As a response to urban density, Waterstudio.NL has created a floating Sea Tree that would restore environmental value in crowded metropolises. The Sea Tree, a multilayered tower-esque structure, would inhabit the harbors and rivers surrounding major cities, such as New York, as a way to provide an opportunity for flora and fauna even when land is sparse.
More about the Sea Tree after the break.
Africa is currently building its urban culture, in a global context of clusterized cities, of insularized space. Urbanism shouldn’t be just about numbers. Although Africa is currently strongly lacking infrastructure, its needs cannot always be quantified. Urbanism should reflect culture,…
Architects: Platt Byard Dovell White Architects
Location: 50 Prospect Park West, Brooklyn, New York, USA
Cost: $20 million
Client: Poly Prep Country Day School
Landmark Status: Park Slope Historic District
Original Architect: Montrose Morris, Romanesque Revival Hulbert Mansion
Project Team: Samuel G. White, FAIA, Design Principal; Serena Losonczy, Project Manager; Matthew Mueller, Job Captain; Leonard Leung; Marie Marberg; Charles Melansen; Tomo Tsujita; Julie Janiski, LEED AP
Photographs: Jonathan Wallen
Designed by SWA Group with Ojanen Chiou Architects LLP, the 157 hectare Dongtan Central Business Master Plan is at the heart of Dongtan City: a new urban center located just 30 km south of Seoul in South Korea. The development zone is situated on a former agricultural plain that had been taken over by various industrial uses. Bounded by a river to the west and mountainous terrain to the east, this zone is bisected by a major transportation corridor connecting Seoul with the southern reaches of the country. At the core of the development is a transit center that will accommodate high-speed and metropolitan rail stations connecting with a bi-modal (bus + tram) transit system, and long-distance and city buses, establishing Dongtan City as a major regional transit hub. More images and architects’ description after the break.
Architect: Sheppard Robson
Location: Manchester, UK
Project Manager: Gardiner & Theobald
Structural Engineer: Capita Symonds
M&E Engineer: Grontmij
Quantity Surveyor: Mooney Kelly
Main Contractor: Lend Lease
Client: Allied London Properties
Project Area: 5,000 sqm
Project Year: 2011
White Architects was recently named the winner of the competition for the Forumtorget project in Uppsala, Sweden. The proposal, with its subdued paving, expressive sofa and generous plateau, is powerful, substantive and empathetic. Here, the people of Uppsala have a natural meeting place and an open breathing space within the built-up business district. More images and architects’ description after the break.
Learning from Ricardo: an unpublished recent talk with Ricardo and Victor Legorreta by Carlo Ezechieli
In memory of Ricardo Legorreta (May 7, 1931 – December 30, 2011), Carlo Ezechieli (Ph.D., Adjunct Professor of Architecture Politecnico di Milano, Principal of CE-A Architects) has shared with us his story of discovering Ricardo Legorreta’s work and his recent interview with Ricardo and his son, Victor Legorreta.
The first time I came in contact with Ricardo Legorreta’s work, was back in 1998. Of course I was familiar with his name, particularly due to Kenneth Frampton’s “Critical Regionalism” writings, but I actually did not know much about his architecture. One day I happened to visit the Camino Real Hotel in Mexico D.F. which, according to my hosts, it was something that had to be seen, although none of us was really knew what architect had designed it. I was totally amazed. The entrance, an extraordinary space, was filled up by the sound and movement of an unconventional fountain that resembled the ocean waves. The interior was a huge, astounding introverted and essential translation of Pre-Hispanic monumental spaces. I was surprised to learn, later on, that this very contemporary building dated back to 1968 and was completed when Legorreta was not even 40.
I did not have many chances to meet Ricardo privately, nevertheless I believe that the few meetings we had, were sufficient to learn something really important from him in terms of ethics, approach to work and, eventually, attitude towards life in general. Ricardo Legorreta was the author of incredible works and was a great innovator exactly because he was able to move and orient himself, with complete freedom, within the coordinates of a culture and a tradition that he knew deeply and to which he felt he belonged totally. He did this always avoiding “architect’s” bizarre and unneeded brain-waves and remembering “not to take oneself too seriously”. A set of values, too often forgotten, that emerge from his narration in this interview and which finds full continuity in his son Victor. His death, last December 30, leaves a deep sense of sorrow and loss.
