While studying for his Masters in Architecture at DIA (Dessau International Architecture), Romanian photographer Laurian Ghinitoiu was inspired to capture Walter Gropius’ Dessau Bauhaus at different times of the day and throughout the four seasons. Taken from the same vantage point over the course of two years (September 2012-July 2014), Ghinitoiu’s photos show the school as snow covers its perfectly-manicured lawn and skateboarders and construction workers come and go.
“The building has been framed in direct relation with the dynamic process of daily life. Lights and shadows, changing during the day and during the year, underline the always-different elements of the silent, but potent building. It almost protrudes out of the scene, imposing its strict lines, its regular rhythm and the functionalism of its geometries. The surroundings play the most important role of the entire photo project: they create the atmosphere, establishing an intimate connection between the architecture and its context.” - Francesca Lantieri
View the full photo series after the break.
Milan-based photographer Delfino Sisto Legnani recently spent time in the compound of the 2015 Milan Expo twenty four hours prior to the inauguration of the event, which officially opened at the start of this month. This unique insight, captured through his lens and preserved for posterity, shows the state of the site and pavilions just before the Italian military began their final safety and security checks. Cables, garbage and hazard tape is strewn across the pavilion entrances and public spaces, while lorries and white vans unload the last of the interiors.
Tour Legnani’s photo-essay after the break.
For almost a century, one of the largest buildings in the Southeastern United States has maintained a dominating street presence in Atlanta, Georgia. Now the Ponce City Market, the building was originally designed by Nimmons, Carr and Wright Architects and built in 1925 as a Sears, Roebuck & Co. distribution and retail center, operating until 1989. In 1991, the City of Atlanta purchased the building, renamed it City Hall East and housed several public works departments, storing countless items among its 2.1 million square feet of space. As the city’s utilization of the building dwindled, Jamestown Properties stepped in and acquired the building in 2010. Five years later, Ponce City Market is poised to become one of the greatest historic rehabilitation projects in the country.
The latest in his high-altitude “AIR” series, Pulitzer Prize-winning photographer Vincent Laforet has captured the sprawling city of Los Angeles at night from a dizzying 10,000 feet. First starting this “dream project” in his hometown of New York then Las Vegas and San Francisco, AIR is taking Laforet worldwide with upcoming visits planned for London, Paris, Tokyo and more.
Preview a stunning selection of Laforet’s Los Angeles series, after the break.
Surface Magazine has launched its 2015 Avant Guardian photography contest, now in its 15th year. Calling for submissions now through June 1, the competition provides emerging photographers the chance to be featured in Surface‘s October issue and their upcoming New York exhibition.
25 photographs will be shortlisted by Surface editors; ultimately 10 winners will be selected by a well-respected judging panel that includes architectural photographers Ingmar Kurth and Hélène Binet, as well as Stephen Hilger (Pratt Institute), Roy Schwalbach (Jack Studios), and photographers Youssef Nabil and Delfino Sisto Legnani. For more information or to submit your work, visit surfacemag.com.
Nikola Olic is an architectural photographer based in Dallas, Texas, with a focus on capturing and reimagining buildings and sculptural objects in “dimensionless and disorienting ways.” His photographs, which often isolate views of building façades, frame architectural surfaces in order for them to appear to collapse into two dimensions. According to Olic, “this transience can be suspended by a camera shutter for a fraction of a second.” As part of his process, each photograph is named before being given a short textual accompaniment.
See a selection of Olic’s photographs after the break.
Montreal-based photographer Chris Forsyth doesn’t see his city the way others do — that much is evident from his body of work, which includes rooftop photos of the Montreal skyline, nocturnal shots taken from the arm of a crane and now, images from the underground. The Montreal Metro Project is Forsyth’s latest series, documenting the often overlooked architecture of the urban subway since October 2014.
Composed of 68 stations, each designed by a different architect between the 60s and 70s, the Montreal Metro system is as diverse and idiosyncratic as the city it underpins. Forsyth captures the stations empty of passengers, highlighting their architecture and reframing them in a manner rarely experienced. ArchDaily spoke to Forsyth about the series and the creative process behind it. Read his responses and view selected images from The Montreal Metro project after the break.
Matthias Jung’s fascination for the medium of collage began in his father’s photolab. And so, “with scissors and glue, the first fantastic buildings were made.” In early 2015 Jung, a German artist and graphic designer, created seven images as part of a series which he entitled ’Houses’, of which many of this selection originate. Uniquely, every piece of each collage originates from one of Jung’s original photographs which are collected and then reassembled. The majority of these photographs were taken during trips in northeastern Germany.
See a selection of Jung’s fantastical architectural collages after the break.
Pulitzer Prize-winning photographer Vincent Laforet has made his way to San Francisco as part three of his dizzying series of city aerials. Capturing the tightly packed metropolis from 7,200-feet, Laforet became mesmerized by the city’s “clashing grids,” stunning bridges and overwhelming feeling of “peace and order.”
“There’s just something about this city’s vibe – a perfect balance between the hectic go-getter pace of New York and the more relaxed, laissez-faire rhythm of Los Angeles,” says Laforet. “It feels like every little piece of the puzzle has somehow found its place in what is an absolutely chaotic topography.”
