Pedro Gadanho is a Portuguese architect, curator, teacher and writer, appointed as the Curator for Contemporary Architecture at the MoMA in January last year.
Pedro is a prolific writer, who uses a blog as a laboratory for his ideas about architecture and urbanism (sharing his views on the current states of cities and how architecture can transform them), and will surely have an impact on what the Department of Architecture of the Museum focuses on in the future.
During this past year Pedro has been involved in the YAP (Young Architects Program), a platform to discover young architects and foster new ideas through installations at the MoMA PS1 (Queens, NY), the MAXXXI Museum (Rome, Italy), the Istanbul Modern Museum (Istanbul, Turkey) and with CONSTRUCTO (Santiago, Chile).
He also curated the exhibit “9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design” (open until Jun 9th, 2013; Architecture and Design Galleries, third floor), where his views of city and architecture come together in the form of a selection of fresh ideas and examples of architects who actively shaped our cities. The opening of the exhibit included the architectural performance “IKEA Disobedients” by Andres Jaque.
Pedro was also a jury for the 2013 Mies van der Rohe award.
In today’s world, where we have access to everything at the the tip of our fingers, the role of the curator becomes more and more relevant for us to understand our new context.
You can follow Pedro on Twitter @pedrogadanho.
When the gym and solarium on the 20-century’s most famous rooftop terrace – elevated 18-stories above Le Corbusier’s Cité Radieuse - went up for sale in 2010, French designer Ito Morabito of Ora-ïto immediately jumped on the opportunity and purchased the space. With the support of the Foundation Le Corbusier, Ora-ïto initiated a campaign to restore the 1950‘s structure to its original state, by removing an addition that blocked the spaces 360-degree views of the city, and transform it into a contemporary art center, named the MAMO for “Marseille Modulor” – as a nod to New York’s MOMA.
More about MAMO after the break…
Design saturates every facet of our lives. As the new MoMA exhibition states: design is a fundamental tool in helping people respond to change. Applied Design, running from March 2nd to January 31st, focuses on the various means and methods by which we design and the product of those varied paths that lead to innovation.
SO? Architecture and Ideas’ Sky Spotting Stop has been announced as winner of the 2013 Young Architects Program (YAP) Istanbul Modern in Turkey. Similar to its counterparts - CODA’s skateboard scrap Party Wall in New York and bam!’s buoyant installation He at MAXXI – the shady escape will be constructed in late June in the Istanbul Modern’s courtyard, offering refuge from the busy streets of Istanbul while overlooking the mouth of the Bosphorus.
More on ‘Sky Spotting Stop’ after the break…
“My Hair is at MoMA PS1″ is exactly what it sounds like. TempAgency, composed of architecture firms Kutonotuk and mcdowellespinosa, has designed an installation that uses human hair from hair salons and barbershops as architecture. The finalist for 2013 MoMA PS1 Young Architects Program found inspiration in the material waste to develop a project of cultural and design significance. Join us after the break for more images.
With an intention to attract and impress viewers with his massive scale, He has been selected as winner of the 2013 Young Architects Program (YAP) MAXXI in Rome, an annual competition that promotes and supports young and emerging architects in collaboration with MAXXI Architettura, MoMA/MoMA PS1 of New York, Constructo of Santiago and, for the first time, Istanbul Modern, Turkey.
Turin-based studio bam! bottega di architettura sostenibile, designed He as a grandiose and buoyant installation that transforms the concrete MAXXI facade and expansive piazza into a visual spectacular, while offering a shady escape from the Summer heat.
MoMA’s upcoming exhibition Henri Labrouste: Structure Brought to Light celebrates the impact of this 19th century architect on space, materials, luminosity and on great places of assembly. The exhibition will run from March 10th to June 24th, 2013 and will be the first solo exhibition of Labrouste’s work in the United States.
More on ‘Henri Labrouste: Structure Brought to Light’ after the break.