Continue reading for Ezechieli’s exclusive interview with Ricardo and Victor Legorreta.
Architects: Suzane Reatig Architecture
Location: 506 O Street NW, Washington, D.C. 20001
Year Completed: 2006
Photographs: Robert Lautman & Suzane Reatig
Location: Karl Johans gate, Oslo, Norway
Client: Tanum AS
Size: Bookstore ca. 750 sqm, Offices ca. 225 sqm
Consultants: RISS AS, Linda Knoph Vigsnæs/LYSSTOFF
Primary architects: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Siv Hofsøy, Ane Sønderaal Tolfsen, Paul Henri-Hann, Jens Herman Næss
Photographs: Courtesy of JVA
In 1976, art enthusiast Bill Kimball transformed the 1929 Kimball Bros automotive garage into a non-profit community center for the visual arts, now known as the Kimball Art Center. Located in the heart of downtown Park City, Utah, the non-profit center serves as a gathering place for individuals to experience art through education, exhibitions and events. The aging historic building is in need of restoration and an addition that will allow the organization to increase their educational outreach and enhance the quality and scale of the exhibitions, while maintaining free admission to the public.
BIG, Brooks + Scarpa, Sparano + Mooney Architecture, Tod Williams and Billie Tsien Architects, and Will Bruder + Partners LTD are the five architects selected to submit final proposals for the transformation of the Kimball Art Center.
Continue after the break to watch each firm’s introductory presentation.
The Mine Plug proposal, by recent Louisiana Tech graduate Brandon Mosley, explores an innovative technique for appropriating a now defunct mine shaft in the once thriving city of Picher, Oklahoma. The city which peaked at a population of almost 20,000 during the mining boom of the 1900’s, has since suffered the inevitable after effects of such environmentally destructive activities. Designated as a superfund site in 1981 by the EPA, the state of Oklahoma began offering buyouts for residents to relocate in 2005. The remnants from years of lead and zinc mining have left mountains of waste called “chat” on the peripheries of the town, as well as contaminated water and over 14,000 underground voids that threaten the stability of the town above. Read more after the break.
Location: Enschede, The Netherlands
Project Team: Bjarne Mastenbroek & Uda Visser
Assistants: Remco Wieringa, Ton Gilissen, Thomas van Schaick, Ad Bogerman, Wesley Lanckriet, Guus Peters, Alan Lam, Alexandra Schmitz, Fabian Wallmüller, Mónica Carriço, Nolly Vos w/ Frisly Colop, Michael Drobnik, Noëmi Vos, Bert van Diepen
Client: Gemeente Enschede, DMO
Contractor: Heijmans IBC Van den Belt VOF
Interior Design: Opera Ontwerpers (exhibition design)
Completion Date: 2008
Project Area: 12,000 sqm
Photographs: Christian Richters
A brief guide to recently hired Architectural interns at Svehn-Björner-Rödskägg Design Collective:
- If you take the last cup of coffee, make a new pot, and return your key-card to Anneka. She will escort you out of the building.
- Remove shoes prior to entering the contemplation gallery. Do NOT place shoes on the stainless steel bench outside the glass doors.
- All details will be drawn full scale, using standard Swedish proportions.
- The Lutefisk in the refrigerator is left over from last night. It’s supposed to smell that way, do not throw it out.
The main concept in the Dead Sea Resort & Opera House by Accent Design Group is to create a resort that naturally blends in this special site, by having the built up areas merge naturally with the surroundings, appearing as terraces in the landscape. These terraces, or strips, would contain the individual housing units, amidst a natural/artificial landscape of palm trees and water pools. The idea again is to have something that infringes as little as possible on the experience of the Dead Sea, and that would provide an antidote to the other reigning ideas of suburban recreational facilities, which create completely artificial surroundings. More images and architects’ description after the break.