New Republic has presented a list of 100 great thinkers from the past 100 years. The list, as the magazine puts it, honors “people we believe have made the greatest intellectual contributions to the fields and causes that this magazine holds dear.” One of these fields is architecture, and New Republic’s honoree for that category is the illustrious Louis Kahn. Kahn is famous for projects such as the Kimbell Museum and the Salk Institute. His work displays what architecture critic Sarah Williams Goldhagen describes as a “cognitively rich, metaphorically complex, multi-sensorial approach.” Curious to see who else made the list? See the full roster here!
The Getty Conservation Institute (GCI) is partnering with the Salk Institute to help develop techniques for conserving one of Louis Kahn’s finest works. Overlooking the Pacific coast in La Jolla, California, Kahn took advantage of the peaceful surroundings and natural light when he designed the Salk Institute site. However, these same marine elements also provide unique conservation challenges for the concrete and wood structure, particularly for its teak window walls, the Getty Trust reports.
Part of the GCI’s Conserving Modern Architecture Initiative, the project will determine the condition of the teak and develop recommendations for its treatment and long-term conservation. “Partnering with the Salk Institute on this conservation challenge will assist in developing new approaches for practitioners in conserving other icons of modern architecture, which makes it a terrific project for us,” said Susan Macdonald, Head of Field Projects at the GCI.
Read on after the break to learn more about the conservation initiative.
Built four decades after Louis Kahn's death, New York City's Four Freedoms Park - the architect's posthumous memorial to Franklin D. Roosevelt and his policies - is becoming one of the architect's most popular urban spaces. In a recent article for the Guardian, Oliver Wainwright investigates what he describes as perhaps Kahn's "best project". Wainwright's spatial description of the monument is interweaved by fragments of Kahn's personal history, building up a picture of a space with "the feel of an ancient temple precinct" and "a finely nuanced landscape". Although Gina Pollara, who ultimately realised the plans in 2005, argues that Four Freedoms Park "stands as a memorial not only to FDR and the New Deal, but to Kahn himself", can a posthumous project ever be considered as an architect's best? Read the article in full here.
Material Minds, presented by ArchDaily Materials, is our new series of short interviews with architects, designers, scientists, and others who use architectural materials in innovative ways. Enjoy!
Arthur Andersson of Andersson-Wise Architects wants to build ruins. He wants things to be timeless - to look good now and 2000 years from now. He wants buildings to fit within a place and time. To do that he has a various set of philosophies, processes and some great influences. Read our full in-depth interview with Mr. Andersson, another revolutionary "Material Mind," after the break.
In Kengo Kuma’s work you may see influences of light, transparency and materiality. But when visiting the Woodbury School of Architecture in San Diego, Kengo Kuma shared a few of his not so apparent influences, from Frank Lloyd Wright and Louis Kahn to jazz music. Make sure to view “Knowing Kuma” to see the architect’s definition of architecture, materials and more.
Where do you receive inspiration? Nalina Moses asked the question to nine contemporary residential architects, asking each to choose one residence that had left an impression on them. The following answers were first published on the AIA’s website in the article “Homing Instinct."
When nine accomplished residential architects were asked to pick a house—any house—that has left the greatest impression on them as designers, most of their choices ran succinctly along the canon of American or European Modern architecture. Two—Alvar Aalto’s Villa Mairea and Pierre Chareau’s La Maison de Verre—were even tapped twice.
If the houses these designers chose weren’t surprising, the reasons they chose them were. Rather than groundbreaking style or technologies, what they cited were the moments of comfort, excitement, and refinement they offered: the restful proportions of a bedroom, the feel of a crafted wood handrail, an ocean view unfolding beyond an outdoor stair.
The American architect Louis Kahn (1901-1974) is regarded as one of the great master builders of the Twentieth Century. Kahn created buildings of monumental beauty with powerful universal symbolism.
To celebrate the launch of ArchDaily Materials, our new product catalog, we've rounded up 10 awesome projects from around the world that were inspired by one material: concrete. Check out the projects after the break...
For architects, Louis Kahn's Kimbell Museum has long been hallowed ground. For Renzo Piano, who designed the museum's first major expansion, it was also an enormous difficulty to overcome. His addition to the museum could be neither too close to Kahn's building, nor too far. It had to solve a parking problem, yet respect Kahn's distaste for cars. It had to respond to Kahn's stately progression of spaces—and that silvery natural light that make architects' knees go wobbly. And yet it could not merely borrow from Kahn's revolutionary bag of tricks.
UPDATE: Congrats to Lukas Binder of Austria, the winner of The Houses of Louis Kahn giveaway! Thank you to all those who participated. Keep your eyes peeled for two more fantastic giveaways in the coming weeks.
