SketchChair, Process Diagram

Digital fabrication has been a popular discussion among architecture and design professionals. Students are digitally fabricating their models and building their own personalized 3D printers. What was impossible to build by hand is quickly assembled through digital fabrication. As the technology rapidly evolves, larger objects are being fabricated at more affordable prices. Today we may be digitally fabricating furniture and tomorrow we might be 3D printing our house. Architects and designers are jumping on board and exploring the capabilities of this game changing technology.

Diatom Studio is currently working on releasing SketchChair. This program offers easy to use, open-source software that allows you to design your own personalized digital furniture. With a few clicks of a mouse, you can view your masterpiece and digitally occupy it in order to test its comfort level and structural capabilities. Options range from personalized ready-made designs to more advanced features that allow you to design your chair from scratch.

Satisfied with your design? Perfect. The SketchChair allows you to export your masterpiece to any digital-fabrication service instantly. In a matter of days, you will receive your customized CNC-milled plywood parts for quick hand construction. Digital fabrication is changing the world of design and becoming available to the masses.

© Victoria Capranica

A team of graduate students recently created a temporary installation on the Kent State University, Kent campus in Ohio. The project grew out of an internal challenge in the matR design competition. Designed by graduate students Brian Thoma, Carl, Veith, Victoria, Capranica, Matt Veith, and Griffin Morris, the tunnel-like structure called “The Passage” was a study to support the conceptualization and actualization of innovative and experimental material research. The students created the initial form in Rhinoceros with a couple Grasshopper definitions as a waffle structure of 26 vertical ribs and 24 horizontal struts. More images and information after the break. read more »

© PROJECTiONE

Recent graduates of the Masters program at Ball State University’s College of Architecture and Planning, Adam Buente and Kyle Perry have spent the last couple years developing their unique interests and ideas into a business of their own. Working with fellow students Elizabeth Boone and Eric Brockmeyer, they began a collaborative graduate thesis project focused on exploring the possibilities of design and fabrication via digital equipment as a business platform. After their first year out of school they have begun to independently manage their Indiana based company. PROJECTiONE recently produced the ACADIA competition winner HYPERLAXITY and boast other projects such as EXOtique, bitMAPS, and Radiance. Words and images from the PROJECTiONE team after the break. read more »

“Architecture continually informs and is informed by its modes of representation and construction, perhaps never more so than now, when digital media and emerging technologies are rapidly expanding what we conceive to be formally, spatially, and materially possible”

- Lisa Iwamoto

During 2009 I had the chance to visit Iwamoto Scott in San Francisco, a practice lead by Lisa Iwamoto and Craig Scott. At their office I could see first hand the study models for some of the projects the firm has been involved, such as a mockup for their P.S.1 proposal, Coral Reef, or the lightweight wooden pieces that structure the massive Voussoir Cloud installation at SCI Arc. These small pieces had a lot to tell, not only about the specific project they were part of, but also their iterations.

The firm has a recognized expertise in digital fabrication, presented by Lisa Iwamoto at the AIA Convention 2009 during the Emerging Voices forum, and also on her book “Digital Fabrication” edited by Princeton Architectural Press under their Architecture Brief series.

The book presents in a clear way (with very good examples) the methods behind digital fabrication: sectioning, tessellating, folding, contouring, and forming. For most of us these words are pretty much obvious and we often use them as design principles of our projects. But to get the full scope of what they really mean, or for those that want to start understanding -and using- them, this is a recommended reading.
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Ponoko, Production chain 2.0

Last weekend I had the chance to spend the afternoon with a group of entrepreneurs and Chris Anderson, editor for Wired magazine and author of The Long Tail and Free, two books that define the new economies of the Internet (highly recommended if you haven´t read them yet, specially Free)

Chris did a little speech on his new research, which immediately made sense to me from an architect’s point of view. At this point, it is more than clear that the bit revolution turned our world in 360º, and thanks to the connected world it seems that the technology development curve is more steep than ever. And now, many rules of the online world are being adopted by the physical world, and according to Anderson “atoms are the new bits”.

First, it was the media revolution. Information became democratic, collaborative, the tools became free, and everyone is part of it. But how do we take this to the World (World 2.0?)? Actually… it´s happening and very close to our profession:

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