"Seeing the design strengths of various metro systems, from the hand painted cave-like stations in Stockholm, to the well-lit modern platforms of Munich’s U-Bahn, I really began to feel the how good design can change your day for the better,” says Forsyth. “Whether it be awe-inspiring or simply bright and colorful, I can only imagine how it feels to start your daily commute in one of these metro stations."
Continue after the break for a sampling of Forsyth’s favorite photos from the series.
In this series, entitled Stacked, photographer Malte Brandenburg takes a closer look at the architectural merits of Berlin’s post-war housing estates. Captured against a flat blue sky, the images seek to strip away the historical and social burdens carried by the buildings, presenting them instead as pieces of pure architecture.
Architectural and landscape photographer Jade Doskow is publishing the first hardcover, full-color monograph of her eight-year photography project on the post-utopian sites of the World’s Fairs, entitled Lost Utopias. Since 2007, the project has captured the remaining architecture and landscaping of international World’s Fairs at 26 sites in North America and Europe on large-format 4”x5” film.
As recently as a century ago the idea of viewing the world from above was little more than a fantasy: the airplane was still in its infancy, with rocketry and satellites still decades into the future. Those who could not take to the air had no recourse but drawing in order to represent their world from an aerial perspective. This limitation is difficult to imagine today when access to plan photography is never further than the nearest Internet connection. Anyone with a smartphone has, in essence, the entire world in their pocket.
This course is a thorough introduction to architectural photography through theory and practice, by professional architectural photographers. It will give you the essential conceptual and technical tools that will enable you to develop your practice, whether for a hobby or for business.
Photographs increasingly influence the way in which buildings are perceived around the world. It is said that today the photograph of a building –as opposed to the building itself- is its most widely consumed image. As architects understand the power of architectural photography, they become more and more interested in working closely with photographers. Simultaneously, an ever-growing number of photographers chooses architecture as an area within which to develop a personal artistic language as well as a business.
In this three-day in-depth workshop, internationally acclaimed architectural photographer Jeffrey Jacobs will share extensive details of how he lights and captures the architectural images that have garnered recognition worldwide. This workshop will be a mix of hands-on and classroom instruction. Learn the gear. Learn the software. Then join the Jacobs crew to participate in a full-on production shoot after the sun sets.
While drawing or even writing about architecture can be a great way to be expressive in the field, today architectural photography is by far the most direct and widely-used methods for communicating the true form of the built environment. Capturing the perfect architectural photograph, however, can be far more difficult than one might anticipate. In light of this, we have compiled a list of ten architectural photography tutorials to help you get the right shot every time.
Read on to see how to take architectural photos at twilight, for Instagram, using long exposure, and more.
PhotographerAndré Vicente Gonçalves has revealed his latest project, “Doors of the World,” documenting hundreds of doors from cities around the world. Gonçalves has previously produced a photo series of hundreds of windows internationally titled “Windows of the World,” citing his interest in the way that such a small element of architecture expresses so much about its inhabitants and the human sense of security.
Architectural photographer Marc Goodwinhas recently completed "the ultra-marathon of photoshoots:" twenty-eight architectural offices in twenty-eight days, spread across four capital cities – Oslo, Stockholm, Copenhagen, and Helsinki. His aim was to understand what sort of spaces architects in the Nordic countries operate in, and how they differ between each respective country. From former boathouses to stables and coal deposits, Goodwin has captured some of the most unique working environments the profession has to offer.
Twenty postcards depicting Detroit have been selected for “My Detroit,” part of The Architectural Imagination,” the exhibition for the US Pavilion at the 2016 Venice Biennale. Selected from among 463 entries by curator Cynthia Davidson and sociologist Camilo José Vergara, the 20 winning postcards --- taken by 18 different individuals -- were selected as a group, for helping to tell the story of Detroit today. Ten of the 18 winners are Detroit-area residents.
Buda... Pest... two characters separated by the Danube. Day... night... two atmospheres separated by an invisible thread. Budapest, "pearl of Danube", knows how to seduce at any hour, so why choose, when one can enjoy all its charms at the same time?
Exploring the role of lighting in architectural photography, French photographer Greg Florent created “Budapest Daynight” during a two-month stint in Hungary. Taking thousands of photographs, Florent created magical composite photos capturing architectural landmarks in-between the two opposing times of day. Accompanying his gallery of resulting work, he has also produced time-lapses of each of his subjects, illustrating the way that lighting affects the character of a building.
A graduate of Argentina’s National University of Córdoba, Viramonte started photographing landscapes and small towns while traveling by bicycle through his country. Today, he is dedicated to architectural photography, and manages a Flickr account where you can see all of his work.
In this extract from the introductory essay to Infinite Space, a new compilation of dream houses photographed by James Silverman over the course of his travels, Alan Rapp discusses the photographer's approach to architectural image-making in the 'age of the globalized residence'.
Whether of a remote mountain cabin in Norway, a sensuous desert oasis in Morocco, or a monolithic concrete home in Switzerland, Silverman’s photographs capture the seemingly uninterrupted flow between interior and exterior space. The architecture documented in this book is often defined by elements that absorb, reflect, or deliberately break with their surroundings. Together they show how 'infinite space has become a key precept of contemporary architecture across the world.
"SANAA’s goal was to make the architecture of the River become part of the landscape without drawing attention to itself, or even feeling like a building, with the hope that those who are on the property will have a greater enjoyment of the beautiful environment and changing seasons through the spaces and experience created by the River," described the architect.
As part of our Architectural Photographers interview series, we spoke with Rodrigo Dávila, an architecture photographer based in Bogotá. When he was a teenager, Dávila inherited a Rolleiflex medium-format camera from his grandfather and never looked back. After working as an architect for two years and taking pictures of landscapes in his free time, Rodrigo moved to Melbourne, Australia to study photography at RMIT University. Back in Colombia, Dávila established a photography business through which he expresses his passion for design, Scandinavian architecture and contemporary buildings.
“Architectural photography works in the opposite way of designing a building. Instead of projecting in order to construct a building, a photographer analyzes the image in order to deconstruct the building and understand the architect’s intention," explained Dávila.
"The architecture itself is the focus and the image regarded only as the medium. The Arcaid ImagesArchitectural Photography Award aims to put the focus onto the skill and creativity of the photographer," said the Award's organizers.
Each shortlisted image was judged on the merits of the photography for composition, sense of place, atmosphere and use of scale; Guerra had the highest scoring image overall.
"The high level of photography has made it a very difficult the task to choose the winners. The most important thing for us has been the concept and atmosphere of the images. How they have been perceived and expressed through the creativity and inspiration of the photographer," said architects and jury members Fabrizio Barozzi and Alberto Veiga.