Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.
Alberto Campo Baeza’s Office Building in Zamora, Spain has been selected as the winner of the 2015 BigMat International Architecture Award, with the judges commending how the design combines “the contemporary nature of the building with a respectful understanding of its existing surroundings.”
Recognized with a prize of 30,000 euros, Campo Baeza’s project was selected from 750 projects located in six different European countries. Five national winners and five finalists were also announced, while Samuel Delmas (a+ samueldelmas architects urbanistes) was awarded the Special Mention for Young Architects for his building in Nozay, France.
View all of the award winning projects after the break.
For many centuries, the demands of gravity appeared to give architecture one requirement that was largely unquestionable: that structures must rise vertically. However, with the advent of steel it was revealed that this limit had not been provided by gravity but by our own limited technologies. In this text, originally published by Domus Magazine in Italian and shared with ArchDaily by the author, Alberto Campo Baeza reflects on the architectural freedom offered by steel structures and the arbitrariness they bring to architectural space.
Isaac Newton was resting under an apple-tree in his garden when an apple fell on his head. Being endowed with such a privileged head and thoughts faster than lightning, he rose forthwith from his afternoon nap and set about calculating the acceleration of gravity.
Had Sir Isaac Newton had a little more patience and had he taken his time in getting to his feet, he might have noticed how, following the apple, a few leaves also fell from that same apple-tree, and while they fell, they did so in quite a different manner to the apple.
In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, Alberto Campo Baeza writes on behalf of Javier Callejas.
Exhibited at the American Academy of Arts and Letters in New York until this month, the work of Alberto Campo Baeza is on display to celebrate the awarding of the Arnold W. Brunner Memorial Prize in Architecture 2013. In a spare white quadrangular room in the main building and with only natural light from above, 24 white panels appear floating over the walls, without touching or marking them. It is an exhibition that is very sui generis, it is an Exhibition in the air; it is an exhibition that is very Campo Baeza. More information on the exhibition after the break.
Only a few weeks after being recognized for his excellence by the Universidad Politécnica of Madrid, the distinguished Spanish architect Alberto Campo Baeza has just been awarded the Heinrich Tessenow Gold Medal for 2012 by the Alfred Toepfer Foundation in Hamburg. The award, given since 1962, is a recognition of work that, like that of German architect Heinrich Tessenow (1876-1950), is "uncompromising, sober and essential."
A large tree, whose leaves are drawings, a pond from which photos of projects arise, a large installation which recreates the mental landscape of Alberto Campo Baeza: this is CAMPO BAEZA. THE CREATION TREE, the third of the monographic exhibitions of NATURE, the series of four monographic installations in which MAXXI Architectura explores different interpretations of contemporary architectural investigation.
Co-produced by MAXXI Architectura and Acción Cultural Española (AC/E) with the special collaboration of TOTO GALLERY MA of Tokyo, the show, dedicated to the work of one of the masters of Spanish architecture, is curated and designed by Manuel Blanco. More information on the event after the break.