The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.
The Architecture Foundation, in collaboration with Rogers Stirk Harbour + Partners and the Royal Academy of Arts, has shortlisted five multidisciplinary, architect-led teams to envision future development along the Tidal Thames in London. The competition, dubbed London As It Could Be Now: New Visions for the Thames, will challenged the teams to put forward new ideas for self-selected sites along the river that are relevant to changing social, economic, cultural and environmental conditions and concerns.
The shortlisted teams are:
Location: London, England, United Kingdom
Area: 100000.0 ft2
Photographs: Jamie Smith
The 2010 launch of the “Boris Bike” – London’s cycle hire scheme, named after mayor Boris Johnson – was the clearest indication to date that cycling was no longer just for a minority of fanatics but a healthy, efficient and sustainable mode of transport that city planners wanted in their armoury. There are now more than 8,000 Boris Bikes and 550+ docking stations in Central London. And the trend’s not anomalous to London: Wikipedia reports that there are 535 cycle-share schemes in 49 countries, employing more than half a million bikes worldwide.
However, the real question is: will cycling actually change the city? Will it result in new urban forms or, as the title of Australian academic Dr Steven Fleming’s new book predicts, a “Cycle Space”? Like Fleming, I believe so. I believe that cycling might just be the catalyst for a 21st Century urban renaissance.
Read how, after the break…
A recent profile in Architectural Record highlights the career of Peter Wynne Rees, the chief planner of the City of London: the famous ‘square mile’ which contains the major financial district of Greater London, as well as some of its great tourist attractions, such as St Paul’s Cathedral.
The profile focuses on the new crop of skyscrapers which Rees has ushered in in his 27 years as chief planner, something which has been contentious for preservationists. When he came to the job in 1985, the City of London had just one skyscraper: Tower 42, built in 1980. With the success of the Gherkin in the early 2000s, the surrounding area has seen many more high profile skyscrapers, such as the Heron Tower, 122 Leadenhall Street (The Cheesegrater) and 20 Fenchurch Street (The Walkie-Talkie).
Opening October 4, The Architecture Foundation in London is delighted to present ‘Futures in the Making,’ a group exhibition showcasing prospective architectural futures explored in the work of recent architecture graduates. From spectacular pollution capturing facades to innovative agrarian settlements, projects will include a global range of case studies that test new ideas for architecture and infrastructure by a rising generation of architectural talent. The exhibition will be on display until November 13. For more information, please visit here.
On September 28, 2013, Zaha Hadid Architects will be celebrating the completion of the Serpentine Sackler Gallery. An extension to London’s famous Serpentine Gallery, the new innovative arts venue will be housed in a 208-year-old, Grade II-listed building, formerly known as The Magazine, in Kensington Gardens just north of the main gallery.
This project will be Zaha Hadid’s first permanent structure in central London and second commission from the Gallery, as she designed the inaugural Serpentine Gallery Pavilion in 2000.
London-based United Visual Artists (UVA) has brought Sou Fujimoto’s “cloud-like” Serpentine Pavilion to life with an “electrical storm” of LEDs. With the intention of making the architecture “breathe” from within, UVA seamlessly integrated a network of LED lights into the latticed, 20mm steel pole structure that mimics the natural forms of an electric storm. In addition, carefully conducted auditory effects further enhance the experience, transforming Fujimoto’s “radical pavilion” into an electrified geometric cloud.
After a government report earlier this month found that the London Olympics had brought a £10-billion-boost to the UK’s economy – effectively breaking even with the initial investment after just one year – the architectural community has begun to question whether the built legacy of the games will be worthwhile in the long run.
Guardian critic Olly Wainwright is scathing about the Olympic park, particularly the developments at the edge of the site: “At every junction of this roaring A-road sprouts a steroidal tower, each clad in ever more lurid colours, transforming the street into a gauntlet of competing ambitions. Looming over adjacent council estates, these brash totems are a monument to Olympian greed… Strip away all the festive colours, though, and you’ll find that these are actually mean-minded silos of tightly packed one-bedroom flats, mostly sold overseas for buy-to-let.”
Find out more about Wainwright’s investigations, and other opinions of the Olympic legacy, after the break.
