It is a great privilege to amplify the voice of architects and other built environment professionals. It is also an enormous challenge as it requires a lot of investigation and time from our content team. However, the effort is gratifying. It puts us in contact with some of the most prominent talents in our field who have been discussing subjects such as cities, metaverse, community, environment, democracy, sustainability, building technology and interiors, to mention just a few.
Technology is disrupting the creative industry and it's only getting better, and faster. Innovation in the architecture industry has never been as rampant as it is at this moment. The advent of artificial intelligence (AI) in architecture - the first genuine 21st-century design method - is changing the way buildings are imagined and designed. AI image generators like Midjourney and DALL-E provide an efficient and explorative way of conceiving architectural concepts. Generated in less than 5 minutes, these images unveil an interesting design aesthetic that is emerging. In an exclusive interview with ArchDaily, architect and educator Matias del Campo hypothesizes what the future of architectural aesthetics would be.
The first full-size London Design Festival (LDF) for three years, and the event’s 20th anniversary year, this was meant to be a celebration. But life, as the saying goes, had other plans. Rocked by the news of HRH Queen Elizabeth II’s passing, the country, and indeed the world started the London Design Festival in a period of mourning. Having reigned over the densest period of design innovation in human history, however, her majesty was no stranger to change.
With long-running themes like sustainability, materials, economic crises, and digital futures never higher in the public’s consciousness, LDF ’22 wasn’t just a professional meet and greet, but a chance to share some much-needed positivity with design enthusiasts, as well as locals, just passing by. Here are the most interesting and talked-about installations and talks from nine days of reflection on the past and hope for the future.
There are two ways to get to Cape Verde, by sea or sky. Either way, we are surprised by the landscape of immense rocky masses sprouting from the Atlantic’s navel before setting foot on land. Unpopulated until the middle of the 15th century, the volcanic archipelago is made up of ten islands, nine of which are currently inhabited, with unique characteristics in each one of them — some more touristy, like Sal, others more rural, like Santo Antão — and a version of Kriolu Kabuverdianu, which is not the official language (Portuguese occupies this place), but which is by far the most widely spoken.
São Vicente is the second most populous island in the country and makes up the northern insular group called Sotavento, along with Santo Antão, Santa Luzia, São Nicolau, Sal and Boa Vista. Its largest city, Mindelo, has a port vocation and has historically been the point of departure and arrival for people and goods. Marked by traffic, the city is a place of passage and intense cultural exchanges. It is also home to the first museum built in the country, the National Centre for Art, Crafts and Design — CNAD.
Reinvention is one of the founding myths of the United States of America. For those lucky enough to come here on the decks of ships rather than chained in the hold, this country offered a chance to be someone else, somewhere else. For them and generations of immigrants who followed, America seemed to put a safe distance between their pasts and a boundless future.
But the illusion was eventually flipped on its head. Around the turn of the millennium, reinvention was a prevailing theme for movie characters intent on getting out of small-town America; in architecture, that sentiment took the form of building dream cities anywhere but here. In Dubai and Shanghai our brightest design minds conjured up hermetically sealed towers, malls, and museums largely disconnected from history, community, and climate.
Far from the US state of Tennessee, the Memphis movement emerged in Milan in the 1980s and revolutionized design. Its gaudy colors, exaggerated patterns and conflicting prints were intended to overturn the minimalism status quo of the time, also contradicting the functionalist design postulated by the Bauhaus with its purely aesthetic and ornamental forms.
Imagine explaining to someone 25 years ago what the professions of social media manager, uber driver, or drone operator are all about in 2020. Technology combined with population demands, resource scarcity, urbanization and other factors have created a number of new jobs and radically changed others. Research claims that 65% of children entering elementary school today will end up working in jobs that don't yet exist.
Clearly, graphic designers are not architects, but collaborative projects between these two fields of knowledge, which intersect in their details, can work well.
Creative industry as a sector has evolved, and many people are now in new fields. If you're collaborating, you can move quickly and we've covered that here. The trend is to be collaborative, and very different from 25 years ago, when you should be a graphic designer alone doing layout and paper weights or an architect isolated in an office running autocad.