Deemed by American Art and Architecture author Michael J. Lewis to be “quite simply the most important book on Kahn” published in over two decades, The Houses of Louis Kahn examines the architect’s nine major residential commissions in detail, offering an overview of Kahn’s relationship with his projects’ patrons and his active involvement with the design of interiors and furniture. The 280-page book features all new photography of the homes, alongside period photographs and original drawings, and previously unpublished materials from personal interviews, archives, and Kahn’s own writings.
To participate, all you have to do is answer the following question in the comment section below: “Which Kahn project do you find most inspiring and why?”
You have until Monday, November 18th to submit your answers. The winner will be contacted the following day. Good luck!
Though Louis Kahn turned down developer Steven Korman numerous times, the would-be patron persisted and eventually convinced Kahn to accept the commission for a residence which was to contain “rooms large enough to play football in.” Located in Forth Washington, Pennsylvania, the Korman house would be Kahn’s final residential project.
The house, considered a masterpiece, is characterized not only by Kahn’s assiduous sense of order, but also a unique combination of materials that create a play of structure and light. Decades after the original 1971 commission, Korman's son Larry has now selected New York based-designer Jennifer Post to take on the task of redesigning the interior space of the house.
Light matters, a monthly column on light and space, is written by Thomas Schielke. Based in Germany, he is fascinated by architectural lighting, has published numerous articles and co-authored the book „Light Perspectives“.
Does shadow have the power to give form to architecture? The increasing number of transparent buildings and LED installations would enforce the impression that light has eliminated the relevance of shadow. But to answer that question, let’s look back to a master of light whose architecture was shaped by shadow: Louis Kahn.
More Light Matters, after the break…
This text was provided by San Francisco-based writer Kenneth Caldwell.
One friend said, “It looks a bit austere.” At first glance, it probably is. But like so many great minimal environments, it asks for patience and generosity. You give, and in turn it gives back.
This is also what the artists Mark Rothko, Richard Serra, Donald Judd, and, more recently, Olafur Eliasson ask. Trust them with your time and you may be rewarded with a small measure of serenity—perhaps even with the connection between art and the divine that Dominique de Menil was so focused on.
Designed by Louis Kahn, the Franklin D. Roosevelt Four Freedoms Park is an outdoor sanctuary at the southern tip of what is now called Roosevelt Island, created as a memorial to FDR. The park opened last fall. Kahn’s gift took 40 years to be realized, but it presents a path for human beings to treat each other to peace.
Continue reading after the break...
UPDATE: Unfortunately this video is no longer available.
"Even a brick wants to be something." - Louis Kahn
In this jaunty little clip, Louis Kahn stresses the importance of honoring your materials to a group of students at the University of Pennsylvania.
In September 2011 Barney Kulok was granted special permission to create photographs at the construction site of Louis I. Kahnʼs Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Almost forty years after having been commissioned, it is finally being completed this year, as originally intended.
The Netherlands Architecture Institute (NAI) will host the exhibition Louis Kahn, The Power of Architecture from September 8 to January 6, 2012. Louis Kahn is known to be one of the most influential architects of the 20th century and has inspired generations with his masterful use of space, light and material.
This short film by Pablo Casals-Aguirre captures the formal perfection and daily life within Louis Kahn’s architectural masterpiece, the Salk Institute. Kahn was commissioned in 1959 to design the inspiring facility for scientific research. The iconic facility became a designated San Diego Historical Landmark in 1991 and continues to attract daily admirers from all corners of the earth.
Last September, we shared the news of Louis Kahn’s memorial park for the southernmost tip of Roosevelt Island. Kahn had designed the park in the 70s, but after his sudden death, the plan was forgotten until 1992 when the MoMA featured the scheme in an exhibition. Upon learning of Kahn’s thoughtful and architecturally compelling ideas to commemorate FDR and his Four Freedoms speech, the public quickly advocated its completion. As we reported earlier, at the end of Kahn’s axial tree-lined triangular “Garden”, a 72 sqf “Room” will contain excerpts from the text of President Roosevelt’s Four Freedoms speech. This room, contained by 12 foot high granite columns, is meant for contemplation and remembrance as Kahn’s stoic material palette, clear formal attitude, and forced perspective of the skyline will create, what we imagine will be, a quiet and peaceful atmosphere. With Kahn’s simple gestures, the memorial will preserve a time in American history where FDR’s leadership inspired hope to endure the Great Depression and the second World War. We’re excited for the memorial to be completed and we’ll keep you up to date with its progress.
A great sample of construction photos and renderings after the break.