The Museum of Modern Art and MoMA PS1 has selected CODA’s (Caroline O’Donnell, Ithaca, NY) large-scale, self-supporting Party Wall, made from leftover shreds of skateboard material, as winner of the 2013 Young Architects Program (YAP). Drawn from five finalists, the porous skin of CODA’s temporary urban landscape will shade visitors of the Warm Up Summer Music series with its reclaimed woven screen, while providing water in refreshing cooling stations and seating with its detachable wooden skin on the lower half of the linear structure.
“CODA’s proposal was selected because of its clever identification and use of locally available resources – the waste products of skateboard-making – to make an impactful and poetic architectural statement within MoMA PS1′s courtyard,” said Pedro Gadanho, Curator in MoMA’s Department of Architecture and Design. “Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public.”
Continue after the break for the complete project description.
The MAXXI Museum in Rome has announced the five young designers who will compete for the opportunity to design and build a space for live summer events in the large courtyard of the MoMA PS1 in NY, the MAXXI Plaza in Rome, and – for the first time – at Turkey’s Istanbul Modern.
Each of the finalist’s projects will also be displayed as exhibitions at the four institutions participating in the Young Architects Program (YAP): the MAXXI, the MoMA PS1, Constructo (a Chilean cultural institution), and Istanbul Modern.
The five finalists have until January 2013 to submit their proposals. The chosen project will be constructed and inaugurated in June.
More information of the five finalists, after the break…
The Museum of Modern Art in NYC is launching an exhibit called Tokyo 1955–1970: A New Avant-Garde, that investigates the transformation of Tokyo from a war-torn nation into an international center for arts, culture and commerce. The exhibition will run from November 18 through February 25, 2012 and includes over 200 works of various media including painting, sculpture, photography, architecture, drawings, graphic design, video and documentary film.
More after the break.
MoMA Exhibit: 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design
MoMA‘s new installation 9 + 1 Ways of Being Political will exhibit works from the museum’s collection that offer fresh perspectives on the last 50 years of architecture that is a signature of the evolving conditions of our political context. The exhibit is in response to the general perspectives of today that consider architecture as having been overwhelmed by our economic realities. Through a range of media, including a performance piece by Andrés Jaque Arquitectos (at MoMA PS1 on September 16 and 23), 9 + 1 Ways of Being Political argues that architecture maintains its political influence with a variety of critiques that span decades. The exhibit is divided into nine sections and examines the blurs between social, political and public space in which architecture resides. 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design opens tomorrow, September 12th, and will run through March 25, 2013.
The Museum of Modern Art, Columbia University and The Frank Lloyd Wright Foundation have announced that the vast archives of American architect Frank Lloyd Wright (1867-1959) have been jointly acquired by the University and the Museum and will become part of their permanent collections. The archive, which includes some 23,000 architectural drawings, 44,000 historical photographs, large-scale models, manuscripts, extensive correspondence and other documents, has remained in storage at Wright’s former headquarters – Taliesin (Spring Green, WI) and Taliesin West (Scottsdale, AZ) – since his death. Moving the archives to New York will maximize the visibility and research value of the collection for generations of scholars, students and the public.
“The Frank Lloyd Wright Foundation takes seriously its responsibility to serve the public good by ensuring the best possible conservation, accessibility, and impact of one of the most important and meaningful archives in the world,” said Sean Malone, CEO of the Frank Lloyd Wright Foundation. “Given the individual strengths, resources and abilities of the Foundation, MoMA and Columbia, it became clear that this collaborative stewardship is far and away the best way to guarantee the deepest impact, the highest level of conservation and the best public access.”
Continue after the break for more images and an informative video.
Now through November 5th, the Museum of Modern Art will be running Century of the Child: Growing by Design, 1900-2000, a new exhibit that surveys modern design and innovation through the exploration of childhood development and well-being. Prior to the 20th century, childhood was not considered a time of development for the human brain. As Ken Johnson points out in his reviewof the exhibit, “children were considered small adults to be put to work as soon as possible”. The 20th century changed all that and modern psychology bore a great deal of influence on investigations into childhood and development. Modernist design followed, creating a whole new set of tools that children could interact with, learn from, and be entertained by. The exhibit has an assortment of furniture, toys, books, games and posters all designed for the child.Read on for more after the break.
