From the architect. Through travellings, point perspectives, a main character and a plot trick, the film creates a catalogue of experiences that open up a path to describing architectural spaces without conventional cliches, without still photos, and amplifies the importance of the human scale in the communication of architecture.
The Recession has provoked a variety of responses – disillusionment, frustration, woe. For those not inclined to wallow, however, it has also provided ample time to reflect on (and, if you’re Manuel Ocaña, rip apart) pre-Recession society.
This week, on the other hand, we bring you an outlook more incendiary than optimistic. Manuel Ocaña, the controversial Spanish architect behind the Manuel Ocaña Architecture and Thought Production Office, is far from impressed with how his home country has handled its economic boom and bust. “Spain,” he says, “used to be a sexy, fit and energetic country. Envy, inferiority complexes, greed, arrogance and pride soaked it in fat. It is currently suffering from moral obesity.”
More on Manuel Ocaña’s take on Spain, including why Spanish architects are no better off than Vampires (or, worse still, MacDonalds employees), after the break…