Design firm Platform for Architecture + Research (PAR) has been awarded AIA Los Angeles’ Presidential Emerging Practice Award. The award, which reflects “notable, innovative achievements in design and service to the profession,” is the highest honor given by AIA LA each year. This year, in response to Los Angeles’s continued urban evolution, the award jury nominated those firms who “take leadership roles in advancing the profession and thus, the City.” PAR fit the bill, both for their research-based design approach, and their commitment to improving public life through design. See some of their latest work, after the break!
The potential solution to smog and pollution may be hovering right over our heads, now that Students at the University of California – Riverside have designed a pollution reducing rooftop tile. According to their calculations, cladding one million rooftops with the tiles could remove 21 tons of nitrogen oxides — daily. Currently the Los Angeles area spits out 500 tons of nitrogen oxides a day, so the tiles are just one piece of the puzzle in reducing pollution – however the students are imagining their nitrogen-oxide-eating Titanium Dioxide compound in exterior paints, concrete and more. To see all the possibilities, read the full article here.
Did you know a 51-mile river runs through the city of Los Angeles? It might not be immediately recognizable as a river, but it’s there. In a drastic attempt to prevent flooding in the early 1900s, the Army Corps of Engineers essentially turned the entire river into a giant drainage channel by encasing it in concrete. This article, originally posted on Metropolis Magazine, investigates landscape architect Mia Lehrer’s vision to remedy the situation by transforming the desolate space into a public greenway, and a celebrated feature of Los Angeles.
From the offices of Los Angeles–based landscape architect Mia Lehrer, located near the western edge of Koreatown, you might not even know that Los Angeles has a river. It’s not visible from here — instead we can see other things L.A. is known for: the Hollywood sign, traffic, billboards, a dense urban grid that runs forever. In fact, unless you are right up against it, you may not see the river at all. In its current form, it sits as the abandoned, Brutalist evidence of the city’s past battles with seasonal flooding, an expedient way to move water quickly to the sea. To many, it’s more like an urban-design crime scene of missed opportunities and missteps, begging to be corrected. If Lehrer has her way, it will be corrected so that Los Angeles, the city with the huge drainage channel, becomes Los Angeles, river city.
Frank Gehry, renowned for his often enormous public works projects, is turning his attention to something on a smaller scale: a campus for the non-profit organization CII (Children’s Institute Inc.) in the Los Angeles neighborhood of Watts. Perhaps best known for Watts tower, the architecture of Watts is shaped by limited income and the need to deter vandalism. according to the LA Times Gehry’s intervention will hopefully be a tipping point for a neighborhood desperate to change not just its aesthetic but its future. Read the full article about the project here.
This time-lapse video, entitled “Above LA,” is Chris Pritchard’s love letter to Los Angeles. Filmed over the course of two years, Pritchard sought out locations to showcase the city in a way people rarely get to see – from above. Some of the views were easy to seek out, while others involved some exploratory hiking and trespassing. He encourages “everyone – lifelong Angelenos, transplants, visitors – to hit the trails, drive the mountain roads, find a reason to get on top of a high-rise. From the basin to the valley, this city offers so many opportunities to rise above and look down. Never stop exploring.”
Peter Zumthor and the Los Angeles County Museum of Art (LACMA) have revealed a revised design for the museum’s $650 million new home on Museum Row in Los Angeles. The new design still features the sinuous glass and grey concrete slab raised a full story off the ground, but under the new proposal part of the museum would bridge Wilshire Boulevard to touch down on what is currently a car park opposite.
The change comes in response to criticisms that the previous design would put the neighboring La Brea Tar Pits at risk, threatening their status as an active paleontological research site and a popular tourist destination. The shape of the new design removes this risk by withdrawing from the boundary with the adjacent tar pits, without compromising on floor space in the museum.
More on the revised design after the break
Hosted by the Los Angeles Business Council, the 44th Annual Los Angeles Architectural Awards has recognized three dozen of the year’s best architecture and design projects in Greater Los Angeles. From Morphosis’ Emerson College to the Los Angeles River project, each recipient has been awarded for their excellence in design, sustainability and community impact.
The 2013 Los Angeles Architectural Award Winners are…
Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
Competing Utopias is a design collision that should never happen. But somehow, in Los Angeles, in 2014, twenty-five years after the fall of the Berlin Wall, it will.
This installation is a ‘mash-up’ in the most provocative sense of that word. Its force comes from the collision of two design cultures that have been kept apart but have been visually connected in ways yet unexamined. What’s proposed is an experimental installation that presents Cold War modern design from East and West in one context.
