In celebration of the International Year of Light in 2015 and the practice's 25th anniversary, Lighting Planners Associates (LPA) is putting up an ambitious show Nightscape 2050, with the exhibition travelling from Berlin to Singapore and then to Hong Kong and Tokyo, from August 2015 to June 2016. Nightscape 2050 is intended to be one of its kind for Light and Lighting, in which visions of the future of lighting and the way LPA imagines to use this light are shared with the visitors.
Presenting 40 images by Boston photographer and trained architect, Steve Rosenthal, this exhibition showcases rural New England churches of the eighteenth and nineteenth centuries. From the early meetinghouse through the changing patterns of Greek and Gothic revivals, Rosenthal’s black and white depictions will trace the evolution of church styles in New England and capture what remains of these architecture gems around the region. The exhibition is organized by Historic New England.
2015 marks the 20th Anniversary of Canstruction Boston. The 2015 theme is "Celebrate 20 years in Boston!" Canstruction Boston is a charity event and exhibition in which teams of Boston-area architects, engineers, contractors, designers and students compete to display colossal sculptures made out of canned goods. After the sculptures are dismantled, all the canned goods will be donated to the Merrimack Valley Food Bank in Lowell, Massachusetts.
With ideas ranging from floating homes to new mega-cities, New London Architecture has revealed 100 proposals to address the housing crisis in London. The ideas will be on display as part of the New Ideas for Housing exhibition at the NLA Galleries in the Building Centre in London. After an open ideas competition announced June 2015, over 200 entries from 16 different countries were received. Of the 100 shortlisted projects 10 finalists will be selected and have the opportunity to work with the Greater London Authority to implement their ideas. Read more about the entries and exhibit after the break.
From the Frank Lloyd Wright-designed Administration Building and 15-story Research Tower, to the Norman Foster-designed Fortaleza Hall, SC Johnson’s global headquarters is rich in design and history. The company’s gallery, At Home with Frank Lloyd Wright, houses an exhibit featuring lithographic plates from the Wasmuth Portfolio, a collection that has been hailed as one of the most important publications of the early modern architecture movement and established Wright as the international icon he is today.
The gallery features 43 of the Portfolio’s 100 framed lithographs as well as artifacts of Wright’s most famous work, revealing plans and perspectives of the buildings in natural landscapes. Wright’s experiences and personal struggles leading up to, and throughout, the creation of the Portfolio were the backdrop for some of his history-altering work like the SC Johnson headquarters’ Administration Building and Research Tower.
Measure is an exhibition of 30 drawings by 30 international architects presenting 30 edifices of thought. Drawings are of Storefront for Art and Architecture’s gallery space on 97 Kenmare Street in New York. Architectural representation, which draws upon the diagram as a conceptual and abstract component, has historically been criticized as obscure and self referential. The proliferation of data visualization in popular media today, however, allows us to engage a much larger audience in conversations about measurement and representation. The 30 drawings presented at Storefront unveil the challenges of representation and extrapolate them onto the architect’s table and the gallery walls.
Osborne Samuel gallery is pleased to announce the first UK exhibition of paintings by the Irish designer and architect Eileen Gray (1878 - 1976). A leading pioneer of Modernist design, she is widely regarded as one of the most influential architects and designers of the 20th century. The exhibition will feature over 60 paintings and photographs from the 1920s - 1960 that will be for sale, and will include some of the artist’s personal ephemera and letters.
Side by Side is an exhibition by photographer Robin Hill that explores the similarities and differences between two of America's most iconic houses. The Glass House by Philip Johnson and The Farnsworth House by Mies van der Rohe. Through a series of dyptychs, Mr. Hill's lens explores both the geometry of the structures and their place in the environment. Tellingly the exhibition is housed in the Seagram Building designed by Mies van der Rohe and assisted by Philip Johnson. The lobby of The Four Seasons is an ideal venue for this exhibition as much of the design aesthetic of both architects is prevalent in the space as well as in the photographs.
The exhibition AFRICA is the third and last in the series architecture, culture and identity. It focuses on the area called sub-Saharan Africa – the part of Africa south of the Sahara Desert. Louisiana’s wish to mount this exhibition has its origin in a very simple observation: despite the fact that Africa is the world’s second-largest continent, surprisingly little contemporary culture from there comes our way.
The 2015 Bi-City Biennale of Urbanism Architecture (UABB) has launched an open call for exhibitors. Co-organized by Shenzhen and Hong Kong, UABB is the only biennial exhibition in the world that is based exclusively on the themes of urbanism and urbanization. This year's edition, which will run from December 2015 to February 2016, will be based around the themes "Re-Living the City" and "Visions 2050 - Lifestyle & The City." All those who are interested in participating as an exhibitor should submit their proposals to the organizers of the Shenzhen curatorial team (here) and Hong Kong curatorial team (here) before June 30, 2015. See our past coverage on the 2013 UABB to learn more about the event.
