UPDATE: The auction has concluded and more than £5.6 million was made. Find out how much the famous, architect-designed relics went for after the break.
Next week, a rare collection of over 100 relics designed by some of architecture’s most significant practitioners from the last two centuries will be auctioned off at the Phillip’s in London. Ranging from a full-scale paper tea house by this year’s Pritzker laureate Shigeru Ban to the Peacock chair designed by Frank Lloyd Wright for Tokyo’s Imperial Hotel, the items being showcased and sold are an ode to the ideas in which have had a profound impact on our built environment.
An exhibition of the items, appropriately titled “The Architect,” is already underway, prior to the auction on April 29.
Works by Gerrit Rietveld, Le Corbusier and Oscar Niemeyer are all available for purchase. Read on for a preview of the highlighted items…
Partially credited to the spotlight cast by MoMA’s “Frank Lloyd Wright and the City: Density vs. Dispersal“ exhibition, SC Johnson (SCJ) has agreed to restore their 15-story Frank Lloyd Wright-designed Research Tower as a museum and corporate office in Racine, Wisconsin. Wright’s only constructed taproot-core, the 1950s tower is “an inspiring example of cantilever construction with an inner core extending 50 feet into the ground that provides support for the 16 million pound structure,” described SCJ. “The taproot core bears a strong resemblance to the lily pad-like columns seen throughout SC Johnson’s Administration Building, another Wright-designed facility.”
Chicago-based Harboe Architects has been chosen by the Frank Lloyd Wright Foundation to construct a preservation master plan for Taliesin West, which will guide future restoration and conservation efforts for the prized National Historic Landmark. Built in Scottsdale, Arizona, by the hands of the architect himself, alongside his apprentices between 1937 and 1959, the desert landmark served as the winter home, studio and school of Frank Lloyd Wright. Read and relive the story of Taliesin West here on ArchDaily.
A rare house from Frank Lloyd Wright‘s Usonian house period has been saved by the Crystal Bridges Museum in Arkansas. The dramatic rescue plan to disassemble and move the house to a site over 1,000 miles away is required due to frequent flooding of the home’s existing site in Millstone, New Jersey. The Crystal Bridges Museum will rebuild and restore the house at a site on their 120-acre grounds.
Read on for more about this unusual preservation
This time last year we published our 30 Architecture Docs to Watch in 2013 featuring a fantastic range of films telling the tales of some of the world’s greatest unsung architectural heroes. We now bring you eleven more for 2014, looking past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.
December has been a month of disappointment for fans of Frank Lloyd Wright: first, a plan to build a house designed by Wright and adapted for the English countryside has been rejected by Wraxall Councillors (Bristol Post), who believe that Frank Lloyd Wright “can’t be that influential”. This was followed by the news that SC Johnson, the company for whom Wright designed the famous Johnson Administration Building, is trying to stop the high profile Sotheby’s auction (ArtInfo) of a desk and chair designed for their building – claiming that the items were in fact stolen from them way back in the 1950s. More on the Bristol rejection here and the Sotheby”s controversy here.
54 years after the death of Frank Lloyd Wright, Florida Southern College, home to the largest collection of Frank Lloyd Wright buildings in the world, opened another structure designed by the famed architect last Friday. Originally called the Usonian house, it was envisioned as a professor’s home in 1939 but wasn’t built until this year using blueprints left by Wright.
“The greatest American architect of all time”, Frank Lloyd Wright, was born 146 years ago today. One of the all-time architectural greats, his work has now been inspiring generations of architects for over a century.
Lloyd Wright is particularly interesting because of the unique period of history which he occupied: as a disciple of Louis Sullivan (‘form follows function’) in the late 19th century, his work forms something of a bridge between the traditional architecture of that era and the modernists which began to appear around the 1920s. His later work is formally modernist, yet still retains a sensibility rooted in that earlier period.
Frank Lloyd Wright is for many people the quintessential vision of the architect: he presented himself as a lone genius, fastidious down to the smallest details of his design, and his personality was often rather brash; if it weren’t for the fact that he was almost always right, he might be seen as arrogant. But there is no denying his vision – and the timelessness of his designs continues to reveal just how strong that vision was.
