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Confórmi: How Visual References Echo Through the Ages

04:00 - 27 February, 2017
Confórmi: How Visual References Echo Through the Ages, Alvaro Siza Vieira, Wohnhaus Schlesisches Tor (Bonjour Tristesse), Berlin, 1980-1984 — Alvar Aalto, MIT Baker House Dormitory, Cambridge, MA, USA, 1947-1948. Image © Davide Trabucco
Alvaro Siza Vieira, Wohnhaus Schlesisches Tor (Bonjour Tristesse), Berlin, 1980-1984 — Alvar Aalto, MIT Baker House Dormitory, Cambridge, MA, USA, 1947-1948. Image © Davide Trabucco

Confórmi (also on Instagram) is a project which began two years ago as a way to manage its curator's visual references. Bologna-based Davide Trabucco, the curator in question, describes the archive as "a personal work-instrument" that positions apparently dichotic elements into a visual relationship with each other. All of these images, Trabucco believes, "are already present in our collective imagery and in visual culture." Their visual impact is clear: formally and aesthetically, each visual pairing "is immediately understandable – even to the uninitiated."

Alvar Aalto, Silo, Toppila | Oulu, Finland, 1931 — Herzog & De Meuron, Feltrinelli Porta Volta, Milano, Italy, 2008-2016. Image © Davide Trabucco Ludwig Mies Van Der Rohe, Bürohaus Friedrichstraße, Berlin, 1929 — Herzog & De Meuron, Elbphilharmonie, Hamburg, 2003-2016. Image © Davide Trabucco Louis Kahn, Salk Institute for Biological Studies, La Jolla, California, USA, 1959-1965 — Bas Princen, Ringroad (Ceuta-Fnideq), 2007. Image © Davide Trabucco Le Corbusier, Tower of Shadows, Chandigarh, India, 1957 — “Ecomostro” | Blot on the Landscape, Ostuni, Italy, 1980. Image © Davide Trabucco +19

THIS IS PHOENIX: uncover | highlight | reveal | the essence of phoenix

14:15 - 11 August, 2016
THIS IS PHOENIX: uncover | highlight | reveal | the essence of phoenix, THIS IS PHOENIX
THIS IS PHOENIX

THE 2016 AIA PHOENIX METRO DESIGN COMPETITION

THIS IS PHOENIX
uncover | highlight | reveal | the essence of phoenix

"A man travels the world over in search of what he needs and returns home to find it." - George Moore

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