Conceived through a spatial inversion, the proposal for the new Antiquities Museum of Piraeus is an industrial typology that is reinvented as a cultural destination. Designed by PAR, in collaboration with ARUP, their interest lies not only in the complex program of the museum, but in the site’s unexploited urban potential as a civic link. Transformed into an iconic, world class museum, the building’s openness activates the Cultural Coast District. More images and architects’ description after the break.
Following the initial challenge of amplifying connectivity, adjustability and interaction for its Correlations cycle, AA Athens Visiting School scales up its design intentions in order to investigate links among discrete individual architectural systems in its 2013 version, Recharged.
Recharged with interconnectivity on different levels, the theme of investigation will revolve around the design of semi-independent design prototypes acting together to form elaborate unified results. The driving force in Cipher City: Recharged is the synergistic effect behind complex form-making systems where interactive design patterns arise out of a multiplicity of relatively simple rules.
Architects: Kokkinou-Kourkoulas Architects
Location: Athens, Greece
Architect In Charge: Maria Kokkinou, Andreas Kourkoulas
Collaborators: Artemis Halari, Eleni Theodorou, Stratos Vasileiou, George Nikopoulos, Tassos Ringas, Marianna Athanasiadou, Katerina Kourkoula
Structural Engineer: Andreas Mitsopoulos
Area: 1,600 sqm
Photographs: Erieta Attali, George Fakaros
With the challenge of creating a new landmark on a floating platform, the ‘U-Topos’ proposal for the Faliro pier competition proposes a constructed “place”, a new “Land-” and a new “-mark”. Designed by Ksestudio, in an attempt to optimize climatic conditions, views and generate events, while developing an iconic identity, their project bends the given square platform to a “U” shape. The design is essentially a shell, an empty vessel, that frames the view towards the city and the sea, while signifying a gate, as small boats are allowed to park at the perimeter of the platform. More images and architects’ description after the break.
Simos Vamvakidis Studio shared with is their proposal for the New Landmark for the Faliron Pier in Athens which won the 4th prize. This gesture of “hiding” program under the landscape, combined with other elements of the surrounding man-made and natural context, like the existing landmark / shell structures in the surrounding area, or the small wave breakers that will be formed close to the site, led them to the idea of creating a “hill”, or an island in the sea. More images and architects’ description after the break.
The Greek pavilion for the 2012 Venice Biennale will focus on the particular dynamics of Athens during a period of economic meltdown by addressing the deterioration of Athenian urban space, plummeting standards of living, and the need to redefine the priorities of architectural design. Architects and creative groups have already begun to shape a new “common ground” within Athens. With the exhibition “Made in Athens”, the Greek pavilion aims highlight these positive forces emerging during this crucial present moment in an effort to foreshadow a better future for the city and its architecture.
Continue after the break to learn more about “Made in Athens”.
The Greek urban design project “e_co_llectiva” by Athanasios Polyzoidis (Architect-Landscape Architect) and Katerina Petsiou (Architect) was awarded with the Salon Grand Prix in the 4th Landscape Architecture Exhibition in Belgrade. In their design, the public space of the streets and the vacant lots in the internal parts of the four building blocks is unified so as to create a single urban garden-park which promotes the concept of collective activity. This intervention is given the title ‘e_co_llectiva’ after ecology (eco), collectivity (collectiva) and new technologies (e). More images and architects’ description after the break.