Exhibitions, much like publications and films, are one of the key contemporary methods for the communication of architectural concepts and ideas. They allow the practice, curator or educative body to edit and present information and visuals in a way which narrates a story, provokes new ideas, or feeds into a wider discourse. For many, exhibitions are an invaluable source of inspiration and an engaging way of gaining new, or reaffirming old, knowledge and design precedents. Intimately linked to the space or place in which they are displayed, the best exhibitions also remind us that the practice of architecture is both a profession and a discipline; a valuable way of understanding the built, and unbuilt, world we live in.
If you're traveling to, living or studying in Europe this summer then dive into our compilation of what we consider to be some of the most informative and exciting exhibitions on show in between June and October 2015. If you visit them, or any other exhibitions that you enjoy, share a photograph on Instagram or Twitter with the hashtag #archdailyexhibitions.
Check out our favourite exhibitions on architecture, urbanism and design, from Jyväskylä to Milano, after the break.
Charles Rennie Mackintosh is considered to be one of the most influential artists and architects of the late nineteenth and early twentieth century, and earlier this year his work was displayed in an exhibition at the Royal Institute for British Architects (RIBA), following a five-year research project by the University of Glasgow. Among the exhibition of over 60 original drawings, watercolors and perspectives spanning the entirety of his career, highlights included models of his unbuilt work and original designs for the Glasgow School of Art. Watch the short documentary above on the five-year research process by the Arts & Humanities Research Council (AHRC), who funded the University of Glasgow's work.
Completed images of OMA's design for the 2015 Venice Art Biennale's Chinese Pavilion have been released. Juxtaposing artworks "in a field of projections and stages," the exhibition is designed to be an "immersive environment" that brings together work by Tan Dun, Liu Jiakun, Lu Yang, Wu Wenguang / Caochangdi Work Station and Wen Hui / Living Dance Studio under the theme "Other Future."
For the next year, visitors at New York's Brooklyn Bridge Park will have the chance to interact with "Please Touch the Art", an exhibition of works by Danish artist Jeppe Hein. Playful, inventive, and immediately striking, Hein's work engages audiences as "active participants," inviting spontaneity and user interaction. Curated by Nicholas Baume, the exhibition contains three bodies of work by Hein: the soaring water jets of Appearing Rooms, the sixteen bright red benches of Modified Social Benches, and the reflective vertical planks of Mirror Labyrinth NY.
Learn more about the Mirror Labyrinth NY installation and view selected images after the break.
Starting June 10, the RIBA will present The Brutalist Playground - an exhibition that is part sculpture, part architectural installation, which invites people of all ages to come and play, the Brutalist way. Occupying the entire Architecture Gallery, the immersive landscape is a new commission by Turner Prize nominated design and architecture collective Assemble and artist Simon Terrill. It explores the abstract concrete playgrounds that were designed as part of Brutalist housing estates in the mid-twentieth century, but which no longer exist. They became playgrounds unsuitable for play.
David Adjaye’s Temporary Museum Hosts "All the World's Future's" at Venice's 56th International Art Exhibition
A temporary pavilion designed by London-based firm Adjaye Associates is housing a selection of works for the 56th International Art Exhibition, "All the World's Futures," in Venice. Curated by Okwui Enwezor, the exhibition explores the numerous ways in which art can be experienced in "an unfolding of typologies." Adjaye Associate's temporary museum seeks to parallel Enwezor's curatorial vision, and is nestled within a 316-meter-long, 16th-century ship-building warehouse in the Arsenale district.
MoMA's Barry Bergdoll On "The Politics And Poetics Of Developmentalism" In Latin American Architecture
On display until July 19th, MoMA's exhibition "Latin America in Construction: Architecture 1955-1980" is an attempt to bring the architecture of this global region, and this time period, to a greater audience after decades of neglect by the architectural establishment. Curated by Barry Bergdoll, the exhibition effectively follows on from MoMA's last engagement with the topic of Latin American architecture, way back in 1955 with Henry-Russell Hitchcock's exhibition "Latin American Architecture Since 1945." In an intriguing interview, Bergdoll sits down with Metropolis Magazine to talk about why he is revisiting the topic after so many years (or, indeed, why MoMA took so long to do so), and explains his ambitions to elevate the featured works and to frame Latin America itself as "not simply as a place where the pupils of Le Corbusier went to build, but a place of origins of ideas." Read the full interview here.
On display until May 31st, the Vitra Design Museum's "Architecture of Independence – African Modernism" exhibition displays a cross-section of Africa's experimental architecture from the post-colonial years of the 1960s. Covering more than 80 projects in Kenya, Zambia, Ghana, Côte d’Ivoire, and Senegal, the exhibition aims to shed light on this little-known period of architecture history, and challenge Western notions of African countries. In this interview, originally published by Metropolis Magazine as "Q&A: Curator Manuel Herz on Africa's 'Grandiose' Modern Architecture," Curator Manuel Herz reveals the origins of the exhibition and shares his thoughts light on some of the buildings which the exhibition highlights.
Clare Dowdy: What triggered your interest in the post-colonial architecture of Central and Sub-Saharan Africa?
Manuel Herz: I was in Nairobi a couple of times around 2007 and noticed the architecture of that period was of outstanding quality but virtually unknown outside Kenya. This triggered an interest to research the whole of Sub-Saharan Africa. I found that the political urgency that existed at the time of the independence process is embodied in the architecture.