Competing Utopias is organized by two Los Angeles institutions: the Neutra VDL Studio and Residences and the Wende Museum and Archive of the Cold War, each a different type of museum. The Neutra House is an iconic Los Angeles mid-century modern house museum, designed by Austrian born American architect Richard Neutra. The Wende Museum is the largest archive of Cold War artifacts in the world. Both ‘institutions’ originated in German speaking Europe, both subsequently landed in Los Angeles. Their collections embody two forks of a Cold War history.
Title: Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
From: Fri, 11 Jul 2014
Until: Sun, 14 Sep 2014
Venue: Neutra VDL Research House
Address: 2300 Silver Lake Boulevard, Los Angeles, CA 90039, USA
In the LA neighborhood of Echo Park, Bestor Architecture is bringing a new type of community-friendly, pedestrian-friendly development to the United States. The Blackbirds project is described by Barbara Bestor as introducing “stealth density” to the Echo Park neighborhood, imitating the size and roofline of the surrounding houses but incorporating multiple homes under one roof.
The design looks to the Dutch concept of the ‘Woonerf’, or living street, to propose a space which favors pedestrians and cyclists over cars, and features landscape design by Mia Lehrer + Associates, creating a communal space around which a ‘micro-community’ can thrive.
More on the design after the break
Since childhood, growing up on a farm outside of Nashville, Wendell Burnette has been inspired by nature; indeed, the amplification of the natural site has highlighted his body of work. In the following question and answer by Guy Horton of Metropolis Magazine, the Pheonix-based architect speaks about memories, inspiration and experience.
Wendell Burnette’s journey through architecture has taken him from Frank Lloyd Wright’s Taliesin to some of the most beautiful landscapes in the world, where he has designed a type of architecture that resonates with the power of natural surroundings. It has also taken him to one of the world’s fastest growing cities, Phoenix, Arizona, where his practice, Wendell Burnette Architects, is based and where he calls home. More recently it has brought him to Los Angeles where he is the current Nancy M. & Edward D. Fox Urban Design Critic at the USC School of Architecture. He is also Professor of Practice at The Design School at Arizona State University’s Herberger Institute of Design and the Arts.
I spoke with Burnette about his approach to architecture, the importance of direct experience, and the meaning behind his current USC studio, “Earth Curvature”.
Text by Isaac Wilhelm:
“Patrons of the A+D Architecture and Design Museum Los Angeles may want to consider wearing comfortable socks to view the new exhibit Bowlarama: California Bowling Architecture 1954-1964, on display from April 11, 2014, through May 11, 2014. Providing a deeper appreciation for the family heirloom bowling trophy on the fire mantle, the exhibit showcases the architecture of bowling in the 1950s. The retro design style and obsession with the sport of bowling at this time generated a desire for architecturally intriguing bowling centers.
Commonly open 24 hours a day in the 1950s, bowling centers incorporated features such as fine restaurants, cocktail lounges, and live entertainment. The projects of this exhibit are not about the sport of bowling or the centers, but rather the culture that emerged. Do not contemplate how many lanes are in the exhibit’s bowling centers, but instead imagine the blonde beauty sitting at the cocktail bar sipping on a martini during the local men’s league championship tournament.”
Title: Exhibition: Bowlarama: California Bowling Architecture, 1954-1964
From: Fri, 11 Apr 2014
Until: Sun, 11 May 2014
Venue: Architecture and Design Museum
Address: 6032 Wilshire Boulevard, Los Angeles, CA 90036, USA
UPDATE: Deadline for submissions extended to April 14, 2014!
Submissions are invited for the 2014 ACADIA ‘DESIGN AGENCY’ conference at University of Southern California, Los Angeles, California on October 20-25, 2014. Architects, designers, fabricators, engineers, media artists, technologists, software developers, hackers, researchers, students and educators and others in related fields of inquiry are invited to submit proposals.
The conference theme is intended to highlight experimental research and projects that exhibit and explore new paradigms of computing in architecture. The theme is a purposeful instigation of work that looks at re-defining the term “Agency” through the lens of computational design strategies such as simulation, fabrication, robotics, and novel integrations from science and the media arts.
For more information, including the specific themes and topics, please go to the event’s official website.
In this delightful article on Metropolis Magazine, Christopher Hawthorne recounts his meeting with Deborah Sussman, the one-time protégé of Charles and Ray Eames whose work breaks the boundaries between graphic design and architecture. From her collaboration with Frank Gehry to her iconic designs for the 1984 LA Olympics, Sussman has come to define a curiously Californian style. You can read the full article here.