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Charcoalblue: The Latest Architecture and News

Clad in Translucent Marble Slabs, The Perelman Performing Arts Center Opens in New York’s Ground Zero

After over two decades in the making, the Perelman Performing Arts Center opened to the public on September 19, 2023. The luminous cube-shaped building was designed by the architecture firm REX, led by Joshua Ramus, to become one of New York City’s cultural keystones and the final piece in the 2023 Master Plan for the rebuilding of the 16-acre World Trade Center site. The inaugural season will feature commissions, world premieres, co-productions, and collaborative work across theater, dance, music, opera, film, and more. While only eight stories high, the venue stands out due to its monolithic façade composed of translucent veined Portuguese marble.

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Kengo Kuma Wins Competition to Design the New Kamal Theatre

The Open International Competition for the Development of an Architectural Concept for the Galiasgar Kamal Tatarian State Academic Theatre has announced its results. The consortium including Kengo Kuma & Associates was granted the first place, while the second place went to a proposal led by Asif Kahn Studio and the third place to Coop Himmelb(l)au and his team.

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What Will Post-Pandemic Performance Venues Look Like?

What Will Post-Pandemic Performance Venues Look Like? - Featured Image
Grand Junction Rendering.. Image Courtesy of HWKN Architecture

Metropolitans take pride in their storied cultural venues, the chroniclers of intellectual acumen and architectural achievement. While these icons revel in their ornate design, immersive grandiosity, and dramatic acoustics, the pandemic has introduced numerous challenges to the rules of assembly.

Recognizing changes in the rituals of attending a show—from procession and gathering to engagement—architects and cultural leaders are designing the next generation of performance venues while asking the question: How does architecture solve issues raised by a building’s inherent purpose? Is it possible to maintain the essence of a venue through gentle yet effective changes in people’s habits? The answers seem to rely on updating the auditorium culture (which dates as far back as the Colosseum) with contemporary design solutions rooted in new technologies.

Diller Scofidio + Renfro Win Commission for London Centre for Music

The team led by Diller Scofidio + Renfro has been selected as the architects of the £2.5 million Centre for Music London project, beating out a star-studded shortlist consisting of teams led by AL_A, Foster + Partners, Gehry Partners, Renzo Piano Building Workshop and Snøhetta.

Working in collaboration with UK-based firm Sheppard Robson, DS+R will develop plans for a world-class concert hall with supporting training, education and digital spaces, as well as attached commercial areas. When complete, it will serve as the new home of the London Symphony Orchestra and Guildhall School of Music & Drama.

TheatreSquared Reveals Designs for Permanent Facility

On November 3, TheatreSquared Executive Director Martin Miller and Artistic Director Robert Ford unveiled the completed plans for the company’s new permanent home, a 50,000 square-foot building in Fayetteville, Arkansas designed by London-based theater planners Charcoalblue and New York–based Marvel Architects. The new building will include two theaters, a rehearsal space, staff offices, design workshops, a community space, a 24-hour cafe/bar, three levels of outdoor public space, and a separate building housing eight guest artist apartments.

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Frank Gehry’s Ground Zero Performing Arts Scheme Abandoned

The recent hire of temporary artistic director David Lan has indicated that plans for Ground Zero’s “world center for the performing arts” is moving forward in New York. The famed London director will work alongside Charcoalblue managing partner Andy Hayles to revise the original Frank Gehry-designed scheme which, according to the center’s president, was prematurely designed. This leaves Gehry’s involvement unclear, as the initial 1000-seat center will be abandoned for a scaled down, three-theater house that ranges from 150 to 550 seats. Competition for funding also remains an obstacle, in light of venues such as Diller Scofidio + Renfro’s 2017 Culture Shed. You can learn more about the center’s update here.