Five London-based firms - AHMM, Allies & Morrison, Foster & Partners, Keith Williams Architects and Lifschutz Davidson Sandilands - have been selected to compete for the “Scotland Yard” redevelopment of the abandoned Curtis Green MPS building on the Victoria Embankment. As reported by BDOnline, the shortlisted firms will each propose a “landmark building for London” that will provide a “modern and efficient working environment” for the new Metropolitan Police Service Headquarters. The judging panel, spearheaded by architect Bill Taylor and RIBA Adviser Taylor Snell, will review the proposals in September.
London School of Economics – New Global Centre for the Social Sciences Competition Shortlist Announced
RIBA Competitions just announced the six teams that were selected to take part in the design stage of the competition for The London School of Economics and Political Science (LSE) to design their New Global Centre for the Social Sciences. The shortlisted teams include: Grafton Architects, Ireland; Heneghan Peng, Ireland; Steven Holl Architects, USA; Hopkins Architects; OMA, The Netherlands; and Rogers Stirk Harbour + Partners. This new building will have a vital role to play in cementing the LSE’s position as a world renowned educational establishment and will become a place that inspires existing LSE students and will help attract new high calibre students and staff to the School.
The shortlisted teams will now have until September to work on their design submissions with final interviews/presentations due to be held in October 2013.
Shanghai-based developer ZhongRong Holdings is working with Arup on an ambitious proposal to reconstruct Joseph Paxton’s Crystal Palace in London. Originally built to house the Great Exhibition of 1851, the 80,000 square-meter cast iron and glass structure was relocated from Hyde Park to south-east London in 1854 where it was ultimately destroyed by fire in 1936.
Currently on view until August 30, Unit Architects is presenting their 8-week exhibition in the entrance space of Buro Happold‘s 17 Newman Street offices as part of Buro Happold’s Emerging Architects event program. A great way to show off some of the upcoming talent in architecture and design, the contribution by Unit Architects to this series focuses on a selection of their work that shares a common approach of engagement with scale, contextual symbology, material presence and considered detailing. More images and architects’ description after the break.
Norman Foster’s Swiss Re Headquarters, a.k.a. “The Gherkin,” has been selected as the Council on Tall Buildings and Urban Habitat’s (CTBUH) first 10 Year Award recipient. The uniquely-shaped skyscraper, as described by CTBUH, “cleared the way for a new generation of tall buildings in London and beyond. Ten years on, its tapering form and diagonal bracing structure afford numerous benefits: programmatic flexibility, naturally ventilated internal social spaces that provide user comfort while reducing energy demand, and ample, protected public space at the ground level.”
The New London Awards, which recognize the best projects in London – both recently completed and on the drawing-board – were held at London’s Guildhall on the 12th of July. Richard Rogers took the top prize of “New Londoner of the Year” in recognition of his life-long commitment to raising the quality of urbanism in the UK capital. The award coincides with his 80th birthday and a major retrospective at the Royal Academy.
See all the winners of the 17 different awards after the break.
IE School of Architecture & Design through its unique combination of design, innovation and management, expands the boundaries of traditional architectural education. IE welcomes students who seek challenges and aspire to become leaders in the dynamic world of architecture and design.
The Master in Architectural Management and Design combines management with advanced design studies, allowing participants to deepen their knowledge of the relationship between the two areas.
Profile: The Master in Architectural Management & Design is aimed at a range of professionals with varying levels of experience; from junior designers looking to take on management responsibilities, to partners in architectural firms willing to reinvent their practices.
- Duration: 13 months
- Format: Blended (online + onsite periods)
- Language: English
- Location: Madrid + London + Online
- More info: www.ie.edu/mamd
“I have a lot of big plans for the gallery, but every idea is an experiment; I don’t necessarily want to enforce what it will be, but rather find out what it wants to be.” This is how Thomas Ermacora described his vision of the Lime Wharf Gallery, a largely hidden series of spaces squeezed between Vyner Street and Regents Canal in the middle of Hackney’s burgeoning creative quarter.
Ermacora hopes the gallery will become an “accelerator of change through culture”, bringing arts, technology and social enterprise together for projects which generate optimism for the future. All of these traits made Lime Wharf Gallery the perfect space to present “Future Fitting.” This evening of talks, orchestrated by Ermacora and Lucy Bullivant (editor of the new webzine Urbanista), focused on urban design that has the foresight and flexibility to deal with the needs of the future.
Read about the ideas presented at the Future Fitting event after the break…