The IAAC (Institute for Advanced Architecture of Catalonia) has developed a series of advanced materials and systems for air conditioning and passive ventilation, allowing homes to reduce interior temperatures up to 5 degrees lower while saving the electricity consumption caused by the traditional air-conditioning. The systems are made from long-lifespan materials, which lower the costs of maintenance in the long-term and can be used as low-cost alternative building technologies.
The projects highlighted are the Breathing Skin, Hydroceramics, Hydromembrane, Morphluid and Soft Robotics - all developed by students of the IAAC's Digital Matter Intelligent Constructions (conducted by Areti Markopoulou). The passive air-conditioning of spaces is investigated using a combination of new materials that mimic organic processes, adaptive structures and Robotics that help regulate temperature and create sustainable micro climates.
Picking up on the debate surrounding digitization in fabrication and its impact on traditional crafts, Copenhagen-based SPACE10, the future-living laboratory created by IKEA, recently invited three architects—Yuan Chieh Yang, Benas Burdulis, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.
The capabilities of personal 3D printing and fabrication are only beginning to be tested, but a new system is pushing the boundaries for feasible, structurally-sound large scale structures. Unlike other structures created by 3D printing systems, Trussfab doesn’t require access to specialized equipment, nor specific engineering knowledge, to print and build large-scale structures capable of supporting human weight. Phd researcher Robert Kovacs with his team from the Human Computer Interaction Lab at the Hasso Plattner Institute in Potsdam, Germany created Trussfab as an end-to-end system allowing users to fabricate sturdy, large-scale structures using plastic bottles and 3D-printed connections, making them easy and relatively quick to construct.
Merging expert knowledge of timber construction with cutting-edge robotic fabrication technologies we will explore the creative potential of prototyping complex and large-scale timber structures with digital tools resulting in the construction of a roof structure for the temporary foundry building for the Hooke Park Campus.
Our weapons of choice- the chainsaw and bandsaw- will gain an augmented level of precision and control when wielded by the large Kuka KR150 robot. Through rigorous physical testing, we will prototype connection details utilizing the extraordinary precision and flexibility of multi-axis robotic machining.
QUAD 2017 is seeking design proposals that capture the essence of social sustainability by addressing the various factors contributing to the three pillars of sustainability: Environment, Economy and Equity.
In recent times, 3D printing technology has made some great strides in its production content and quality, and now it has successfully printed the world’s first liveable house in Stupino, Russia. Responsible for this feat are San Francisco 3D printing startup Apis Cor, and Russian real estate developer PIK, who began the project in December of last year.
“Now we can say with confidence that with Apis Cor solution, the construction 3D printing has leaped to a new evolutionary stage,” said the project team. “The company and its partners are confident that the house in Stupino was the first step that can convince the world that 3D technology in the construction market is a reality.”
Researchers at MIT’s Self-Assembly Lab have recently developed an adaptable material that reacts in response to changes in heat. Known as Heat-Active Auxetics, the material functions in a similar manner to the pores on human skin, tightening and loosening based on exposure to various temperatures.
Contrary to most common materials, which tend to thin out while being pulled or stretched, this technology expands in all directions instead and completely shrinks when compressed. This provides insulation in colder conditions and added airflow and ventilation when it is warmer, all depending on the material’s porosity.
FABRICATE is a triennial international peer-reviewed conference with supporting publication on the theme of Digital Fabrication. The FABRICATE 2017 conference aims to instigate discussions on constructed projects and cutting-edge research in the context of computational design and digital fabrication between leading experts in academia and industry. The event will convene over April 6 - 8 2017 at the University of Stuttgart.
The Call for Work for FABRICATE 2017 received over 250 submissions from institutions and practices coming from 45 countries. These include The Bartlett School of Architecture UCL, Institute for Computational Design and Construction of the University of
The Best Of Design Awards is a unique project-based awards program that showcases great buildings and building elements. Entrants are invited to submit completed works in 26 categories.
The BoD jury will judge entries based on several criteria—strength of the presentation, evidence of innovation, creative use of new technology, sustainability, and, most importantly, good design. The Best Of Design Awards is open to U.S. and international architects, but projects submitted must be located within the United States.
Winners and Honorable Mentions will be published in a new booklet and will also be featured on our website, where they will reach national and
In this video, Ben Uyeda of HomeMade Modern demonstrates how to build a sleek, contemporary spiral staircase using just a standard schedule steel post, plywood and a CNC router (along with a healthy amount of wood and construction glue). To build the staircase, Uyeda uses the CNC to cut out 12 shapes of incremental size from a plywood sheet, which he then stacks and fits around the post to secure into place.
