Bjarke Ingels Group (BIG) and Hyperloop One have unveiled joint designs for an autonomous transportation system and the world’s first Hyperloop pods and portals in the United Arab Emirates (UAE). The designs are being presented as Hyperloop One signs a deal with the Dubai Roads and Transport Authority (RTA), bringing the project one step closer to reality.
Today, at the Deutsches Architekturmuseum, Bjarke Ingels and BIG were presented with the International Highrise Award for Via 57 West, their "courtscraper" building in Manhattan. The following speech, which has been translated from the original German by Clara Jaschke, was delivered by architecture critic and curator Bart Lootsma at the event.
I was truly delighted when Peter Cachola Schmal called me to ask whether I would deliver the citation for Bjarke Ingels and BIG at this year’s edition of the International Highrise Award.
Just the weekend before I had been thinking that I should write something about BIG. For weeks, one spectacular and interesting project after another had been popping up on Bjarke’s, Kai-Uwe Bergmann’s and a couple of others’ Facebook pages.
BIG has completed their second building on U.S. soil, a 92,000-square-foot office building at 1200 Intrepid Avenue in Philadelphia, Pennsylvania that also marks the firm’s first realized office building design. Located within the revitalized Philadelphia Navy Yard master plan (designed by Robert Stern), the four-story building features a bowing, double-curved facade and a supersized “periscope” inspired by the historic battleships docked a few blocks away.
BIG’s VIA 57 West has been unanimously chosen as the winner of the 2016 International Highrise Award (IHA) for the world’s most innovative highrise.
One of the world’s most important architectural prizes for tall buildings, the award is presented by Deutsches Architekturmuseum (DAM) every two years to the project that best exemplifies the criteria of future-oriented design, functionality, innovative building technology, integration into urban development schemes, sustainability, and cost-effectiveness.
Final renderings of BIG’s latest New York City project, 149 East 125th Street in East Harlem, have been revealed at the project’s groundbreaking ceremony. In contrast to original images showing a bright red facade, the undulating, rotating building will instead feature a gray exterior that Bjarke Ingels has referred to as “inspired by an elephant’s skin.”
The AEC industry is notoriously slow to adopt new technologies. Cumbersome organizational structures and high financial stakes make it difficult for AEC professionals to experiment. Due to the limited role of architects in the project development process, innovative design solutions and experimentation with new manufacturing techniques are still confined to academic circles and research institutions.
However, some architecture firms are utilizing their high profiles, international success and the influx of talented, young designers to establish in-house research divisions and incubators that support the development of new ideas in the AEC industry. The following five companies are consistent in pushing the envelope and helping architecture adopt some of the latest technologies:
Summer Youth Program Seeks Proposals for Spectacular Projects
Worldwide call seeks ideas from Engineers, Architects, Designers, Sculptors, Builders, Technologists, Artists and Makers of all kinds
Beam Camp, a specialized summer camp for building and collaboration located in Strafford, NH, announces its annual international search to find its 2017 Beam Projects. The large-scale collaborative projects are realized by Beam campers, aged 10-17, and staff at the camp’s 106-acre facility in Strafford, New Hampshire.
Projects are budgeted at $12,500. Winning designers receive a $3,000 honorarium, travel costs, and are invited to visit camp during the project’s production.
BIG’s planned residential complex along the High Line in New York has gone through multiple iterations since its unveiling last November. Now, in its latest form of two twisting towers rising from a split podium, the project is receiving a new name and key program piece.
The competition to design a new flagship factory and bottling plant for San Pellegrino has been narrowed down to two firms: BIG and MVRDV. Searching for a “truly innovative project that not only conveys an artistic vision, but also sets new standards in terms of efficiency and compliancy to environmental sustainability,” the jury committee selected the two final proposals from a 4-firm list which also included designs from Snøhetta and aMDL Michele De Lucchi.
“The judging committee were so impressed by the four proposals that they decided to narrow their selection to a shortlist of two and deliberate further before announcing the winning project early next year,” explained San Pellegrino in a press release.
