The first-place competition winner from KM 429 architecture, this proposal for the Isola Garibaldi Civic Center draws inspiration from Milan’s historic architectural tradition superimposed within the modern urban context. Through its refusal to be monumentalized, the Civic Center generates a new language within its neighborhood and looks to the city's past to create a vital civic architecture to serve present, and future, needs.
Herzog & de Meuron have unveiled the design for their Slow Food Pavilion, due for completion by the 2015 Milan Expo in May. Showcasing the work of Carlo Petrini's Slow Food organization, the pavilion promotes the global organization's vision of universal access to "good, clean and fair food."
Sited on a triangular piece of land in the Eastern end of the Expo's central boulevard, the pavilion uses a a triangular configuration of tables to evoke what Herzog & de Meuron describe as "an atmosphere of refectory and market."
Arup has unveiled a proposal to construct a new stadium for the Italian football club A.C. Milan in a central area of Milan. If built, the venue would integrate a “modern stage” for the team’s home matches with a hotel, sports college, restaurants, children’s playground and public open space.
“The project has been developed with a fully holistic and integrated approach where all the design components have been carefully balanced around the spectator’s experience,” stated Arup in a press release.
When first commissioned by Miuccia Prada and Patrizio Bertelli to design Fondazione Prada’s new space in Largo Asarco, OMA set out to “expand the repertoire of spatial typologies in which art can be exhibited and shared with the public.” The result, an “unusually diverse environment” staged within a historic 20th-century distillery south of Milan’s city center that goes beyond the traditional white museum box.
On Sunday, Prada ditched the classic runway to kickoff their 2015 Fall/Winter menswear line in a “disorienting landscape” designed by OMA’s research counterpart AMO. The partitioned catwalk transformed an exiting room inside the Fondazione Prada at Via Fogazzaro 36 in Milan into an intimate series of interconnected spaces affectionately referred to as “The Infinite Palace.”
“The existing room is disguised into a classic enfilade of rooms, gradually changing proportions as in an abstract mannerist perspective. As opposed to a single stage, the new sequence of spaces multiplies and fragments the show into a series of intimate moments,” described AMO.
Russia has released designs for their participation at Milan Expo 2015. Taking in consideration Russia’s most successful world EXPO pavilions, of which the country has been producing since 1851, and the importance of “green technologies,” SPEECH has designed an expansive 4000-square-meter timber structure with a pronounced roofline that features a mirrored canopy extending 30-meters over the pavilion’s main entrance.
Azerbaijan has recently unveiled the design of “Treasure of Biodiversity,” its dedicated pavilion for Expo Milano 2015, marking the first time the country has participated at a Universal Exposition. Designed by Italian firm Simmetrico Network, the pavilion aims to reflect the unique cultures and landscapes of Azerbaijan while acting as a model of sustainable design. Complete with biospheres and undulating walls, the pavilion’s unique form takes cues from the central Expo theme of “Feeding the Planet, Energy for Life,” and hopes to engage visitors with the values of protected biodiversity.
It seems as though the complex case of architectural copyright has been a major talking point of 2014. As the year begins to draw to a close, a fresh tension has risen between two European offices. British practice Wilkinson Eyre have claimed that a central structure at the site of the 2015 Milan Expo is direct plagiarism of their Cooled Conservatories at Gardens by the Bay project in Singapore, completed in 2012. According to an article in The Telegraph, the 'Tree of Life' will "form the centre-piece of the Italian pavilion" in Milan.
The 2015 Milan Expo has been keeping architecture fans in the loop with "Belvedere in Città," its continuing series of videos filmed with the help of a drone. Since our update last month, two new videos have been released - and now that the recognizable forms of the pavilions are starting to emerge, the videos include labels for each feature of the expo site. With the help of these new videos it is easy to see the forms of highly-touted pavilions such as Libeskind's Vanke Pavilion, or Nemesi & Partners' smog-eating pavilion for Italy, gradually taking shape around the twin axes of the "cardo" and "decumanus," an ancient Roman planning tool borrowed for the site's masterplan by Jacques Herzog, Mark Rylander, Ricky Burdett, Stefano Boeri, and William McDonough. Read on after the break for the second video, and screenshots of the construction works.
Bosco Verticale by Boeri Studio has won the 2014 International Highrise Award, deeming it to be the “most beautiful and innovative highrise in the world." Selected from a competitive shortlist of towers by Rem Koolhass, Steven Holl and Jean Nouvel, the forested highrise was praised by the jury for bringing 800 trees and 14 thousand plants to the Milan skyline.
