With subjects ranging from the windswept wonderland of an empty New York City to a rapidly changing Tibetan hillside village to a dreamy shot of Foster + Partners’ Swiss Re Headquarters ( a.k.a. “The Gherkin”) this year’s entries constitute a “cornucopia of styles and stories,” says CIOB spokesman Saul Townsend.
Nikola Olic, an architectural photographer based in Dallas, Texas, has a thematic focus on capturing and reimagining buildings and sculptural objects in "dimensionless and disorienting ways." His studies, which often isolate views of building façades, frame architectural surfaces in order for them to appear to collapse into two dimensions. "This transience," he argues, "can be suspended by a camera shutter for a fraction of a second." In this second series shared with ArchDaily, Olic presents a collection of photographs taken in Barcelona, Dallas, New York City and Los Angeles.
Architectural photographer Danica O. Kus has shared with us new images of BIG’s VIA 57 West. Having opened earlier this year, the “courtscraper” has already been the recipient of several awards, including its unanimous victory of the 2016 International Highrise Award last week. This new photoset takes us inside the public and private spaces of the 32-story building, including interior shots of the lobby, lounge, pool and the residential units.
The Plaza of Herzog & de Meuron’s Elbphilharmonie has opened to the public. The concert hall’s observation deck, located 37 meters (121 feet) above ground level, is designed around a public square concept and is accessed via a 82 meter (269 foot) long, curving escalator, providing visitors to panoramic views of the city and harbor.
To mark the event, the Elbphilharmonie has released a new set of photographs by Iwan Baan, showing off the newly completed interior spaces. The full building is set to officially open to the public on January 11 and 12, 2017.
Arcaid has shortlisted 20 of the year’s best architectural photographs in the running for the 2016 Arcaid Images Architectural Photography Awards. The annual award presents prizes in four categories - Exteriors, Interiors, Sense of Place, and Building in Use - and judged by an esteemed panel on their atmospheric quality, composition, use of scale and more.
This year, judges for the award include Emily Booth, executive editor of The Architectural Review; artist and Sto Werkstatt curator Amy Croft; Katy Harris, director of communications at Foster + Partners; architect Kai-Uwe Bergmann of BIG and photographers Fernando Guerra and Ulrich Müller.
The photographs will be showcased at World Architecture Festival from November 16-18 in Berlin, Germany, where the overall winner will be announced. The shortlist of 20 images is as follows:
http://www.archdaily.com/798348/20-of-the-worlds-best-building-images-shortlisted-for-arcaid-awards-2016AD Editorial Team
The iPhone Photography Awards (IPPAWARDS) has announced the winners of the 2016 edition of the annual competition. Founded in 2007, the same year as the release of the first iPhone, IPPAWARDS is the first and longest running iPhone photography competition. Now in its 9th year, the awards continue to select the best images taken by iPhone, iPad or iPod touch from a variety of categories including Landscape, Animals, People, Still Life and Architecture.
This year’s architecture category was won by Jian Wang of Beijing China for his shot “China Red,” taken at the Beijing Olympic Park. Second and third prizes were awarded to Patryk Kuleta for two shots from his series, “Modern Cathedrals.” Kuleta was also selected as the IPPAWARDS Photographer of the Year for the series, which featured layered-exposure captures of historic cathedrals in Warsaw and Strasbourg.
Continue after the break to see the three winners and honorable mentions.
Driven by an intrigue in the ruination of Roman architecture, Brazilian architect, and photographer Olympio Augusto Ribeiro has undertaken a fascinating comparative analysis of Giovanni Battista Piranesi's architectural etchings and the scenes as they stand today. Travelling to each of the Italian sites brought to life in Piranesi's drawings, Ribeiro has managed to recreate the original angle and shot, eventually compositing them together to create collages which cross time periods.
Piranesi's drawings show different architectural styles side by side, and it was this coexistence that urged Ribeiro to investigate what has changed in Rome and Tivoli since their conception. The project, officially dubbed "Piranesi Project (In search of Giovanni Battista Piranesi’s Rome, 1720-1778)" took Ribeiro two months to photograph, meticulously recreating the images across Rome, Villa Adriana, and Tivoli.
Self-proclaimed “Instagram purist” Olivier Martel Savoie (@une_olive) has created #olive_libraries, a series of Instagram photographs portraying libraries around the world, using only the camera on his iPhone. Over the past two years, Savoie has traveled from his home city of Montréal, to Berlin, Amsterdam, Budapest, Rome, Riga, Paris, Moscow, and several other cities photographing the stunning architecture of libraries. Encountering language barriers and even intense security, Savoie’s dedication to taking the perfect photo has resulted in a stunning collection of images.
Experience the beauty of libraries around the world, after the break.
The Republic of Moldova, a landlocked country in the east of Europe bordered by Romania and Ukraine, declared independence from the USSR on the 27th August 1991 at the moment in which the Soviet Block was in the process of dissolution. As with many formerly Soviet cities, Chișinău—the capital of Moldova—continues to play host to a collection of built relics from this time. Roberto Conte, a Milan-based photographer, has captured a collection of the more magnificent abandoned architectural examples, along with those still in use, today.
Architectural photographer Mirna Pavlovic has an obsession with abandoned places. For her, their appeal lies in their ability to exist on a different temporal plane from the rest of reality – both impossibly ancient and frozen in the present.
“They are never truly dead, yet never really alive,” Pavlovic explains. “Precariously treading along the border between life and death, decay and growth, the seen and the unseen, the past and the present, abandoned places confusingly encompass both at the same time, thus leaving the ordinary passer-by overwhelmed with both attraction and revulsion.”
For her latest series, Dulcis Domus, Pavlovic trekked over fences and past “no trespassing” signs to capture the once-glorious villas, palaces and castles of Europe that have now been left to decay, slowly returning to the Earth that existed before them. Through photography, Pavlovic attempts to highlight social issues through an aestheticised approach, allowing viewers to “see with fresh eyes what lies beneath those spots that we pass by on the street.”
Continue reading to see a selection of photographs from the series – hover over the images to see where each villa is located.
"Seeing the design strengths of various metro systems, from the hand painted cave-like stations in Stockholm, to the well-lit modern platforms of Munich’s U-Bahn, I really began to feel the how good design can change your day for the better,” says Forsyth. “Whether it be awe-inspiring or simply bright and colorful, I can only imagine how it feels to start your daily commute in one of these metro stations."
Continue after the break for a sampling of Forsyth’s favorite photos from the series.
In this series, entitled Stacked, photographer Malte Brandenburg takes a closer look at the architectural merits of Berlin’s post-war housing estates. Captured against a flat blue sky, the images seek to strip away the historical and social burdens carried by the buildings, presenting them instead as pieces of pure architecture.
Architectural and landscape photographer Jade Doskow is publishing the first hardcover, full-color monograph of her eight-year photography project on the post-utopian sites of the World’s Fairs, entitled Lost Utopias. Since 2007, the project has captured the remaining architecture and landscaping of international World’s Fairs at 26 sites in North America and Europe on large-format 4”x5” film.
As recently as a century ago the idea of viewing the world from above was little more than a fantasy: the airplane was still in its infancy, with rocketry and satellites still decades into the future. Those who could not take to the air had no recourse but drawing in order to represent their world from an aerial perspective. This limitation is difficult to imagine today when access to plan photography is never further than the nearest Internet connection. Anyone with a smartphone has, in essence, the entire world in their pocket.