Six exemplary projects have been announced as winners of the 2016 Aga Khan Award for Architecture. Presented once every three years, the award was established by the Aga Khan in 1977 to “identify and encourage building concepts that successfully addressed the needs and aspirations of communities in which Muslims have a significant presence.” To be considered for the award, projects must exhibit not only architectural excellence, but also the ability to improve users overall quality of life.
Selected from a shortlist of 19 candidates, the five winning projects will receive a $1 million dollar prize as they join an acclaimed list of previous winners, which includes buildings from Zaha Hadid, Norman Foster, Charles Correa, Frank Gehry, Jean Nouvel and Hassan Fathy.
Danish architect Bjarke Ingels (born 2 October 1974) is often cited as one of the most inspirational architects of our time. At an age when many architects are just beginning to establish themselves in professional practice, Ingels has already won numerous competitions and achieved a level of critical acclaim (and fame) that is rare for new names in the industry. His work embodies a rare optimism that is simultaneously playful, practical, and immediately accessible.
US tech-giant Apple Inc. have revealed that they will consolidate their UK operations to "a new Apple campus" in London's Battersea, at the heart of a site formerly occupied by the derelict Grade II* Listed Battersea Power Station. The 42-acre complex, which is currently undergoing major redevelopment (and is soon to have a public square designed by BIG connecting to the Electric Boulevard development designed by Norman Foster and Frank Gehry), will provide a mix of commercial space and residential zones. According to the London Evening Standard, Apple will be relocating around 1,400 staff from eight sites around the British capital to the former power station, occupying all six floors of the restored building's extensive new office space. They will be the site's single largest single tenant.
During the IV International Congress in Pamplona, organized by the Architecture and Society Foundation, we had the opportunity to speak with Bjarke Ingels about his approach to theme "Architecture: Climate Change." The founder of BIG told us about the importance of clean technology and how these technologies must be integrated into architecture. He asserts that new industrial projects must also break from traditional paradigms and question established concepts in order to be reintegrated into communities as clean, attractive and multi-use spaces. Ingels suggests that clean technologies holds exciting possibilities for public spaces.
BIG, MVRDV, Snøhetta and aMDL have unveiled images of their proposals for the redesign of San Pellegrino flagship factory and bottling plant located at the source of the mineral water in San Pellegrino Terme, Italy.
The competition brief asked architects to renovate and expand the historic home of San Pellegrino, the world’s leading sparkling mineral water company, with a “truly innovative and technologically-advanced design” aimed at integrating into the natural aesthetic of the surrounding terrain, while responding to the iconic identity of the S. Pellegrino brand.
Continue reading to see each proposal along with official descriptions from each firm.
Similarly to how he prefers to practice architecture, Bjarke Ingels likes speaking in big, bold assertions. In his recent profile for WIRED UK, the Danish architect makes quite a few of those assertions, among them the belief that architecture could learn a thing or two from the imaginative world of architecture-based video games such as Minecraft.
The jury may be out on the usefulness and ease-of-use of BIG’s website, but you could never accuse the Danish firm of not having fun.
In line with their playful spirit, BIG has teamed up with programmers Ruby Studio to release an alternate version of their icon-filled homepage that allows visitors to play a version of the classic arcade game Arkanoid.
Our editors look at hundreds of websites per week. What do they admire and appreciate the most? Organization and simplicity. Sites that are not only clean, but fast. We actively search for projects to include on our platform, so it’s crucial that when we visit a website we not only know where to look, but how to access information. Filters and facets are our best friends. Typological differentiation is important, but perhaps not as important as distinguishing between built and un-built projects (“Is that a render?” is a question that comes up at least once a day).
Next Month, architecture will be hitting the mainstream media, as Bjarke Ingels has been selected to grace the cover of the September 2016 edition of WIRED UK. Titled “THINK BIGGER,” the issue will also feature profiles and stories from architects and designers Tom Dixon, Neri Oxman, David Adjaye and Rem Koolhaas. A Condé Nast Publication, the magazine focuses on the effects of science and technology on topics including design, architecture, culture, the economy, politics and philosophy.