To celebrate the festive period, the V&A has commissioned design duo Studio Roso to create a Christmas Tree for the Grand Entrance of the Museum until January 5th. The handmade ‘tree’ is made up of 3.3 miles of elastic cord and will reach over 4 meters high. A total of 1500 individual strands have been combined to create the outline of a traditional Christmas Tree. Within these cords Studio Roso has created a number of geometric shapes, referencing both traditional Christmas ornaments and the crystalline structure of snowflakes and icicles, providing a decorative garland throughout the installation. The design for the tree was inspired by the intricate craft of bobbin lacing, a technique often used in traditional Christmas decorations. More images after the break.
Architect: Rafael Viñoly Architects
Location: Colchester, England
Project Director: Jackson Coles
Construction and Cost Management: Mace, London
Structural Engineer: Adams Kara Taylor, London
Mechanical/HVAC/Electrical Engineer: Arup, London
Project Area: 40,900 sqm
Project Year: 2011
Photographs: Will Pryce
From photo-copied and print-on-demand newsletters such as Another Pamphlet, Scapegoat and Preston is My Paris, to magazines such as Mark, Spam and PIN-UP – ARCHIZINES is a new exhibition curated by Elias Redstone for the Architectural Association School of Architecture that celebrates and promotes the recent resurgence of alternative and independent architectural publishing from around the world. The exhibition runs until 14 December 2011 at the AA School, 36 Bedford Square, London, WC1B 3ES. More information on the exhibition after the break.
Architecture/ Interior Design/ Landscape: Broadway Malyan
Location: Birmingham, UK
Client: Bournville College / Shepherd Construction
Developer: St Modwen
Design Team: Salim Hussain, Aidan Ridyard, Alan Man, Ben Somner, Kelly Stanton
Structural Engineer: Gifford Ramboll
M&E: Gifford Ramboll /SES
Project value: £66m
Completion: September 2011
Photographs: Courtesy of Broadway Malyan
Architects: Stanton Williams
Location: London, England
Project Year: 2011
Project Area: 40,000 sqm
Architectural lighting: Spiers and Major
Landscape Architect: Townsend Landscape Architects
Facade consultant: Arup Facades Engineering
CDM coordinator: Scott Wilson
Photographs: Hufton+Crow, John Sturrock
Currently under construction, it has been announced that the Herzog & de Meuron designed first phase of the new development of Tate Modern will open in the summer of 2012. The launch will be part of the London 2012 Festival which will be the culmination of the Cultural Olympiad.
Phase 1 of the development includes the opening of the former power station’s spectacular Oil Tanks – enormous circular spaces over thirty metres across and seven metres high. These massive industrial chambers have lain unused since the power station was decommissioned. They are now being transformed into what promise to be some of the most exciting new spaces for art in the world. A further series of neighbouring galleries will provide a range of new spaces for works from the Tate Collection, including two raw concrete galleries and a unique steel-lined gallery. The Oil Tanks will also act as innovative social and learning spaces, as well as being equipped for a diverse programme of live performances and events, including a crush bar and full back of house facilities.
For one night only on October 26th from 7:00-8:30pm, P.E.A.R. (Paper for Emerging Architectural Research) will be performing live for an evening of readings, discussions and performances at The Architecture Foundation in London.
P.E.A.R. is an exciting new architectural fanzine, presenting work from a variety of contemporary architectural practices, researchers and individuals working in Europe. P.E.A.R. aims to re-establish the fanzine as a primary medium for the dissemination of architectural ideas, musings, research and works. Through its presentation of a wide range of architectural discourses, P.E.A.R. seeks to present the complexity and variety of contemporary architectural practices