In a profession all-too-often associated with and dominated by men, women have begun to carve a space for themselves in the architecture world - but still few are recognized as they deserve.
So Alice Shure and Janice Stanton, the founders of Amici Productions LLC, began work on a new documentary, Making Space: a visual register for future generations of architects that will documentwhat is changing in architecture today and how these changes are affecting women.
After interviewing over 30 architects, Shure and Stanton selected five women, five "rising stars" to hi-light. The documentary will show their day-to-day lives as well as tell the stories of how they achieved success.
Thanks to a recent Kickstarter campaign, this project will soon be a reality. But to get your sneak peek into these five female pioneers, read on after the break.
Both organizations will be aiding local volunteers to help rebuild in the coming days and weeks. Through speaking with local stakeholders and construction professionals, they are working to begin understanding the on-the-ground situation to prioritize rebuilding needs and help affected regions build back better and stronger. Relief and reconstruction, however, cannot happen without your support. Learn how you can send aid to typhoon victims today after the break.
http://www.archdaily.com/447855/architects-and-aia-respond-to-devastation-in-the-philippinesJose Luis Gabriel Cruz
This four part series (originally published on Aggregate’s website) examines The Gherkin, the London office tower designed by Foster + Partners, showing how the urban icon engaged and leveraged perceptions of risk. In part one, author Jonathan Massey introduced the concept of "risk design” to describe how the Gherkin’s design managed the risks posed by climate change, terrorism, and globalization. In part two, below, Massey examines the Gherkin’s enclosure and ventilation systems in detail to explain how the building negotiated climate risk.
In a poster promoting London’s bid to host the Olympic Games, the Gherkin supported gymnast Ben Brown as he vaulted over the building’s conical peak. The image associated British athleticism and architecture as complementary manifestations of daring and skill, enlisting the Gherkin as evidence that London possessed the expertise and panache to handle the risk involved in hosting an Olympic Games.
But a poster created three years later offered a very different image. Created by activists from the Camp for Climate Action to publicize a mass protest at Heathrow Airport against the environmental degradation caused by air travel, this poster shows the Gherkin affording only precarious footing to a giant polar bear that swats at passing jets as its claws grasp at the slight relief offered by spiraling mullions and fins.
UPDATE: Congrats to Lukas Binder of Austria, the winner of The Houses of Louis Kahn giveaway! Thank you to all those who participated. Keep your eyes peeled for two more fantastic giveaways in the coming weeks.
Deemed by American Art and Architecture author Michael J. Lewis to be “quite simply the most important book on Kahn” published in over two decades, The Houses of Louis Kahn examines the architect’s nine major residential commissions in detail, offering an overview of Kahn’s relationship with his projects’ patrons and his active involvement with the design of interiors and furniture. The 280-page book features all new photography of the homes, alongside period photographs and original drawings, and previously unpublished materials from personal interviews, archives, and Kahn’s own writings.
To participate, all you have to do is answer the following question in the comment section below: “Which Kahn project do you find most inspiring and why?”
You have until Monday, November 18th to submit your answers. The winner will be contacted the following day. Good luck!
MoMA P.S.1 has announced five finalists to compete in the 2014 Young Architects Program (YAP). Now in it’s 15th edition, the competition will challenge a group of emerging architects to design a temporary installation within the walls of the P.S.1 courtyard for MoMA’s annual summer “Warm-Up” series.
It’s been two year’s since the construction of the 42-story Museum Tower in Dallas. As many of you may recall, the luxury condo has been in dispute with the neighboring Nasher Sculpture Center over an intense “hot spot” caused by the tower’s highly reflective skin. Although Nasher has demanded that the Museum Tower cover its southwestern facade with an external louver system, thus blocking the glare from penetrating Nasher’s Renzo Piano-designed cast aluminum sunscreen, the developers have refused to oblige due to a fear of jeopardizing the project's profitability.
Negotiations have turned to squabbles and proposals have fallen on deaf ears. However, a team lead by REX and Front has been commissioned by the Dallas Police and Fire Pension Fund (DPFPF) - the Museum Tower’s developer - to explore a "third option," one that would not require changing the construction of either Museum Tower or the Nasher.