Foster + Partners: The Latest Architecture and News

As 2023 comes to an end, the future of our landscape is filled with visionary imaginations as a result of a year of forward-thinking design competitions. From revitalizing historical gems to designing new buildings, these global contests have pushed innovation further in the architecture industry. In fact, with each new competition, the boundaries of our living were challenged, reimagining what the future may accommodate or encourage.

This past year has been a showcase of architectural innovation, with award competitions surpassing the boundaries of traditional industry. Winning designs feature a deep embodiment of cultural heritage, communal aspirations, and environmental stewardship. In fact, the three categories of competitions that established firms participated in were cultural landmarks, mixed-use towers, and master plans. In each category, the winning design reimagines what these concepts stand for in 2023 and beyond, designing not just new buildings but new ways of living.

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Foster + Partners has unveiled the plans for a new multi-purpose design in the heart of Miami Beach. “The Aalton” is a six-story building encompassing ground-level retail, offices, and residential spaces. Positioned at the intersection of Aalton Road and Lincoln Road, the renowned pedestrian shopping street, the building embraces Florida’s architectural heritage.

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Foster + Partners, in collaboration with CannonDesign and Gilbane Building Company, have unveiled the new plans for a Mayo Clinic healthcare vision in Rochester, Minnesota. Named “Bold. Forward. Unbound.” This initiative presents a multiyear strategic endeavor aligned with Mayo Clinic’s strategy to “cure, connect, and transform healthcare globally.” Reimagining the institution’s campus, the design introduces new facilities that merge care concepts and digital technologies.

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Foster + Partners has won an international competition to design Abha Airport’s new terminal in Saudi Arabia’s Aseer Region. Inspired by Rijal Almaa village, the design reimagines the terminal as interconnected human-scaled clusters, courtyards, and walkways. The scheme aims to redefine the passenger experience, setting a new benchmark for airport design.

The final steel beam on JPMorgan Chase’s new headquarters was placed this week, reaching a height of 423 meters. Designed by Foster + Partners, the project at 270 Park Avenue in New York takes up to 14,000 future occupants. The event was attended by Norman Foster, founded and executive chairman of Foster + Partners, JPMorgan Chase Chairman & CEO Jamie Dimon, New York City Mayor Eric Adams, and local officials in the city. The design boasts an all-electric tower, with net-zero operational emissions, powered by a New York State hydroelectric plant.

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Foster + Partners has been selected to design the Kingdom of Saudi Arabia’s pavilion for Expo 2025 Osaka. Positioned at the Yumeshima waterfront, the pavilion aims to evoke the essence of Saudi Arabian towns and cities while providing an engaging spatial experience. Overall, the design aims to immerse visitors through audio-visual elements and offer them a glimpse into the marvels of Saudi Arabia.

Using computational fluid dynamics simulations, the pavilion's structure was developed with inspiration from the organic forms of traditional Saudi villages. During the hot summer months, this strategy helps cool western winds flow through the city's streets. In addition, in the calmer months of April and October, the planted courtyard serves as a windbreak, protecting the pavilion from strong winds coming from the north.

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Foster + Partners has been selected as the winner of an international competition to design a new center for Hangzhou, the capital of China's Zhejiang province. The master plan envisions a green and interconnected mixed-use quarter situated in the heart of the Yuhang District. In its essence, the project aims to foster a strong connection between nature and people’s daily lives, creating a sustainable urban quarter.

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The Türkiye Design Council (TDC) has gathered 13 design practices, including Foster + Partners and Bjarke Ingels Group, to contribute to the revitalization of the historic province of Hatay, an area severely damaged by the 7.8 magnitude earthquake in February this year. Foster + Partners has been selected to lead the design and planning of the new master plan for the city of Antakya, known to antiquity as Antioch, while several other offices including Turkish practices DB Architects and KEYM (Urban Renewal Center) will work together to create a vision for the rebuilding of the city. The master plan is expected to be revealed in its entirety in 2024.

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Foster + Partners has just revealed the designs for the Ellison Institute of Technology (EIT) campus in Oxford. Initially established as a research and development center, the campus is now gaining a significant expansion. The Institute’s core focus and research was around cancer, wellness, and public health at large, and it is now extending its mission to encompass new vital domains: medical science and healthcare, food security, sustainable agriculture, clean energy, climate change, and government policy economics.

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Foster + Partners has just revealed their first project in Qingdao, a major seaport and financial hub in the Shandong Province of China. 1 Nanjing Road is a mixed-use development in the city’s southern district. From office space to luxury apartments, the studio’s mixed-use design integrates into the existing urban fabric.

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The 2023 World Architecture Festival (WAF) shortlist has been announced, highlighting the most impressive architectural projects worldwide. This announcement precedes the live event, which will be held in Singapore at Marina Bay Sands from November 29th to December 1st. WAF is a live-judged architectural awards program where finalists present their projects to a panel of judges during the international festival. Some of the finalists on the shortlist include Foster + Partners, Biroe Architecture, COX Architecture, Dabbagh Architects, MAD Architects, and more.

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This is an edited excerpt by Philip Jodidio from TASCHEN’s upcoming title Norman Foster.

In a 2007 conference, Norman Foster stated: “As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown." That talk was about the green agenda, which he termed the most important issue of the day, affirming that it is “not about fashion but about survival.” Admittedly, the rise in public interest in contemporary architecture that followed the creation of the Pritzker Prize in 1979 (Foster was the 1999 winner) has been focused on forms and personalities more than on substance. Philip Johnson, the first winner of the shiny award, made his view clear: “Architecture is art, nothing else.” Essays, magazines, and books have delighted in the foibles, verbal and sartorial, of celebrated architects, the hats, and eyeglasses of genius. Of course, figures like Frank Lloyd Wright and Le Corbusier did not wait for a prize to be famous, and it seems fitting that Wright’s literary alter-ego, Howard Roarke, would say: “Art is a selective re-creation of reality according to an artist’s metaphysical value judgments." The modern architect/artist as demiurge, responsible for fashioning and maintaining the universe: “…how like an Angel in apprehension, how like a God?”

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An arid environment refers to specific regions characterized by a severe lack of available water and extremely dry weather conditions. More specifically, arid regions by definition, receive less than 25 centimeters of rain per year. In the immense vastness of arid environments, where extreme climates present significant challenges, the role of water in architecture takes on a new dimension.

For centuries, architects and designers dealing with harsh desert landscapes and the vital necessity of water have invented techniques, technologies, and new structures. Moreover, many creative approaches have been created to harness, collect, and cool water in arid environments. 

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London Design Biennale has opened on June 1^st, 2023, at Somerset House, bringing together participants from around the world to celebrate new forms of international cooperation through design. The Biennale, now in its fourth edition, will display more than 40 installations focused on the theme ‘The Global Game: Remapping Collaborations,’ chosen by this year’s Artistic Director, the Nieuwe Instituut, Instituut, led by Aric Chen. In addition to the national participants, the Eureka exhibition will showcase cross-disciplinary innovations from UK’s leading research centers.

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