the competition-winning design will be a new “multifaceted and encyclopedic” cultural center of “international appeal” that showcases the “fundamental” 100 years that “revolutionized the world.”
The exhibition will pair a complete architectural presentation of the project alongside the political motives behind it and an overview of the site’s history as an attempt to spark a “theoretical digression on the links between cultural institutions and urban-regeneration projects.”
More about the project, after the break…
The Science Museum in London has announced plans to expand with three new galleries, launching three competitions to find designers. Two of the new galleries will house new permanent exhibitions about medicine and mathematics, while the third will host an interactive gallery. The three extensions combined will more than double the museum’s current size.
The museum hopes to complete the mathematics and interactive galleries in 2016, with the larger medicine wing scheduled for a 2018 completion date.
Read on after the break for more on the competitions
Rumor has it that Constructivist architect Konstantin Melnikov’s Bakhmetevsky bus garage may soon be transformed into Moscow’s prime modern art gallery. An “equivalent to London’s Tate Modern,” as the Calvert Journal describes, the historic 1927 structure has been said to be the most likely location for the new museum, dubbed “Pushkin Modern.”
Originally published in Metropolis Magazine as “Possibilities over Prescriptions,” this article by Marshall Brown suggests that we open up the conversation to a wider range of possibilities for the Barack Obama Presidential Library. Brown asks “Rather than narrowing the president’s choices based on race, what if the field of candidates could be expanded?”
The official process to build the Barack Obama Presidential Library has finally been launched. After years of gossip and rumors about architects and sites, this could be the moment for some intelligent and informed debate among the design community. Unfortunately, the conversation so far has been dominated by narrow prescriptions about what the library should be, who should design it, and where it should be located, as opposed to broader speculation about what it could be. So I propose that, rather than making prescriptions to the president based on a narrow set of perceived realities, we can help him by expanding the conversation and laying out a broader set of possibilities.
The New York Public Library (NYPL) has abandoned Norman Foster’s controversial plans to transform part of its 20th century Carrère and Hastings “masterpiece” into a circulating library. The news doesn’t come as much of a surprise, considering the city’s new mayor, Bill de Blasio expressed skepticism towards the $150 million renovation earlier this year.
According to a report by the New York Times, Blasio does not intend on reducing the NYPL funding, however the money will now be allocated to other purposes.
Several library trustees have stated that in order to keep up with the cultural shift from traditional stacks to online resources, they now intend on completing the renovation of the library’s mid-Manhattan branch on Fifth Avenue.
A response from Norman Foster, after the break…
The winners of the international competition to design Berlin’s new Natural Science Museum have been announced. The brief, which called for a large scale iconic building in the heart of the German capital, offered the opportunity for architects and students to design in a city founded in the 13th century.
Understanding that natural science museums are often simply seen as places for public spectacle, the organization behind the competition wanted to ensure that the “importance of the museum’s specimen collections for documenting historical and present-day patterns of biological diversity cannot be overstated.”
See the winning entry, along with the runners up, after the break…
The Art Fund recently announced the six museums on the UK’s 2014 Museum of the Year shortlist, its annual award for the outstanding museum of the year. The award celebrates every aspect of what makes a museum successful, but this year the list was highlighted by crucial work by architects, including renovations of the Tate Britain and the Ditchling Museum of Art & Craft, as well as the newly-constructed Mary Rose Museum in Portsmouth. The winner from the six museums will receive a £100,000 prize, and will be announced on July 9th.
Read on after the break for the complete shortlist