This special monographic issue of ‘Japan Architect’ features Kumiko Inui, who is perhaps best known for her facades, each one a visual pun or optical illusion. It is the first time that almost all of her work has been collected in book form. The magazine “carefully traces Inui’s reference and study process with the idea of conveying the joy derived from the creative process,” exploring 26 of her projects in chronological order, from early proposals and competition entries to high-profile projects such as Dior Ginza, Louis Vuitton Taipei Building and the Shin-Yatshushiro Monument. Includes essays by Tom Heneghan, Taira Nishizawa and Kumiko Inui.
JA+U presents this brief interview with Japanese Architect Kumiko Inui of the Office of Kumiko Inui. The interview gives an inside look at to how architects choose to design. In Inui’s case, she explains how drawing and sketching is a way for her to explore her ideas in concepts, schematics and tectonics. Sometimes these ideas are not fully formed and Inui uses sketching as a strategy to let her mind wander and unfold her various thoughts on the architectural problems before her. Through iteration and reinterpretation, Inui explains how an idea from the depths of her subconscious, eventually surfaces.