Venice Biennale 2012: Finnish Pavilion presents “New Forms in Wood”

Kilden Performing Arts Centre; Kristiansand, Norway / © Ivan Baan

Wood has always been ’s preferred building material, as both nature and the forest has long provided a livelihood and enduring source of inspiration for Finnish artists and architects. Now, with the use of modern technology and new treatment methods, Finnish architects are pushing the boundaries of this conventional material to unleash new creative potential. To celebrate the reopening of the newly restored, Alvar Aalto-designed Finnish pavilion at the 2012 Venice Biennale, “New Forms in Wood” will highlight the work of young Finnish architects who have used wood inventively in their recent works.

Continue after the break to review the exhibition’s featured projects and architects.

Serlachius Museum Gösta Competition Entry / Eero Lunden Studio (Helsinki, Finland) + Eric Tan of PinkCloud.DK

rendering

Can the experience of art be enhanced through architecture?

White walls + Isolated Rooms = Good museum? ’s design of the Serlauchius Museum extension seeks to deviate from that mantra by developing an architecture that directly facilitates human interaction with art. It is ’s belief that the experience of art can be enhanced through innovative architecture and new spatial experiences. The design of the Maison Promino seeks to achieve two main goals: to create an inspiring piece of architecture that will enhance the image of Serlachius Art Museum globally and to provide a truly unique museum experience by connecting visitors with the art like never before.