Located amidst the vegetation, almost invisible to those who see it from the street, a jewel of modern Brazilian architecture is hidden in the São Paulo neighborhood of Jardim América. Casa Zalszupin, designed in 1960 by the Polish architect based in Brazil, Jorge Zalszupin, combines traces of local modernism with influences that the architect brought with him from Europe, notably Scandinavian architecture. In a recent photo series, Paul Clemence sought to capture through this house, "the architect's and designer's essence".
“Good design deserves great recognition”. This statement encapsulates the A'Design Award and Competition, an award for designers, innovators and companies that wish to stand out and attract the attention of the media, editors and buyers. These aspects are especially important in the world of design, where millions of products and projects are launched, and often end up being swallowed up and not receiving due recognition. To address this, every year projects are submitted to the A' Design Award with a focus on innovation, technology, design and creativity. It offers a chance for recognition, with the valuable curatorship of a renowned jury and the possibility of a successful international launch. The A'Design Award contains a series of public relations, advertising and marketing services to celebrate the success of its winners. In addition, and unlike other design awards, it is completely free of charge.
Since the emergence of the design profession, boosted in the Industrial Revolution with the increasing production of objects and the desire of a middle class eager to consume; designers, interior decorators and architects are known as professionals who create spaces and products to beautify the world.
Plywood, laminated timber, MDF sheets and OSB boards are all good, can be economically viable and efficiently fulfill certain functions, but none of them offer the same atmosphere as solid wood. The nobility of this material is usually accompanied by a high cost, but the aesthetic and sensory qualities are unparalleled.
Below, we have gathered examples of projects that use solid wood in furniture elements. Tables and chairs, beds and cabinets made with wood of different species, new or from demolition, refined or rustic, with different textures and colors that can serve as inspiration for your architectural or interior design.
Graphics, even before language and writing, were the first means of communication and significance for humanity. Drawing is the act of replacing reality with representation, that is, replacing objects with images encoded in each of the graphic representation systems.
In architecture, graphics stimulate the imagination and are the basis of project thinking since they do not only constitute our code of communication but configure our ability to express ourselves in disciplinary terms. In fact, at first, the drawing is constructed in the mind of the architect, before it looks for support from any type of instrument.
Urban Radicals is a design collective based in London, founded in 2019 by Era Savvides and Athanasios Varnavas. The practice operates at the intersection of multiple disciplines, exploring public space and the notion of collectivity across a variety of scales, contexts and design expressions. One of Archdaily's Best New Practices of 2021, Urban Radicals shrinks and grows organically through the projects, dissolving the boundaries between diverse fields of knowledge and circumventing traditional office structure to integrate a multiplicity of perspectives within architecture.
'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?
As 2021 comes to an end, we look back at how this year introduced new normals and raised questions about what the future of the built environment could look like. In retrospect, not much has changed in regards to where people are spending most of their time. Following constant changes in commuting restrictions and the continuation of the pandemic, people acknowledged that most of their time will be spent indoors, so they adapted their living and working spaces accordingly.
These sudden lifestyle changes forced people to become well aware of the fact that the space they inhabit has great influence on their physical and mental wellbeing, so they began opting for features that promote sensitivity, calmness, optimism, and playfulness, emotions that counter the inconsistent and troublesome events taking place in the outside world and offer an implied sense of escapism.
In residential architecture, the garage is a space that is mainly used for storage and car parking. Although the garage door is usually not a very thought-out part of the design of a residential project, it often occupies a large part of the front elevation of a house, and can play an important role in its general curb appeal.
The garage door is typically a large door that is opened manually or by an electric motor, and its size and design are determined by the vehicles that will need to pass through it. Raynor, a North American company that specializes in garage doors, describes several of the most important factors that go into choosing the right garage door.
The definition of equity in dictionaries is the quality of giving equal treatment to everyone while still acknowledging the differences between individuals. In this sense, equity means fairness in the way we act toward each person but keeping in mind his or her specific characteristics and needs. From a medical perspective, equity implies that everyone needs care and attention but not necessarily the same. It is also worth mentioning that the terms equity and equality are often used interchangeably but they mean different things, mainly because equality is based on the principle of universal rights, in which all individuals are subject to the same rules, without exception.
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