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The Latest Exhibition at Aedes Showcases the Transformation of Stone Quarries into Cultural Infrastructure

March 21, 2022

Aedes Architecture Forum recently inaugurated the "Jinyun Quarries – The Quarry as Stage" exhibition, which showcases the transformation of abandoned stone quarries in the Zhejiang Province, China, into a platform for cultural and social activities. Beijing architect Xu Tiantian and the team of DnA_Design and Architecture were tasked with developing a new public infrastructure inside nine of the mines in Jinyun County, thus opening up new economic perspectives for the local people. Running until May 5th, the exhibition highlights the extraordinary spatiality of the stone quarries while communicating the complexity of the structures through a series of models, plans and photographs of the interventions.

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Urban Sprawl and Ghost Towns: The Impact of Mining on Cities

October 09, 2021

The urban settlements we inhabit today exist in their present form due to a host of reasons. There are cities that have grown due to their proximity to water – such as the growth of Dar es Salaam to the major port city it is today. There are the planned capital cities scattered around the world, governments of countries such as Brazil and Nigeria building cities from scratch from the input of acclaimed architects. There are also the settlements that exist and grow because of certain industries, such as Silicon Valley in the American state of California being home to giants of the technology industry. There’s an industry, however, that has spawned both pulsating cities and abandoned towns – the mining industry.

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NAAU and Enlocus Set to Transform Australia's Jabiru Mining Town

January 22, 2019

Australian practices NAAU and Enlocus have designed a plan to transform the mining town of Jabiru in Kakadu National Park into a tourism destination. The Gundjeihmi Aboriginal Corporation will receive $446 million in funding to support the project, setting out a vision for the future of the town following the scheduled closure of the nearby Ranger uranium mine in 2021. The plan includes new accommodation, education and health services, and a World Heritage Interpretation Center.

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“Beyond the City”: A Captivating Look at the Design of the Hinterland

August 17, 2016

Felipe Correa’s latest book “Beyond the City: Resource Extraction Urbanism in South America” takes us to a region that architects and urban designers typically have neglected—the hinterland. The South American hinterland provides a unique subject of analysis as it has typically been urbanized for its natural resources, which are tethered back to the coastal cities where these resources are either consumed or distributed to global markets. Within this context, the hinterland is viewed as a frontier whose wilderness is to be tamed, put to work, and territorialized through infrastructure and urban design. Beyond the City provides an insightful look into these processes and the unique urban experiments that emerged in South America. Organized by five case studies, Beyond the City is tied together by what Correa has termed “resource extraction urbanism,” which he links to “new and experimental urban identities in the context of government-sponsored resource extraction frontiers.” Written as a lucid historical account that anchors the discussion within the political, economic, and social context, as well as within global design discourse, the book is also projective—setting the table for a series of questions on how design can act in these landscapes.

Video: Pierre Bélanger Explains "EXTRACTION", the Canadian Contribution to the 2016 Venice Biennale

August 02, 2016

In this interview, presented in collaboration with PLANE—SITE, Pierre Bélanger, curator of the Canadian contribution to the 2016 Venice Biennale—explains why Canada's practices of mining and extraction should be carefully understood for their architectural implications. Together with his firm OPSYS, Bélanger conceived of a miniaturized experience of an "inverted territorial intervention" so that Biennale visitors could personally experience and relate to "the complex ecologies and vast geopolitics of resource extraction."

@1to1Billion: Inside Canada’s Contribution to the 2016 Venice Biennale

May 29, 2016

As part of ArchDaily's coverage of the 2016 Venice Biennale, we are presenting a series of articles written by the curators of the exhibitions and installations on show.

At a scale of 1:1 billion, the geological map of the world reveals planetary scales of operation for the largest resource extraction nation on the planet whose foreign policy is borne from legacies as colony, as confederation, country, and now, as global resource empire. In its divine, legal power to separate surface rights from mineral rights, the royal domain of the government—the Crown—exercises supreme authority over 95% of its territory making it the biggest landlord in the world. Not surprisingly, its coat-of-arms, commonwealth, constitution, even its parliament building look practically the same, it shares the same Head of State—Queen Elizabeth II. As the last remaining royal monarchy in the Americas, Canada is the brainchild of Queen Victoria II, the most powerful woman in history, who grew the British Empire to unprecedented magnitude in late 19th century.

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Canada, Extraction Empire: A Report From the Edge of Empire (Outdoors, That Is)

May 19, 2016

With the opening of the 2016 Venice Architecture Biennale almost upon us, architects, curators and artists have already started to migrate to the city to unlock pavilion doors and sweep out the past six months of hibernation from the previous biennale season. This year, however, one pavilion has confirmed that it will remain closed – the Canadian Pavilion will not be opening its doors. Closure of the space has been attributed to a much-needed renovation, which has been mentioned by those who have exhibited in the space, specifically Shary Boyle at the 2012 Venice Art Biennale. Nevertheless, there are whispers that the political nature of this year’s entry may have been another reason to keep the pavilion shut. That said, Canada will be present by staking claim in the Giardini with a provocative installation entitled Extraction.

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