HomeMade Modern has also made the CAD files available for free, so handy woodworking types can attempt the construction themselves.
SCI-Arc’s “Close-up” exhibition is currently on display at the SCI-Arc gallery, featuring architectural details designed with the use of digital technology by top architects in the field. The exhibit, curated by Hernan Diaz Alonso and David Ruy, seeks to explore the impact of new computational tools not only on large-scale building analysis, but also on the “traditions of tectonic expression” associated with architectural detail.
“Out of the many critical shifts that the discipline has gone through in the last 25 years with the explosion of new technologies and digital means of production, the notion of the construction detail has been largely overlooked,” Diaz Alonso said. “This show attempts to shed light on the subject of tectonic details by employing a fluid and dynamic movement of zooming in and zooming out in the totality of the design.”
BEE / HOUSE / LAB, is an international design competition open to students and designers in the field of environmental design, architecture, landscape architecture, industrial design, and other related fields. The competition calls for a design of a bee house prototype that can be fabricated and deployed for field testing. Up to ten designs selected by the Design Jury will be fabricated (30 prototypes per design) and deployed (300 houses), to study their space-form-habitat performances.
Advances in computers and fabrication technology have allowed architects to create fantastic designs with relative ease that in years past would likely require the labor of countless master craftsmen. Architecture firms like Gramazio Kohler Architects are known for their innovative approach to digital fabrication, adapting technology from a variety of fields. To create this stunning new brick façade for Keller AG Ziegeleien, Gramazio Kohler used an innovative robotic manufacturing process called “ROBmade,” which uses a robot to position and glue the bricks together.
When one hears the term masonry architecture, digital fabrication and automated construction processes are probably not the first ideas to come to mind. By its very nature, the architecture produced with stone masonry is often heavy, massive, and incorporates less natural light than alternative methods. However, with their research proposal for "Smart Masonry," ZAarchitects are proposing to change masonry buildings as we know them and open opportunities for digital fabrication techniques in stone and other previously antiquated materials. Read on after the break to get a glimpse of what these new masonry buildings could look like and learn more about the process behind their construction.
Between 1945 and 1981 around 170 million prefabricated (prefab) residential units were constructed worldwide. Now, as part of a study undertaken by Pedro Alonso and Hugo Palmarola of the Pontificia Universidad Católica de Chile between 2012 and 2014, an exhibition at the Tel Aviv Museum of Art features 28 large concrete panel systems from between 1931 and 1981.In so doing, it explores a transnational circulation of these objects of construction, "weaving them into a historical collage of ambitions and short-lived enthusiasm for utopian dreams."
This show, curated by Meira Yagid-Haimovici, is an attempt to reveal "how architecture and urbanism was charged with historical, social, and political narratives, and how the modernist vision promoted the fusion of aesthetics and politics." The models, which are being exhibited as part of the Production Routes exhibition, seek to highlight the richness embodied in 'generic' architecture through the lens of prefab construction methods.
An upcoming conference at the University of Manchester will tackle the idea of Model Making In The Digital Age. Based on the premise that the world of architecture is dominated by digital tools today more than ever, from design and manufacturing to the ways in which we visualise complex spaces and structures physically and virtually, this symposium seeks to shed new light on the practice of model making and its uses.
The 5AXISMAKER is a desktop 5-axis multi-fabrication CNC machine that hopes to expand the possibilities of digital fabrication by making it cheap and more versatile. Should the project receive backing on Kickstarter before the 27th October 2014, the possibility of 5-axis milling will become an affordable reality for manufacturing complex design prototypes. The product in development "provides a large cutting volume for it’s size, therefore producing "generously sized objects." Developed by graduates of London's Architectural Association, they hope to "shake the manufacturing world with new ways of fabricating using industrial robots right at your desk."
Why do we make models? From sketch maquettes and detail tests to diagrammatic and presentation models, the discipline of physically crafting ideas to scale is fundamental to the architect's design process. For architect and educator Nick Dunn, architectural models ultimately "enable the designer to investigate, revise and further refine ideas in increasing detail until such a point that the project's design is sufficiently consolidated to be constructed." In Dunn's second edition of his practical guide and homage to the architectural model, the significance and versatility of this medium is expertly visualised and analysed in a collection of images, explanations, and case studies.