Architect and MIT Lecturer Cristina Parreño has created this new prototype for a self-supporting glass facade, entitled "The Wall." The design is the first in Parreño's "Tectonics of Transparency," a series of planned prototypes that will "explore the relationship between formal design, spatial perception, structural efficiency and systems of fabrication."
More details about Parreño's prototype after the break
The European: Lord Foster, architects design buildings that will characterize cities for decades or even centuries to come. How difficult is it to design buildings for an unknown future?
Foster: Flexibility is a key consideration. We design with an awareness that circumstances will change – that a building’s context will evolve; it may be used in different ways and will need to incorporate new technologies that we cannot yet predict.
A mere twenty-five years after its inauguration, the Glass Music Hall at the former Exchange of Berlage in Amsterdam is looking for a new home, where it will be relocated and reassembled for free. The innovative space, originally designed for the Dutch Chamber Music Orchestra, has garnered international attention and multiple awards, but sadly no longer meets the needs of the facility.
Designed by architect Pieter Zaanen and structural designer Mick Eekhout, the Glass Music Hall sits in the center of an existing space, defying stereotypes about what glass can do. Being a hard material, the reverberation time in a blunt glass hall would be approximately 5 seconds. However, this number was brought down to 1 or 2 seconds in this instance, proving glass can be used to create a fantastical acoustical environment.
A court approved ruling has sealed the fate of Foster + Partners’ half-built Harmon Hotel in Las Vegas. Unfinished due to structural defects, the 27-story glass tower was once envisioned to be the staple of the $8.5 billion CityCenter entertainment complex. However, since problems arose in 2008, the stunted hotel and casino has instead served as a glorified billboard.
Though it has yet to be determined who will be blamed for the faulty construction, owner MGM Resorts International has been granted permission to dismantle the blue glass building floor-by-floor at a cost of $11.5 million.
The following article is presented by ArchDaily Materials. In this article, originally published by Metropolis Magazine, Lara Kristin Herndon and Derrick Mead explore seven innovative architectural materials and the designers behind them. Some materials are byproducts, some will help buildings breathe and one is making the leap from 3D printing to 4D printing.
When Arthur C. Clarke said that any sufficiently advanced technology is indistinguishable from magic, he was speaking from the spectator’s point of view, not the magician’s. As our list of smart materials shows, technology solves difficult problems, but getting there requires more than just a wave of the magic wand. Each of the following projects looks past easy answers. Whether it’s a new way of looking at old problems, a new material that maximizes the efficiency of an old technique, or a new method to tap the potential of an abundant or underutilized resource, here are seven innovators who take technology out of the realm of science fiction.
Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple, but extremely successful.
Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.
Read more about Richard Kelly’s remarkable, and unsung, contribution to architecutre, after the break.
To celebrate the launch of ArchDaily Materials, our new product catalog, we've rounded up 10 awesome projects from around the world that were inspired by one material: glass. Check out the projects after the break...
In Modernism’s attempt to dissolve spatial boundaries with transparency, the material used - glass - is all too often dematerialised. In contrast, the New York-based designer James Carpenter is interested in multiple readings of glass - beyond transparency.
As Carpenter explains: “People approach light in relationship to architecture. It is that the light is the means by which the architecture is revealed and the architecture is basically defined by the way the light enters the space. I tend to think actually from the opposite direction where the light itself is what informs the architecture. The architecture is in service of light rather than the other way around.”
The New York Times has published “A Short History of the Highrise” - an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. Organized in four short films - “Mud,” “Concrete,” “Glass,” and “Home” - viewers are given the option to "dig deeper" into each subject and explore additional archival material while viewing the film. Check out the film here.
With ever-expanding traveling exhibitions attracting over 35,000 yearly visitors from around the globe, the Aspen Art Museum (AAM) has outgrown their cozy 9,000 square foot facility in which they have called home since their established in 1979. Japanese architect Shigeru Ban has been commissioned to design the new museum, being the first museum he has constructed in the U.S. The project is set for completion in August 2014. Continue reading for more information.
http://www.archdaily.com/188272/aspen-art-museum-unveiled-shigeru-ban-architectsAD Editorial Team