Heatherwick Studio has just been selected to design a new educational facility for a university in Bogotá, Colombia. Marking Heatherwick’s Studio’s debut in South America, the construction is set to begin in 2025. Located on the existing campus in central Bogotá, the new design school and makers’ space for Universidad EAN will become a home for the university’s school of sustainable design. The seven-story structure features a striking façade adorned with colorful artistic columns and open terraces.
In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.
For centuries, arid environments have solved the problem of light, privacy, and heat through a statement architectural feature of Islamic and Arab architecture, the mashrabiya. Crafted from geometric patterns traditionally made from short lengths of turned wood, the mashrabiya features lattice-like patterns that form large areas. Traditionally, it was used to catch wind and offer passive cooling in the dry Middle Eastern desert heat. Frequently used on the side street of a built structure, water jars, and basins were placed inside it to activate evaporative cooling. The cool air from the street would pass through the wooden screen, providing air movement for the occupants.
Similar to the Indian jali, the vernacular language also offers a playful experience with daylight while still maintaining a certain degree of privacy. Traced back to Ottoman origins, the perforated screens protected occupants’ from the sun while simultaneously letting daylight through in calculated doses. Although the mashrabiya was a statement in arab and Islamic architecture languages, it wasn’t until 1987 that the archetypal element began appearing with a revised contemporary application.
The concept of "eyes on the street" is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who - consciously or unconsciously - use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street
The principles of the circular economy have been most influential and applicable to the construction industry. Emphasizing the efficient use of resources, models around reuse and recycling of components and materials are increasingly being pioneered by global architecture practices. The concept of "design for disassembly" has emerged as an innovative approach especially in the case of building facades. Striking a balance between the demands for new infrastructure and the transition towards sustainability requires a review of traditional facade design throughout its lifecycle.
Architecture – once it moved out from under its cavernous beginnings – started off largely nomadic. For a long time, the shade of trees and moveable tents made from animal skin were utilized instead of more permanent dwellings to meet nomadic lifestyles and basic survival needs. These early portable structures were primarily supported by wooden frames and were used by various ancient civilizations, including the Bedouins in the Arabian Peninsula and the Native American tribes in North America. The advent of woven cloth some 40,000 years ago made the dwellings even lighter and easier to transport, a boon to nomadic cultures around the globe.
Though tents have remained popular since then in recreational contexts and as a staple of the architectural form, contemporary architecture has rediscovered the principle of draping fabric and taken its development further – not just for temporary structures, but for permanent buildings and installations, too. Advanced and durable materials have turned fabric into a facade and roof alternative that has sparked a highly specialized sector within the construction industry and created some of the most intriguing exteriors around the globe.
Translucency, at its essence, is an optical property that enables the total or partial passage of light through materials, without providing a clear view of the objects behind them. Despite its apparent simplicity, this property has fascinating applications in the architectural field, generating attractive and powerful proposals that play with light without obstructing views.
Traditionally, glass sheets have been the symbolic material associated with transparency, commonly used in the fabrication of doors and windows. However, technological advances in production and the exploration of innovative materials have significantly expanded the opportunities to take advantage of this property in both interior and exterior applications. These advances challenge preconceived limitations and encourage creativity in the development of novel architectural proposals.
https://www.archdaily.com/1013517/seeing-through-layers-translucent-materials-in-architectureEnrique Tovar
Cortesia de SolarLab, Photo by doublespacephoto.com
Autonomy and freedom during the design process are invaluable resources for architects, especially when defining a volume and choosing materials, systems, and solutions for a building. The flexibility of these elements must not only promote their harmonious integration within a structure but, above all, allow architects to incorporate them without the need to change their initial concepts. This design freedom becomes even more crucial in the context of facades, specifically in building-integrated photovoltaic (BIPV) facades. This is due to the unique challenge of incorporating the energy capture function into the design of the building envelope, simultaneously demanding adaptation to the designer's aesthetic preferences and effective performance, as well as the entire infrastructure for capturing and transporting energy.
Advancements in 3D printing technology are progressing at an unprecedented pace, accompanied by a parallel surge in computational power for manipulating and creating intricate geometries. This synergy has the potential to offer architects an unprecedented level of artistic freedom in regards to the complex textures they can generate, thanks to the technology's remarkable high resolution and rapid manufacturing capabilities. If the question of production was out of the way, and architects could now sculpt virtually anything into a facade effectively and efficiently, what would they sculpt?
Thanks to its strength, lightness, and easy installation, polycarbonate is fast becoming our generation's everyman material. Used to let light in with its translucent properties, buildings built with polycarbonate can appear permeable by day and glow from within by night. Its inherently prefab -nature makes it a strong contender in both small and large projects. Through its use in schools, offices, libraries and even museums, the man-made polymer has earned its place by being as efficient as it is expressive.
