Bruce Jilk in his essay ‘Place Making and Change in learning environments” showcases a radical view of contemporary education which, he argues, is outdated and does not meet the needs of the modern world. Instead of providing for a world of individuals operating within a wider urban environment, schools have become internalized ghettos of childhood, cutting off from communities they are supposed to serve, centrally administered in a “one size fits all” ethos. Designers and architects around the world have always been seeking a more flexible architectural model which will allow much more creativity within the learning process and the environments which serve it.
MAD Architects, led by Ma Yansong, has unveiled its design for the Aranya “Cloud Center” in Qinhuangdao, China. The floating-like design will offer Aranya, a vibrant seaside arts and culture community, a new multi-purpose public space with a a variety of functions and sculptured landscapes imagined as a “white stone garden".
Shenzhen Bay Culture Park. Image Courtesy of Proloog
Shenzhen, as the modern metropolis in southeastern China that links Hong Kong to China’s mainland, has undergone rapid real estate development and intensive construction bidding in recent years.
“Shenzhen Ten Cultural Facilities of New Era” serves as a significant international design competition that has attracted much attention and investment from many high-level active architects worldwide.
Following China's rapid urbanization and emergence of new districts and public buildings, MAD Architects, led by Ma Yansong, has won an international competition to design the new Zhuhai Cultural Arts Center. Their proposal, titled "Village Under the Dome", will be situated within China’s Pearl River Delta in the Yinkeng Village, a historic town that has recently been demolished and relocated by the municipality to make room for new projects. Instead of rebuilding over the demolition, their design offered a conservation and renewal of the village, creating a new function of the original site.
Led by Ma Yansong, MAD Architects have released their design for the Jiaxing Civic Center, a project that explores the relationship between city, nature, and people. The proposed center will be a new place of attraction for children, adults, and seniors, sitting on the city's central axis and surrounded by its South Lake, Haiyan River, and Central Park. The master plan will house three venues: the Science and Technology Museum, the Women and Children Activity Center, and the Youth Activity Center, all organized around a central green open space. The firm's latest public project in Jiaxing City, which is expected to be complete by the end of 2023, comes shortly after they unveiled their design for the Jiaxing Train Station earlier this year.
During the week of the final selection of ArchDaily China Building of the Year 2021 Awards, we received a total of 75,000 votes, thanks to our readers from all over the world. ArchDaily China strives to bring more Chinese firms to the wave of global exchanges and introduce Chinese architecture to the world.
This year, CCTN Design, with Shougang NO.3 Blast Furnace Museum, were selected for the first position, adopting the design strategy of “sealing the old, dismantling the surplus, and replenishing the new”, and transforming the industrial remains of Beijing into an inviting urban space. MAD Architects, with YueCheng Courtyard Kindergarten, won second place by dismantling and expanding the traditional courtyard house. gad, with Mountain & Sea Art Museum, won the third position by solving the problem of mountain construction and shaping the sculpture form of the art museum.
https://www.archdaily.com/959695/interview-with-winners-of-the-archdaily-china-building-of-the-year-2021-awards韩双羽 - HAN Shuangyu
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
Following an exciting week of nominations, ArchDaily’s readers have evaluated over 675 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.
The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
https://www.archdaily.com/958627/archdaily-china-building-of-the-year-2021-awards-the-finalists韩双羽 - HAN Shuangyu
Sou Fujimoto. Image Courtesy of Sou Fujimoto Architects
After MAD’s Wormhole Library, the city of Haikou revealed a pavilion by Sou Fujimoto Architects. Scheduled for the end of spring, the ribbon-like white pavilion with an accessible roof will be one of the first public waterfront interventions to be completed in the spring of 2021. Shaping the future of Haikou city and Hainan Free Trade Port, the master plan of 16 permanent destinations re-imagines the future of coastal living.
MAD Architects has unveiled that the Wormhole Library, had topped-out in the city of Haikou, China at the end of January 2021. The curved multi-functional structure, cast of white concrete, is scheduled to be completed and operational in the Spring of 2021. Once ready, the project will allow visitors to read, enjoy the sea views and attend open-air performances.
MAD Architects has just unveiled its design for the “Train Station in the Forest.” Under construction and scheduled for completion by July 1st, 2021, the project is located in the center of Jiaxing, in southeast China, in close proximity to Shanghai, Hangzhou, and Suzhou. Covering an area of 35.4 hectares, the intervention consists of rebuilding the historic station while creating a new infrastructural annex underground. It also includes the creation of plazas to the north and south and the rehabilitation of the adjacent People’s Park.
The new Yabuli Entrepreneurs’ Congress Center by MAD Architects is nearing completion in Northeastern China. Surrounded by snow-covered mountains, the project was commissioned by the Yabuli China Entrepreneurs Forum (Yabuli CEF). The team designed the center to become an iconic landmark embodying the Congress members' entrepreneurial spirit in the shape of a tent sitting at the foot of a mountain.
MAD Architects has broken ground on the firm's first cultural project in Europe, the FENIX Museum of Migration in Rotterdam. Commissioned by the Droom en Daad Foundation, the project builds on the history of the Fenix warehouse, once the largest warehouse in the world. MAD’s renovation of the warehouse aims to connect the history of Rotterdam with the city's present culture.
MAD Architects has just released its design for the Wormhole Library, a curved structure that serves as a multi-functional building, allowing visitors to read, enjoy the sea views and attend open-air performances. Located on the coast in Haikou, Hainan Province in China, the “wormhole” pavilion is now under construction and is expected to be completed in 2021.
MAD Architects has revealed its design proposal for the Aquatic Centre for the Paris 2024 Olympics. Envisioning the sports facility as an urban public artwork, showcasing the beauty and hope of Paris, the proposal was created in collaboration with three French architectural studios, Jacques Rougerie Architecture, Atelier Phileas Architecture, and Apma Architecture.
MAD Architects has unveiled its design for the Shenzhen Bay Culture Park along the waterfront in Shenzhen, China. The masterplan puts in place a 51,000 square meters cultural complex that includes the Creative Design Hall, the Shenzhen Science and Technology Museum, and a vast public green space.
A new webcast and podcast series, Design Disruption, has been launched by architectural writer Sam Lubell and social entrepreneur Prathima Manohar. In a partnership with ArchDaily, the first episode today at 11 am (EST) on ArchDaily, YouTube and Facebook. This episode explores high density housing with guests Moshe Safdie, founder of Safdie Architects, and Ma Yansong, founder of MAD architects. The goal of the series is to provide an international perspective on disruptive issues with guests from different continents.
As architecture is increasingly reliant on renderings to convey its message and depict the unbuilt, many practices turn to seasoned 3D artists to help them portray their designs in the most favourable light; thus they externalize visualizations to a handful of firms.
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