See a selection of Laforet’s San Francisco series, after the break.
Las Vegas vs The Landscape: Photographer Michael Light Exposes the Terraforming of the American Dream
“Nestled into the desert landscape that defines Nevada’s visage,
Ascaya feels as if it were shaped by the elements.
Where stone rises up to meet the sky, there is a place called Ascaya.”
- The Ascaya promotional website
Not quite, according to Michael Light’s soon-to-be released book, Lake Las Vegas/Black Mountain. Covering the advance of suburban Nevada into the desert, this two-part book looks at Lake Las Vegas, a then-abandoned victim of the 2008 real estate crash which has since emerged from the other side of bankruptcy, and nearby Ascaya, a high end housing estate that is still in the process of being carved into Black Mountain. Light’s photography doesn’t so much question the developers’ summary as it does, say, blast it, scar it, terrace it and then build a large housing development on the remains. Featuring beautifully composed aerial shots of the construction sites and golf courses covering the desert, the book is a clear condemnation of the destructive and unsustainable development in Nevada. Much more than that, though, Light is highlighting a wider philosophy behind developments like Ascaya and Lake Las Vegas that fundamentally fail to connect American society with the American landscape in a non-destructive way.
Edmund Sumner has shared with us images from his recent visit to Lyon, France, where he photographed Coop Himmelb(l)au’s newly completed Musée des Confluences. Perched on a century-old artificial peninsula at the confluence of the Rhône and Saône rivers, the “museum of knowledge,” as Coop Himmelb(l)au affectionately refers to it, is distinct for its “iconic gateway” – an openly traversable “Crystal” that provides multi-level access to the museum’s exhibition spaces and views of the building’s unique context. Step inside, after the break.
The World Photography Organization has revealed 35 images that are being considered to be the “world’s best contemporary photograph.” Of the shortlisted selection, beauty found within our built world takes center stage in four of the images. All entries were submitted freely by professionals and amateurs alike. See all four stunning images, after the break.
This past week, Adobe Photoshop turned 25 years old. That’s right: at an age where us mere mortals are often still embarrassingly reliant on our parents, Photoshop is taking the opportunity to look back on how it became one of the world’s most ubiquitous pieces of software, and how in just a quarter-century it has transformed our very conceptions of beauty and even reality itself.
Of course, to the general public Photoshop is probably best-known for the role it has played in the fashion and advertising industries. Serving up heavily processed, idealized images of anatomically dubious models, its effect in our wider culture is well-known, but Photoshop has had its impact on the architecture profession as well. Join us after the break as we look at 25 years of Photoshop in architecture.
Vincent Laforet is at it again, this time photographing Nevada’s Sin City from an elevation of 10,800 feet (8,799 feet above the city). Part two of Laforet’s dizzying series of city aerials, the Pulitzer Prize-winning photographer was drawn to desert city of Las Vegas because of its “island” effect.
“Just like the island of Manhattan that started this series, Vegas is an “Island of Light” in the middle of nothingness… A sea of black with an amazing source of light emanating from Vegas and its infamous strip… You can almost see the electricity running through it.”
A collection of “Sin City” images, after the break.
What is the draw of the aerial view? Whereas architects and designers often find solace in this particular spatial perspective there is a more inclusive, universal appeal to this way of seeing. The ease of access to online mapping services has increased our collective reliance on understanding our world from above.
Maps condense the planet into a little world inside our pocket, the commodification of which has universalised the ‘plan-view’ photograph. The question of whether or not their ubiquitous availability, having now been assimilated into our collective consciousness, is a positive step for the status of the plan is a discussion ongoing. Yet, in the face of this dilemma, architectural photographers are pushing the boundaries of drone technology in order to find new meaning.
Through January 31, The Building Centre is hosting Upright and Educated, a photographic exhibition documenting the work of UK charitable organization Article 25 in Burkina Faso. Captured by award-winning photographer Grant Smith, the images chart the construction and use of a school in Gourcy, in the country’s north.
Founded in 2006, Article 25 worked with local builders, craftspeople, and fellow UK charity Giving Africa to construct Bethel Secondary School, allowing up to 1100 children access to enhanced education and vocational training facilities. Learn more about the project and view selected images from the exhibition after the break.
Something he has “dreamed of capturing for decades,” Pulitzer Prize-winning photographer Vincent Laforet has released a stunning set of images that captures his hometown of New York in a way that has never before been seen. Taken from a nauseating 7500-feet above the city, Laforet’s “Gotham 7.5K” series reveals the unrelenting, pulsating energy that radiates from the Big Apple’s city grid.
All the images and the making-of video, after the break.
Modern times have seen the rise and proliferation of architectural media, allowing people to remotely experience spaces and buildings without ever physically entering them. As such, the importance of the architectural image has never been greater.
Opening on January 15 at London’s Sto Werkstatt and organized in conjunction with Arcaid Images, Building Images celebrates the “power and impact of photography on the way we sense and experience spaces.” Described by Arcaid Images co-founder Lynne Bryant as having “long been the means of communicating architecture,” photography is a medium that has grown inseparable from the notion and creation of the architectural image. Learn more and view selected images from the exhibition, after the break.