A vital aspect of a circular economy lies in shifting our view of waste. Labeling an item "waste" implies voiding its value and ending its useful role in a traditionally linear economy. While the item might be out of sight and out of mind, its life continues in the landfill. This shift in perspective regarding waste means opening our minds to the opportunity that the abundance of junk presents. These designers and architects have managed to not only effectively reclaim discarded objects but also to make them look precious, imbuing them with new meaning and value through their careful curation.
Moving towards modernity implies questioning established concepts. Today, we are witnessing several projects and approaches in architecture that explore alternatives to energy-intensive building systems, materials, and technologies commonly used in today's construction. These projects, far from adopting approaches that reject technology, seek to promote conscious architectural practices. They aim to go back to basics through passive strategies, using natural materials and a contextual understanding to develop sustainable architecture.
To boost sustainable architecture, it is crucial to have building models and materials that become recognizable icons in their immediate context, thus setting a precedent for the development of future proposals. One such example can be found in Spain, with the "Impulso Verde" project carried out in the city of Lugo which stands out for its construction model based on passive strategies and regional materials. In this project, using natural slate as cladding for the ventilated facade system and employing local resources in the structure was essential for the building's ecological footprint. Additionally, these elements strengthen the building's identity by connecting it to the surrounding landscape.
https://www.archdaily.com/1010187/sustainable-building-models-an-eco-friendly-structure-in-natural-slate-within-a-multi-ecological-neighborhoodEnrique Tovar
Solar Facades on Det Grønne Hus. Image Courtesy of SolarLab
Renovations involve design processes that transform, refurbish and enhance architectural elements. From gentle aesthetic changes to structural additions, building renovation can improve functionality, safety, and energy efficiency. By integrating new technologies, contemporary strategies are giving new life to existing buildings, propelling already-built projects into the future.
Through their energy-efficient, durable, and bespoke solutions, SolarLab leverages architectural heritage by introducing custom energy-producing facades to existing buildings. By seamlessly combining technologies with design freedom, these solar facades adapt to each project’s style while acting as rain screens with a long, maintenance-free service life. Moreover, by producing sustainable electricity, integrating this system into refurbishment projects contributes to the building’s day-to-day operations, effectively reducing its environmental impact.
In Greater Boston's city of Malden, Massachusetts, an inter-generational community of thirty households hired an architecture firm and collectively designed their cohousing community. Responding to the cohousing community's request for collective living in an urban setting, French2D designed a typology-challenging building with individual residential units connected by a framework of shared spaces. The result is a 48,700 sqft unique and colorful type of multi-family housing. It is one of a growing number of cohousing projects in the United States.
In July, Las Vegas unveiled an extravagant spectacle - a colossal LED-wrapped spherical structure, standing 366 feet tall and 516 feet wide. This entertainment event venue instantly captured the public's gaze, becoming a local landmark and attracting global attention through extensive news coverage. Similar spherical concepts have been proposed in London and at a smaller scale in Los Angeles. These massive display structures open up questions about facades as digital canvases. What role can architecture take as an urban canvas other than as a billboard? And what are different ways for architecture to engage the public through digital art besides gigantic LED spheres?
With the high population density of cities and voracious appetite of the market for every square meter, it is not uncommon for urban vegetation to be forgotten. For this reason, forests, vegetable gardens, and vertical gardens have aroused much interest and figured into a variety of different innovative proposals. Using the vertical plane to maintain plants in an urban setting is a coherent and common-sense solution, especially when there is little possibility of bringing green to the level of the people on the streets.
Despite the bad reputation of public housing in the United States, organizations, planners, and architects in Portland, Oregon are determined to create affordable housing that does not sacrifice quality or aesthetic appeal. While Portland has developed a bad reputation regarding its homelessness problem, in the past four years resources have flowed in the right direction, and designers have taken this in stride to design livable and striking buildings, within very restrictive budgets. Through innovative and creative approaches to construction and design, these organizations and designers have utilized federal, state, and city resources to make these types of projects a reality.
Ancestral, vernacular, minimalist and harmonious. For many, these words have come to define the architecture of Japan, a country that has long served as a source of cultural and technological inspiration for countless societies worldwide. Popular Japanese techniques have reached even the most remote corners of the globe, gaining traction across various fields that range from technical craftsmanship to digital innovation. Within the realm of architecture, the appropriation and reinvention of various materials and construction systems –such as the use of carbonized wood in facades– has been an enduring theme.
