Watch “Zaha Hadid on Kazimir Malevich” Today

Malevich’s Tektonik. Image © Zaha Hadid Architects

Zaha Hadid has been featured in a 30-minute  Secret Knowledge film based on The Russian Revolutionary: Zaha Hadid on Kazimir Malevich. One of Hadid’s greatest influencers, the Russian painter and theoretician inspired the Dame’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. You can watch the film online (here) through September 16.

Brutalism: Back in Vogue?

The Barbican in London. Image © Flickr CC User Rene Passet

Are Brutalist buildings, once deemed cruel and ugly, making a comeback? Reyner Banham‘s witty play on the French term for beton brut, was popularized by a movement of hip, young architects counteracting what they perceived as the bourgeois and fanciful Modernism of the 1930s. Though the use of raw concrete in the hands of such artist-architects as Le Corbusier seems beautiful beneath the lush Mediterranean sun, under the overcast skies of northern Europe Brutalist architecture earned a much less flattering reputation. Since the 1990s, however, architects, designers, and artists have celebrated formerly denounced buildings, developing a fashionably artistic following around buildings like Erno Goldfinger‘s Trellick Tower, “even if long-term residents held far more ambivalent views of this forceful high-rise housing block.” To learn more about this controversial history and to read Jonathan Glancey‘s speculation for its future, read the full article on here.

Zaha Hadid to Present BBC Documentary on Kazimir Malevich

Malevich’s Tektonik. Image © Zaha Hadid Architects

The BBC’s Tony Hall has announced that Zaha Hadid will be presenting a 60-minute Secret Knowledge based on . The Russian painter and theoretician, who founded the Suprematist movement, inspired Hadid’s AA graduation thesis which transformed Malevich’s 1923 Arkitekton model into a 14-story hotel that stretched across London’s Hungerford Bridge. Hadid will be one of many influential art leaders enlisted to participate in the program, which intends to place the arts on “center-stage.”

Why Was Patty Hopkins Photoshopped Out of This Image?

Architect’s Journal has reported on an embarrassing – and controversial – fumble from the BBC. Not only has the media outlet been criticized for “largely ignoring women architects in its series The Brits Who Built the Modern World,” but it’s now come under fire for an image (appearing at the beginning of episode 3) in which is photoshopped out of a group that includes her husband Michael Hopkins, Norman Foster, Richard Rogers, Nicholas Grimshaw, and Terry Farrell.

The six architects are featured in RIBA’s tie-in-exhibition; however, as the series chose to focus on the five male architects, the photographer removed Ms. Hopkins from the shot (unbeknownst to the BBC).

Lucy Mori of KL Mori Business Consulting for Architects told Architect’s Journal: ‘I am shocked that women’s contribution to architecture has again been “airbrushed” from this populist history programme.”

Renzo Piano Talks Architecture and Discusses ‘The Shard’ with BBC News

BBC’s Sarah Montague interviews Renzo Piano, the mastermind behind London’s most controversial and newest skyscraper: ‘’. Prior to the interview,  Montague spotted Piano blending into the crowd during the opening of the 310-meter skyscraper “spying” on the onlookers. When asked about this moment, Piano revealed the great advice he received from the prominent Italian director Roberto Rossellini upon the completion of the Pompidou Center in Paris: “You do not look at the building, you look at the people looking at the building.” It was during this moment that Piano observed “surprise” and “wonder, but not fear” amongst the onlookers – a reaction he seemed to be content with.

Despite Piano’s attempt to refrain from controversy, it is hard to avoid when your design intends to celebrate a “shift in society” as does the ‘Shard’. Change tends to stir mixed emotions and spark debate. However, being part of this “human adventure” as an architect is what Piano finds most rewarding. He states: “You don’t change the world as an architect, but you celebrate the change of the world.”