“The Vertical Forest is an expression of the human need for contact with nature,” stated jury president Christoph Ingenhoven. “It is a radical and daring idea for the cities of tomorrow, and without a doubt represents a model for the development of densely populated urban areas in other European countries.”
Construction is entering into the final stages for Expo Milan 2015, with just over six months left in the five-year build. A quick fly through shows the centrepiece Italian Pavilion nearing structural completion, with national and corporate pavilions making steady progress. The video is the fifth in a series of drone-led tours of the site, created in partnership between Expo Milan and Telecom Italia.
Find out more and watch the remaining four videos after the break
SoNo Arhitekti’s design for the Slovenian Pavilion has been chosen to represent the country at the 2015 Milan Expo. One of 142 participants, Slovenia’s pavilion will be based on the slogan, "I FEEL SLOVENIA. Green. Active. Healthy.”
The common thread in the exhibition manifests itself through a series of interactive and architectural elements throughout the pavilion. As the architects describe, “Five prismatical structures, positioned on the geometrically and dynamically designed surface, whose shape is reminiscent of a cultivated field, will represent Slovenian diverse geographical landscape and symbolize fundamental ideas of sustainable development.”
Knafo Klimor Architects have been chosen to represent Israel at the 2015 Milan Expo with their “Fields of Tomorrow” pavilion. The elongated pavilion, stretching 70 meters across and rising 12 meters high, will act as a “living” billboard revealing Israel’s past and present successes in modern agriculture.
Chybik + Kristof Associated Architects have revealed their winning design for the Pavilion of the Czech Republic at the 2015 Milan Expo. Responding to the Expo's food theme, the pavilion is centered around the Czech Republic's unique relationship to water, featuring a public swimming pool at the center of the design and presenting the latest progress in nanotechnology for water purification.
Barcelona’s b720 arquitectos has designed a greenhouse-inspired pavilion to represent Spain at the 2015 Milan Expo. Representing a “fusion” of Spain’s gastronomic tradition and innovation, the portico-like structure will be divided into two halves and united by a repetitious form.
Architects: 5+1AA Alfonso Femia Gianluca Peluffo
Location: Milan, Italy
Architect in Charge: Alfonso Femia, Gianluca Peluffo, Alessandro Schiesaro
High Supervision: Cesare Stevan, Angelo Bugatti
Desing Team: Gabriele Pulselli, Raffaella F. Pirrello, Daniele Marchetti, Domenica Laface, Alessandro Bellus, Lorenza Barabino, Luca Pozzi, Simonetta Cenci
Area: 23261.0 sqm
Project Year: 2014
Photographs: Ernesta Caviola
Vo Trong Nghia has unveiled designs for the Vietnamese pavilion at the 2015 Milan Expo. Inspired by the lotus, the pavilion features a number of bamboo clad, umbrella-like structures supporting trees above a pool of water, in a composition reminiscent of their Kontum Indochine Cafe.
By the late 1960s, two dynamics were shaping a new urban reality in Italy: on the one hand, TV was heavily influencing Italian society, becoming an intrinsic part of daily life; on the other, the social tension resulting from student protests and accelerated immigration had begun to impact cities in a chaotic way. These dynamics paved the way for Milano Due, a new town on the outskirts of Milan, which promised a new, idyllic type of urbanism.
The complex, although traditional in appearance with its red pitched roofs, put into practice modern concepts: its 2,600 apartments, which had access to amenities for education and entertainment, were arranged around a giant artificial garden/lake and were connected via an elevated circulation system. Below ground, the complex housed the studios of the first private TV channel in Italy, a fact that would shape the lives of the inhabitants of Milano Due and eventually all of Italian society.
This interesting urban phenomena is analyzed by Andrés Jaque / Office for Political Innovation in “SALES ODDITY: Milano 2 and the Politics of Direct-to-Home TV Urbanism,” a project that was part of the Monditalia section at the Venice Biennale and was awarded the Silver Lion for the Best Research Project. According to the jury “The project presents critically a fundamental aspect of modern societies: how the power of media occupies other social spaces, both physically and politically. It is based on innovative research combining surveys and interviews with planners and residents and re-appropriation of the mass media language. While based on an Italian case, this issue is present in many international contexts dominated by contemporary technological and neo-liberal cultures.”
Dossier, trailer, and more photos of the project by Miguel de Guzmán, after the break:
SALES ODDITY. Milano 2 and the Politics of Direct-to-Home TV Urbanism
by Andrés Jaque / Office for Political Innovation