Not just meatballs and Vikings; Scandinavia has always been the epicentre of design across the world - just look at the growing impact of Bjarke Ingels and Ikea's future living lab SPACE10. To showcase their significant influence, Expedia has illustrated the works of four famous architects from Denmark, Finland, Norway and Sweden and how they shaped international architectural movements of the 20th and 21st centuries in a collection of posters called Monumental Minds.
Abu Dhabi-based Brazilian designer and artist Fábio Araujo has a fascination with abandoned places – the mystery of where the man made clashes with the natural to create unique colors, textures and compositions.
These places are the subject of his series, aptly titled “Abandoned Places,” in which he uses a series of digital manipulations to create small islands floating within and contrasting with their clean, solid backgrounds.
Other works by Araujo include “Favela,” where the Brazilian housing typology has been reimagined as located within the sky, and miniature models of scenes and buildings including the Burj al Arab hotel in Dubai.
“An image is a sight which has been recreated or reproduced. It is an appearance, or a set of appearances, which has been detached from the place and time in which it first made its appearance and preserved – for a few moments or a few centuries. Every image embodies a way of seeing.” - John Berger / 1972 / Ways of seeing
Digital tools have given architecture the ability to manipulate information, allowing architects to interact with existing information and reshape it in a different way according to the author’s ideals or thoughts about architecture.
Representation becomes a project itself; it is a graphic manifesto of what the author wants to deliver, a critical vision of a design intervention in a particular context.
In this path, collage has become an active tool to facilitate the reproduction of multi-layered atmospheres made by the curated assemblage of different forms to create a complex stage for an architectural idea.
A collage engages all senses to define the experience of a space. The symbolic and tactical associations between fragments of images provide a way to understand all the stories behind a space, transgressing the limits of perception to reach an intuitive process that exhibits the atmosphere of a project.
Here we introduce 12 architecture offices that describe atmospheres by using complex collage compositions to express social, cultural and political environments for their designs.
Chilean architect and illustrator Francisca Álvarez Ainzúa created "Architecture of the Portrait": a series of illustrations of renowned architects drawn with the precision and accuracy of a fineliner. In order to choose the protagonists of her geometrical analyses, the architect states a preference for strong character and the presence of imperfections, which imparts a certain richness to the representation.
The architectural construction of the face is done using lines to create a hatch effect. Next, she adds color that pays tribute to the traditional default CAD shades: yellow, cyan and magenta.
John Redington, a Texas-based illustrator, documents abandoned rural sheds and their modest architectural impact. In this visual essay he reveals this unseen, underrepresented vernacular arguing that the "shaky charm of the abandoned shed could offer a look into a more humble form of inspiration for architects."
The car rattles on a loose road as thick white dust rises from the back of its tires. On either side seas of sunburned grass just barely keep themselves from breaking onto the path. The sky sits heavily on the horizon, as the fragrance of both wild and cultivated plants fill the air.
Lima-based architect Karina Puente has a personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel. Her initial collection, which ArchDaily published in 2016, traced Cities and Memories. This latest series of mixed media collages, drawn mainly using ink on paper, brings together another sequence of imagined places – each referencing a city imagined in the book.
Invisible Cities, which imagines fictional conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan, has been instrumental in framing approaches to urban discourse and the form of the city. According to Puente, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce.
A renowned symbol of the modern world, Tokyo is a city commonly associated with bright lights, innovative technology and sleek buildings. So when Polish artist Mateusz Urbanowicz first moved to Tokyo, he was taken aback by the number of old, architecturally eclectic storefronts that continued to flourish within the city.
“When I moved to Tokyo, more than 3 years ago I was really surprised that upon my walks I encountered so many shops still in business in really old buildings,” Urbanowicz explains. “Differently to Kobe, where the earthquake wiped out a lot of these old downtown houses and shops, in Tokyo they still survive.”
Inspired by the buildings’ resilience and their unique architectural features, Urbanowicz set out to document the storefronts in a series of watercolor illustrations, capturing the process through making-of videos.
We want to see your designs for an architecture Halloween pumpkin! Download the design template below and illustrate/animate/build something that will squash us with your talent. We'll be accepting entries until October 24, at 12:00 pm EST and we'll publish our favorites before Halloween!
The British Library has continued to release images from its digitized collection, now bordering over one million images on public image-sharing platform Flickr, reports Quartz. Since 2013, the institution’s “Mechanical Curator” has been randomly selecting images or other pages from over 65,000 public-domain books from the 17th, 18th and 19th centuries.
Lima-based architect Karina Puente has a personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel. The book, which imagines imaginary conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan has been instrumental in framing approaches to urban discourse and the form of the city. According to Puente, who has shared six drawings with ArchDaily, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce.
Architect, illustrator and cofounder of the Miniatura project, Bruna Canepa has shared with us a stunning collection of her illustrations and collages, which offer a fresh gaze onto one of architecture’s most common tools: the drawing. Beyond depicting examples of unreal architecture, her works present architecture that replaces firmitas, utilitas and venustas for complexity, wonder and irony.
From extrusions and explosions of familiar typologies to surreal and sterile atmospheres of empty spaces, we suggest three subcategories to frame Bruna’s illustrations as shown below: Houses, Cubics, and Displacements.
UPDATE: The deadline for submissions for the Burnham Prize has been extended to September 7th, 2015 with the announcement of the winning entries to occur on September 30th, 2015. In addition, student entry fees have been reduced to $25.00.
Affiliated with this year’s Chicago Architecture Biennial, the Chicago Architectural Club has announced the 2015 Burnham Prize Competition: Currencies of Architecture. This year’s Burnham Prize was inspired by the Chicago Architecture Biennial’s title, “The State of the Art of Architecture,” and explores the question: what is the state of the art of architecture today? Entrants are challenged to create a single image that exemplifies a point of view on the current state of architecture – whether it is a celebration, a challenge, a statement or anything else.
A little over a year ago, New York City-based graphic designer José Guizar started illustrating an obsession of his that had quickly grown since moving into the city: New York’s varied and eclectic windows. “A product of countless steps of journey through the city streets, this is a collection of windows that somehow have caught my restless eye out from the never-ending buzz of the city,” Guizar writes on his website. “This project is part an ode to architecture and part a self-challenge to never stop looking up.”
Others have since been inspired by Guizar’s colorful and captivating homage to the windows of NYC, and earlier this year São Paulo-based Nara Rosetto began her own weekly illustrations of windows in South America’s largest city.
Ranging from Victorian and porthole windows to windows with security bars, planting boxes and the occasional cat, the windows are as varied as the cities and buildings they occupy.
Read on after the break for a journey through the windows of New York and São Paulo.
André Chiote, a Portuguese architect renowned for designing illustrations that represent some of architecture’s most iconic buildings, has agreed to give five lucky winners a copy of their favorite print. To participate, browse through Chiote’s collection on his online shop and tell us which illustration you like the best in the comment section below.
You have until Wednesday, January 29th to submit your comments. Winners will be contacted the following day. Good luck!
The hand-drawn work of Chris Dent takes on the modern metropolis – depicting architecture in a way that is at once meticulously accurate & playfully imaginative.
What would the world’s landscape look like if it were concentrated into one megalopolis? This graphic analysis illustrates the amount of land required to accommodate all 6.9 billion people based on the densities of cities across the globe. The differences illuminate the adverse affects of suburban sprawl.