Visitors to Bermuda are likely to notice one key feature about its architecture: across the islands, the pastel-painted houses all share a distinctive white, stepped roof style. A recent article on BBC News Magazine explores the original reason for, and subsequent history of, this unique roof design, showing how vernacular architectural elements often fit into a larger narrative of culture and geography.
This video, presented by the BBC, takes a look at the work of Zaha Hadid as inspired by her favorite artist: the Russian Suprematist painter Kazimir Malevich. Featuring interviews with the dame herself, the narrative looks all the way back to Hadid’s origins, including her time at the Architectural Association School in London. It was there that she designed “Malevich’s Tektonik,” a hotel along the Thames River based upon the works of Malevich. Hadid believed that this work radically drove the architectural outlook she would employ for the remainder of her career:
“I was very fascinated by abstraction and how it really could lead to abstracting plans, moving away from certain dogmas about what architecture is. That project really liberated me, freed me from all these rules.”
Iwan Baan was twelve years old when he received his first camera and, "within a week, [he] had traded it in for a better one." He is one of the most well-known and highly sought after architectural photographers in the world, recognised for shooting cities from above and for always highlighting people (occupation) in his images. In a short interview with Jonathan Glancey Baan is the first to state that he "doesn't know much about architecture" — something which has not inhibited his ability to produce some of the most successful photographs of the built world, and how we design, construct and occupy it.
After spending five-figure sums on their education, you might think that architectural students would, at the very least, continue in the architectural profession. However, as investigated in a new BBC Business article, many students of architecture “are using their newly-learned digital animation and design skills to break into the world of film.” With a growing demand for both architectural and all other kinds of animations, the number of film careers built from architectural foundations seems to be burgeoning. Architects-turned-filmmakers now work on a wide variety of projects, from special effects in Beyoncé videos to Oscar-winning films, to visualization films of future architectural projects.
Learn more about how digital animation has created a “two-way street” between architecture and film, here.
The Listeners Project, a small London-based initiative that works with young filmmakers in unique architectural spaces to develop and create short films, have taken residence in the former BBC Television Centre. The building, designed by Graham Dawbarn of Norman & Dawbarn in the late 1940s, has an iconic plan that resembles a question mark. The centre, which was once the beating heart of the majority of the British Broadcasting Company's television production, was listed in 2009 before it was finally vacated in 2013.
In 1970 the BBC followed architects Alison and Peter Smithson through the construction of their seminal housing project, Robin Hood Gardens (London). The impact of their architecture continues to resonate well into the 21st century, most recently in the British Pavilion at the 2014 Venice Biennale. Robin Hood Gardens was demolished in 2013, bringing an end to the Smithson's utopian vision. Listen to Alison Smithson explain the European Housing Condition (as the vision stood in 1970), the state of British infrastructure as it was, and hear Peter Smithson discuss the impetus for their most famous collective housing project.
According to the BBC, Frank Gehry’s Biomuseo in Panama City, Steven Holl’s Sifang Art Museum in Nanjing, and BIG’s Danish National Maritime Museum in Helsingør are among the top eight greatest museums recently completed. Do you agree? Let us know which recently completed museums tops your list in the comment section after the break and review the BBC’s complete selection here.
The RIBA and the BBC have partnered to screen a series of interactive online films in the final week leading up to the announcement of the 18th RIBA Stirling Prize. As the UK’s most prestigious architecture award, given annually to “the architects of the building that has made the greatest contribution to the evolution of architecture over the past year,” the shortlist has garnered worldwide attention. Although the ultimate decision lies in the hands of a jury, headed by British architect Spencer de Grey, the BBC will host a public vote which is available as of today.
Zaha Hadid has been featured in a 30-minute BBC Secret Knowledge film based on Kazimir Malevich: The Russian Revolutionary: Zaha Hadid on Kazimir Malevich. One of Hadid’s greatest influencers, the Russian painter and theoretician inspired the Dame’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. You can watch the film online (here) through September 16.
Are Brutalist buildings, once deemed cruel and ugly, making a comeback? Reyner Banham's witty play on the French term for raw concrete, beton brut, was popularized by a movement of hip, young architects counteracting what they perceived as the bourgeois and fanciful Modernism of the 1930s. Though the use of raw concrete in the hands of such artist-architects as Le Corbusier seems beautiful beneath the lush Mediterranean sun, under the overcast skies of northern Europe Brutalist architecture earned a much less flattering reputation. Since the 1990s, however, architects, designers, and artists have celebrated formerly denounced buildings, developing a fashionably artistic following around buildings like Erno Goldfinger's Trellick Tower, "even if long-term residents held far more ambivalent views of this forceful high-rise housing block." To learn more about this controversial history and to read Jonathan Glancey's speculation for its future, read the full article on BBC, here.
The BBC’s Tony Hall has announced that Zaha Hadid will be presenting a 60-minute Secret Knowledge film based on Kazimir Malevich. The Russian painter and theoretician, who founded the Suprematist movement, inspired Hadid’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. Hadid will be one of many influential art leaders enlisted to participate in the program, which intends to place the arts on “center-stage.”
Architect's Journal has reported on an embarrassing - and controversial - fumble from the BBC. Not only has the media outlet been criticized for "largely ignoring women architects in its series The Brits Who Built the Modern World," but it's now come under fire for an image (appearing at the beginning of episode 3) in which Patty Hopkins is photoshopped out of a group that includes her husband Michael Hopkins, Norman Foster, Richard Rogers, Nicholas Grimshaw, and Terry Farrell.
The six architects are featured in RIBA's tie-in-exhibition; however, as the series chose to focus on the five male architects, the photographer removed Ms. Hopkins from the shot (unbeknownst to the BBC).
Lucy Mori of KL Mori Business Consulting for Architects told Architect's Journal: ‘I am shocked that women’s contribution to architecture has again been “airbrushed” from this populist history programme."
BBC’s Sarah Montague interviews Renzo Piano, the mastermind behind London’s most controversial and newest skyscraper: The Shard. Prior to the interview, Montague spotted Piano blending into the crowd during the opening of the 310-meter skyscraper “spying” on the onlookers. When asked about this moment, Piano revealed the great advice he received from the prominent Italian film director Roberto Rossellini upon the completion of the Pompidou Center in Paris: “You do not look at the building, you look at the people looking at the building.” It was during this moment that Piano observed “surprise” and “wonder, but not fear” amongst the onlookers - a reaction he seemed to be content with.
Despite Piano’s attempt to refrain from controversy, it is hard to avoid when your design intends to celebrate a “shift in society.” Change tends to stir mixed emotions and spark debate. However, being part of the “human adventure” as an architect is what Piano finds most rewarding. He states: “You don’t change the world as an architect, but you celebrate the change of the world.”