In just a few hours, the world will be watching the opening ceremony of London’s third Summer Olympic Games. For 17 high intensity days, more than 10,000 athletes from over 200 countries will battle for the most prestigious awards in the athletic world. However, what will remain hidden in the shadows during the excitement and energy of the opening ceremony will be the story behind the Games – the larger implications of hosting the world’s biggest sporting event, and its stresses at the financial, societal, and environmental level. This story – which lasts long beyond the 17 days – remains unwritten as the after effects of hosting the London Olympics Games will not be felt for years to come.
In this three-part series, we will delve into the effects of hosting the Olympic Games. Our first segment will share background about London’s hope for “legacy” during and after the Games, plus, a look into the financial challenges incurred from hosting such massive festitivies.
Stay tuned for our second and third segments which will address London’s Games with regard to social issues and sustainability.
More after the break.
The London Festival of Architecture hosted its first photographic exhibition called “The Architect’s Eye”, featuring winners and finalists from the Architect’s Eye Photography Competition that we previously mentioned here on ArchDaily. On the exhibition’s opening night, nearly one-hundred people attended a panel discussion that focused on the relationship between architecture and photography within Zaha Hadid’s ROCA London Gallery. The panel, chaired by Amanda Baillieu from Building Magazine, was formed by Moderator Alex Health, Jack Pringle of Pringle Brandon Architects, Simon Allford of Allford Hall Monaghan Morris Architects, Architectural Photographer Nick Guttridge and Architectural Photographer Grant Smith. Roca London Gallery has provided us with the clip above. Check it out and follow us after the break key points from the discussion.
To coincide with the London Festival of Architecture and the London 2012 Olympics, Gallery Libby Sellers is currently holding an exhibition entitled Games. The show laterally interprets its title and the theme of ‘play’ by focusing on chess, other games and their accessories, with pieces designed by Rolf Sachs, Aberrant Architecture and Studio Frith, among others. We interview Simon Hasan about his Slice chess set and Paul Kelley on his games table and try to understand why chess is such a perennial form of entertainment, whilst Libby Sellers herself takes us through the inspiration for the exhibition.
This summer, New York artist Kurt Perschke brought his celebrated art project RedBall to the UK. Co-produced by Torbay Council and The Dartington Hall Trust, it arrived on the streets of the English Riviera in Torbay in June before touring to Plymouth, Exeter, Weymouth & Portland and London, finishing the tour at Dartington Hall and popping up in a total of 20 sites. The project engaged thousands of people on its tour of alleyways, underpasses, high streets, town squares, heritage sites and bridge arches across the country. Alongside the tour, the RedBall UK education project worked with hundreds of young people and staff in 5 schools to raise the aspirations and achievements of Year 6 pupils. Text Courtesy of Danny Cooke. For more information on RedBall UK, please visit here.
July 27, 2012 marks the opening ceremonies of the London 2012 Summer Olympic Games. As the Olympics approach closer, the eyes of the world will inevitably turn to London and its new infrastructure. Over the past 12 months, the Olympic Park in London’s struggling east side has changed dramatically. With the structures of the main sporting venues complete, you can now get a real feel for the layout of the park and the compact nature of the site. More images and information after the break.
With the success of the Tate Modern (the museum hosts approximately 2 million visitors a year), in 2005, the museum selected Herzog and de Meuron to expand its gallery space by nearly 70%. Since that time, we have shared the transformation of the design which began as an irregularly stacked pyramid of glass boxes to a geometric faceted volume clad in perforated brick. Yet, the expansion plans also include a vital component that is buried underground – the Tanks – which opened earlier this week.
More about the Tanks after the break.
Located in the Olympic East End, the London Pleasure Gardens is a new 20-acre riverside arts and entertainment destination. Patterned after the Pleasure Gardens of the 17th and 19th Centuries, LPG invites visitors to listen to music, admire paintings, stroll, drink, flirt and immerse themselves in culture. Featuring open-air concerts, dance and theatre arenas, historic and contemporary architecture, an urban nature reserve, a boutique hotel and a floating cocktail bar, LPG will evolve over the next three years, acting as an entertainment centre but also a platform for artists and musicians to showcase their work to the public. Here, we speak to LPGs creative director, Deborah Armstrong about the project, the regeneration of the Royal Docks and the artists and architects involved.
Planning permission for a new extension to the Victoria & Albert Museum has officially been granted today. The £41 million project will be the biggest new art space in London since the Tate Modern.The bid to design a 1,500 square metre underground gallery for temporary exhibitions, courtyard and entrance on Exhibition Road was won by architecture firm, AL_A, in March 2011. We interview Amanda Levete, founder and director of the firm, about the specifics of the plans and her thoughts on the government’s support of British architecture. Amanda Levete is one of the most successful women in architecture and is married to Ben Evans, director of The London Design Festival. She regularly collaborates with artists such as Anish Kapoor and has previously worked on projects such as the Selfridges department store in Birmingham, the media centre at Lord’s cricket ground and, with her own firm, installing ‘The Timber Wave’ in the entrance to the V&A.
The disappointment generated by the Shard’s opening laser light show is not so surprising for a project that has been grounded in controversy for over a decade. Since 2000, when Piano sketched his initial vision upon meeting developer Irvine Sellar, the project has consistently met obstacles such as English Heritage and the financial crash of 2007. But, the biggest opposition of the tower has been its height. English Heritage claimed that the tower, formerly known as London Bridge Tower, would “tear through historic London like a shard of glass” (ironically, coining the new name of the tower), and Piano counters that, “The best architecture takes time to be understood…I would prefer people to judge it not now. Judge it in 10 years’ time.”
Leading us to wonder…does the Shard simply need time to be fully appreciated?
The Cube, a nomadic, stateless and cosmopolitan piece of architecture designed by Park Associati, is a pavilion designed to host a small, temporary restaurant. Originating from Electrolux’s concept of an itinerant restaurant, The Cube has been conceived and organized by the Belgian event agency Absolute Blue with the logo and texture design by Studio FM Milano. Their architectural project has been conceived as a module that can be assembled and disassembled relatively easily. The structure, which will be on exhibit in London until September 30, is suitable for all climatic conditions, even the most extreme, while always providing the maximum in living comfort with its refined aesthetics and use of high-quality materials. More images and architects’ description after the break.
The UK’s largest arts centre, occupying an 21-acre site that sits in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames, has announced the shortlist of architects competing to head the refurbishment and renewal of the Queen Elizabeth Hall, Purcell Room and Hayward Gallery complex. According to a statement released by the Southbank Centre, the project plans to bring the performance spaces and galleries in the complex up to the standard of the recently transformed Royal Festival Hall and will address current urgent problems including poor access to and the upgrading of the stages and galleries; sub-standard back stage areas; and worn out services.
The eight shortlisted practices are:
This post features time lapses of the construction of various venues that will be hosting the 2012 London Olympics. With the opening ceremony Friday, July 27, these construction time lapses give you an inside look to all of the effort put into the games. If you get a chance to watch the games, you will now have a new found appreciation for the amount of work it takes to hold a major event such as this. More videos after the break.