"SANAA’s goal was to make the architecture of the River become part of the landscape without drawing attention to itself, or even feeling like a building, with the hope that those who are on the property will have a greater enjoyment of the beautiful environment and changing seasons through the spaces and experience created by the River," described the architect.
As part of our Architectural Photographers interview series, we spoke with Rodrigo Dávila, an architecture photographer based in Bogotá. When he was a teenager, Dávila inherited a Rolleiflex medium-format camera from his grandfather and never looked back. After working as an architect for two years and taking pictures of landscapes in his free time, Rodrigo moved to Melbourne, Australia to study photography at RMIT University. Back in Colombia, Dávila established a photography business through which he expresses his passion for design, Scandinavian architecture and contemporary buildings.
“Architectural photography works in the opposite way of designing a building. Instead of projecting in order to construct a building, a photographer analyzes the image in order to deconstruct the building and understand the architect’s intention," explained Dávila.
"The architecture itself is the focus and the image regarded only as the medium. The Arcaid ImagesArchitectural Photography Award aims to put the focus onto the skill and creativity of the photographer," said the Award's organizers.
Each shortlisted image was judged on the merits of the photography for composition, sense of place, atmosphere and use of scale; Guerra had the highest scoring image overall.
"The high level of photography has made it a very difficult the task to choose the winners. The most important thing for us has been the concept and atmosphere of the images. How they have been perceived and expressed through the creativity and inspiration of the photographer," said architects and jury members Fabrizio Barozzi and Alberto Veiga.
Seasoned photographer Richard Silver has captured the beauty of New York's churches unlike any other. By seamlessly stitching together a series of composite images from each location, Silver has created a stunning set of vertical panoramas that reveal the interiors of New York's most impressive religious structures.
“Finding the perfect location in the center aisle then shooting vertically from the pew to the back of the church gives the perspective that only architecture of this style can portray,” Silver told Colossal.
From Trinity Church to Boston’s “high spine” of skyscrapers, explore how architectural photographers see the cityscape in this dynamic session suitable for beginner and intermediate photographers alike. During this intimate exploration of Boston’s Back Bay neighborhood, you will learn to produce memorable images that convey a sense of place and a connection to landscape and surroundings. Professional photographer Emily O’Brien will help you and other enthusiastic photographers see Boston in a whole new way.
Le Corbusier and Pierre Jeanneret built sublime works amidst the unique landscape of Chandigarh, at the foothills of the Himalayas. They gave the city a new order, creating new axises, new perspectives and new landmarks. Built in the 1950s and early 1960s, the buildings form one of the most significant architectural complexes of the 20th century, offering a unique experience for visitors.
Architect and photographer Fernanda Antonio has shared photos with us from her journey throughout the city, capturing eight buildings and monuments, with special attention given to Le Corbusier’s Capital Complex. View all of the images after the break.
Argentine photographer and architect Federico Cairoli has shared photos with us of Clorindo Testa’s Banco de Londres (Bank of London) in Buenos Aires. Testa and his firm SEPRA won a competition in 1959 to design the bank and the Brutalist building was completed in 1966.
Explore how architectural photographers see the cityscape in this dynamic session suitable for beginner and intermediate photographers alike. During this intimate exploration of Boston’s Fort Point and Financial District neighborhoods, you will learn to produce memorable images that convey a sense of place, an expression of the architect’s ideas, and a connection to landscape and surroundings. Professional photographer Emily O’Brien will help you and other enthusiastic photographers see Boston in a whole new way. Take your photography to new heights!
Photographer Amos Chapple has traveled the world, capturing well-known landmarks and cities from the perspective of a drone. From the Katshi Pillar in Georgia to New Delhi’s Lotus Temple and the star fort in Bourtange, the Netherlands, Chapple carried out “as much aerial work as weather and local laws allow.”
See 12 of his most impressive photos after the break.
Discover historic New York with "OldNYC," a digital archive of the New York Public Library's "Photographic Views of New York City, 1870s-1970s" Collection. Bringing together an extensive catalogue of images from the library's Milstein Collection, OldNYC organizes photographs geographically, allowing users to view images specific to individual blocks and streets.
The project is also collaborative, asking visitors on the site to comment on photographs with "what's there now, what's changed, and what's stayed the same." Users can edit or add to captions on the back of each of the photos, creating a personal element in the latest retelling of New York's vibrant history.
Learn more about the project and view selected images after the break.
While studying for his Masters in Architecture at DIA (Dessau International Architecture), Romanian photographer Laurian Ghinitoiu was inspired to capture Walter Gropius’ Dessau Bauhaus at different times of the day and throughout the four seasons. Taken from the same vantage point over the course of two years (September 2012-July 2014), Ghinitoiu’s photos show the school as snow covers its perfectly-manicured lawn and skateboarders and construction workers come and go.
“The building has been framed in direct relation with the dynamic process of daily life. Lights and shadows, changing during the day and during the year, underline the always-different elements of the silent, but potent building. It almost protrudes out of the scene, imposing its strict lines, its regular rhythm and the functionalism of its geometries. The surroundings play the most important role of the entire photo project: they create the atmosphere, establishing an intimate connection between the architecture and its context." - Francesca Lantieri
View the full photo series after the break.
http://www.archdaily.com/633532/a-bauhaus-facade-study-by-laurian-ghinitoiuAD Editorial Team
Milan-based photographer Delfino Sisto Legnani recently spent time in the compound of the 2015 Milan Expo twenty four hours prior to the inauguration of the event, which officially opened at the start of this month. This unique insight, captured through his lens and preserved for posterity, shows the state of the site and pavilions just before the Italian military began their final safety and security checks. Cables, garbage and hazard tape is strewn across the pavilion entrances and public spaces, while lorries and white vans unload the last of the interiors.
For almost a century, one of the largest buildings in the Southeastern United States has maintained a dominating street presence in Atlanta, Georgia. Now the Ponce City Market, the building was originally designed by Nimmons, Carr and Wright Architects and built in 1925 as a Sears, Roebuck & Co. distribution and retail center, operating until 1989. In 1991, the City of Atlanta purchased the building, renamed it City Hall East and housed several public works departments, storing countless items among its 2.1 million square feet of space. As the city’s utilization of the building dwindled, Jamestown Properties stepped in and acquired the building in 2010. Five years later, Ponce City Market is poised to become one of the greatest historic rehabilitation projects in the country.