Urban Movement Design, winner of the 2012 Young Architects Program (YAP) MAXXI in Rome, has reinvented the MAXXI experience by engaging the mind and body with their interactive, summer installation. UNIRE/UNITE responds to the current public health crisis by offering an alternative solution to traditional urban furniture that choreographs exercise and play back into our daily lives. As our world struggles in crisis, Urban Movement Design believes it is imperative that we rethink the way we live and change the disabling, sedentary lifestyles that are currently promoted by our built environment.
The New York and Rome-based practice has merged the two disciplines of architecture and movement therapies in an effort to integrate health back into design and promote a greater sense of community. This project is a reflection of their philosophy. Continue after the break to learn more.
Urban Movement Design: “All of nature acts according to the law of interconnectedness, but humankind has moved away from this natural law and into an unnatural state of self-interest and isolation.”
Yesterday afternoon, inside the playground of MoMA PS 1, we met Wendy - HWKN’s temporary summer installation for the 2012 Young Architects Program. As an experiment in pushing the boundaries of what architecture can do in an urban environment, Wendy certainly makes an impression. Her blue spiky arms shoot passed the confines of PS 1′s courtyard walls, immediately attracting the attention and piquing the curiosity of those meandering along Jackson Street. Conceptualized as a storm, Wendy intends to challenge the public’s notion of what architecture should be, as the structure’s ecological function will actually clean the air. ”Wendy does not play the typical architecture game of ecological apology – instead she is pro-active,” explained HWKN.
More about Wendy after the break.
Each year, we look forward to the varied entries and the selected finalists of the MoMA + MoMA PS1 Young Architects Program for an outdoor recreational area within PS1’s triangular entrance courtyard and outdoor sculpture area. YAP began in 2000 as a way to strengthen the relationship between MoMA and MoMA PS1, and the program provides opportunities for emerging architects to showcase their talent and give back to the community. Now, the program is expanding even more as MoMa and MoMA PS1 have announced a new partnership with the Istanbul Museum of Modern Art. Such a partnership will further expand YAP’s international reach (in 2011, MoMA and MoMA PS1 partnered with MAXXI in Rome to create the first international YAP, and then, partnered with cultural organization CONSTRUCTO in Santiago,Chile).
More about the new partnership after the break.
ArchDaily announced the winning proposal for the Young Architects Program (YAP) MAXXI 2012 in late February. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against UNIRE/UNITE. NAMI, which means “wave” in Japanese, is a project that reflects contemporaneity, aims to send a message about the importance of harmony, and to create a bridge between people and cultures. This proposal, designed by VeryVery Architecture Office, is very simple and essential: an airy space provided with shadow, movable sitting benches, and a space that can accommodate different types of events and activities. Imbued with an experimental spirit and a strong attention to sustainability, NAMI offers a chance to express the social and cultural values requested by the Young Architecture Program.
ArchDaily announced the winning proposal for the 2012 MoMA PS1 Young Architects Program (YAP) in February. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against HWKN’s Wendy. Cameron Wu(Cambridge, MA) proposed Coney Inland, an architectural strategy which formally unifies and spatially modulates the challenging MoMA PS1 courtyard site. A series of developable surfaces (cones and cylinders) and their base structures normalize the contingencies of scale and shape of the three courtyard spaces, while their legible transformations register the idiosyncratic nature of the overall site geometry.
For generations of New Yorkers, Coney Island has served as the quintessential local retreat from the city. Unfettered access to sky, land, and sea makes it a clear contrast to the urban metropolis, drawing crowds in search of spatial and social release. Through the architectural translation of qualities inherent to this ocean-side precedent, Coney Inland imports the culture of casual beach leisure into the courtyard at MoMA PS1.