ADP Ingénierie (ADPI), part of the French airport authority Aéroports de Paris (ADP), has won the competition to design Terminal 1 at Beijing's new DaxingAirport, beating both Foster + Partners, and a team composed of the China Civil Aviation Construction Group Corporation (CACC) and the Beijing Institute of Architectural Design. The design competition for the 700,000 square meter airport was announced in July 2011, with Beijing New Airport Construction Headquarters (BNAH) putting the submissions through "a long and rigorous selection process," according to ADP.
Foster lost out on the competition despite having designed Terminal 3 at Beijing's main airport, which at the time of completion in 2008 was the largest airport terminal in the world. However owing to the rapid rise in use of air transport in China that airport is already running at full capacity, necessitating the creation of another airport at Daxing, 60 kilometres south of Beijing.
The architects of Emerging Objectshave devised a scheme for a 3D printed house made from locally harvested salt and concrete. Known as the “3D Printed House 1.0,” the case study residence was commissioned by the Jin Hai Lake Resort Beijing. It integrates traditional construction methods with renewable 3D printed materials, manufactured by Emerging Objects, to build a house that is sustainable, structurally sound and beautiful.
Jean Nouvelhas unveiled the official design for the National Art Museum of China (NAMOC). Originally inspired by the simplicity of “a single brush stroke,” the 21st century art and calligraphy museum will become the centerpiece of a new cultural district at Olympic Park, rising next to the historic axis of Beijing and symbolically connecting to the Forbidden City.
New images of the NAMOC and more from Nouvel, after the break…
LaMIPA, a non-profit "architectural exchange platform" dedicated to exhibiting art and culture, will be part of the 2014 Beijing Design Week (BJDW) with a launch event on September 25th 2014 and following events on the 26th and 28th. Exhibiting seventy documentaries by Spanish and Portuguese architects, and organised in conjunction with the Spanish and Portuguese Embassies to China, the unique audiovisual LaMIPA collection will be part of the main section of the Beijing Design Week festival. Alongside the exhibition a series of lectures from a number of renowned practices including Souto de Moura and OAB Ferrater will also be taking place.
The Beijing city district of Wanjing has traditionally been a gateway for people entering the city. Its name literally translates as “Looking Towards Beijing.” J. J. Pan and Partners seek to renew that title with the design of Beijing Automotive Group’s new Research and Development Center. Taking inspiration from the character 北 (bei), which signifies openness, as well as Beijing itself, this mixed use building is meant to become a symbolic landmark both for Wanjing and for the company it houses.
China's accelerated urbanization juxtaposes many local and global urban models in the contemporary urban space of the mega-city/metacity region. Since 1945 the global and local discourse on urban design and development has been dominated by four conceptual models. These four models, the metropolis, the megalopolis, the fragmented metropolis and the megacity/metacity have appeared in Asia with local characteristics and with special, hybrid characteristics. China's rapid urbanization has been based on an equally rapid industrialization that has telescoped the historical development pattern of western nations into 60 years.
Construction has commenced on MAD’s Chaoyang Park Plaza within one of Beijing’s largest public parks and central business district. A continuation of Ma Yansong’s “Shan-Shui City” concept, which aims reintroduce nature into the urban realm, the mixed-use complex reinterprets natural formations illustrated in traditional Chinese paintings as contemporary “city landscapes.”
“Like the tall mountain cliffs and river landscapes of China, a pair of asymmetrical towers creates a dramatic skyline in front of the park,” described MAD. “Ridges and valleys define the shape of the exterior glass facade, as if the natural forces of erosion wore down the tower into a few thin lines.”
I look into myself, trying to express myself. I think sometimes maybe you have an idea from a dream. It sounds ridiculous but you draw something out of your dream. Where does this dream come from? It must somehow relate to some situation. So what I'm interested in is to keep discovering what is really inside of me. I'm not a genius that from the first moment I already know what I want. - Ma Yansong -
Beixinqiao district, in Beijing, is changing fast: the ancient urban tissue is being demolished as new high-rises are growing.Located in this environment, Ma Yansong’s office sits within an old and anonymous construction. In contrast to its exterior, the inside is characterized by wood, white walls and plants that transform the place into a sophisticated environment.International young architects are busy modeling new organic-shaped buildings on the other side of the world; meanwhile a golden fish swims in the eternal loop of the “fish tank” in the centre of the room.
In the following interview, Ma Yansong explains contemporary cities as environments that are out-of-scale with nature. He believes a new approach must be used, one that breaks the monotonous “chessboard” of contemporary Urban China and re-establishes the balance between human beings and the natural world.
From the architect. The Cube, a sixteen meter tall painted steel and rope installation designed for the 2013 Beijing Biennale by the Oyler Wu Collaborative, challenges the volumetric perception of its own archetypal geometry. The aspiration of the installation is to achieve the transcendence of the first dimension - the line - by simulating warping two-dimensional planes, which penetrate and populate the object framework, to create the perception of inhabitable three-dimensional space.