On the occasion of his birthday, we invite you to take in part of the legacy that Frank Lloyd Wright left behind:
After years of disconcerting reports that the historic David and Gladys Wright House by Frank Lloyd Wright was under threat of demolition by developers, we announced that a generous benefactor saved it from its fate by providing funds to buy back the property. It seems that this particular story is not unique. An article on ArchRecord by Frank A. Bernstein lists several other modern architecture treasures that may soon fall under the same threat as they hit the real estate market.
Find out more after the break.
Ada Louise Huxtable was a renowned architecture critic who started at The New York Times in 1963. Her probing articles championed the preservation of buildings regarded as examples of historic design still imperative to the life of the city. Her arguments were leveraged by research and an in-depth understanding of architecture as an ever-relevant art form (“the art we cannot afford to ignore”). Alexandra Lange of The Nation points to the connection between Ada Louise Huxtable’s writing and its influence on the culture of preservation that eventually resulted in the establishment of the Landmarks Preservation Commission (LPC) in 1965.
More after the break…
In late March, one of the few Frank Lloyd Wright designs in New York City was demolished quietly at 430 Park Avenue. This seldom-noticed interior retail space was home to the Hoffman Auto Showroom for over five decades and just as it was considered for preservation by the Landmark Preservation Commission, the owners of the building applied for its demolition. For many people, this may seem like an act of corporate greed or “corporate vandalism” and it may be so, but the landmark designation for interior spaces applies strictly to public space only according to NYC’s landmark laws.
So was this space ever anything more than private property? Aside from having been designed by one of America’s most famous architects, did the design have “special historical, architectural or cultural significance”?
More after the break…
WNYC has just released a candid interview they recorded with Wright in 1957, two years before his death, in his Plaza Hotel apartment (where he’d moved to oversee construction of the Guggenheim, which he’d been working on for 14 years). The conversation covers a wide range of topics – from Wright’s quirky personal views on American culture to the significance of architecture for mankind. Some gems from the interview include:
On the Guggenheim and its critics: “You’re going to be awakened to the beauty of that thing [a picture, a painting] from a new point of view. And it’s going to be so enlivening and refreshing, that it will make some of these painters quite ashamed of the protest that they issued against it.”
More quotes from Frank Lloyd Wright, after the break…
Our latest movie in our Films & Architecture series is another ’60s classic, this time by the master filmmaker Alfred Hitchcock. In North by Northwest we see a New York in the heyday of its architectural glory, with one scene taking place at a newly constructed United Nations building. In fact, the last scene takes place in a “house” that, under Hitchcock’s instructions, was meant to seem designed by Frank Lloyd Wright (in reality, the house was just another set design). The film shows a variety of urban spaces, and puts special emphasis on the contrast between the densities of urban and rural realms.
As always, enjoy and comment!
With many museums worldwide seeking to extend to accommodate larger collections, Athens-based Oiio Architecture Office has asked: “What if we decided we needed a little more of Guggenheim?”
More on the design after the break…
LEGO® aficionados, the wait is over. LEGO® has announced the details of their first edition to the 2013 Architecture series! Who better to kick off the new year than LEGO® Architecture staple Frank Lloyd Wright with his Imperial Hotel in Tokyo.
The most celebrated of Wright’s six Japanese buildings, the Imperial Hotel was designed in the, then very chic, Mayan Revival style and constructed largely of stone and reinforced concrete. It was lauded for having survived a sizable earthquake shortly after its opening, however in reality portions of the building sunk leaving residents navigating its wobbly corridors. Eventually it was decided to completely demolish the building in 1968 to make way for the high-rise building that stands on the site today.
But fret not, now instead bemoaning the loss of one of Wright’s great works, for between $90-$100, big kids and little architects can reinstate this landmark building on their very own living room floor with 1,188 glossy miniature blocks.
More photos after the break…
Christmas has come early for the international community of architects and preservationists, as an anonymous benefactor has saved the endangered David and Gladys Wright House in Phoenix, Arizona. Culminating a six month saga, the Frank Lloyd Wright Building Conservancy is proud to announce that it has facilitated the purchase of the historic property through an LLC owned by an anonymous benefactor. The transaction closed today, December 20, and is no longer a demolition threat.
The Wright home will now be transferred to the hands of an Arizona not-for-profit organization responsible for the restoration, maintenance and operation of the structure. The change in ownership guarantees the house will survive and be preserved. Landmark status is expected to follow shortly.
More information on the David Wright House after the break…