ArchDaily is excited to announce that we are now in Venice to cover this year’s highly anticipated Biennale. Curated by the influential Rem Koolhaas, this edition of the biennale delves into the past to inform current architectural production.
For this year, Koolhaas proposed “Fundamentals” as the main theme for the Biennale. Rather than focusing on contemporary production (as the Biennale traditionally has), “Fundamentals” is divided into three large exhibits that look into the past, present and future of architecture: Absorbing Modernity 1924-2014 (National Pavilions), Elements (Central Pavilion), and Monditalia (Arsenale). You can learn more about these exhibits in our previous coverage.
To kick off our coverage of the Venice Biennale, we're bringing you photos of OfficeUS -- the United States' contribution to the national exhibitions organized under the theme of "Absorbing Modernity." The pavilion houses both a repository of information about the history of architectural firms in the US (with a focus on the US's role in exporting architecture) and serves as the base of operations for a new architectural firm that was created solely for this year's biennale. The research, collected into booklets, lines the walls of the space. While visitors mill around the pavilion, the members of OfficeUS work at specially designed tables. The output and deliverables of the office will be determined as the Biennale progresses. We also got the chance to speak to the organizers, so stayed tuned for video interviews with the curators and designers of the US Pavilion (coming soon!). For now, however, read on to the see the curator's statement on the exhibit.
Chun Qing Li, founder director of London-based KREOD, has revealed planes for a 1,200 square meter international trade pavilion for the 2016 Rio Olympics. Floating on a platform in the Barra de Tijuca lagoon, adjacent to Olympic Park, the pavilion is expected to bring together entrepreneurs and industry leaders from Brazil, the United Kingdom and China to discuss future of business and showcase their products.
Ben van Berkel, Hannes Pfau, Gerard Loozekoot with Markus van Aalderen, Joerg Petri, Milena Stopic, Yu-Chen Liu and Cong Ye, Irina Bogdan, Xing Xiong, Maud van Hees, ShuoJiong Zhang, Philipp Mecke, Maya Alam, Junjie Yan, Gilles Greis, Subhajit Das, Erwin Horstmanshof, Faiz Zohri, Andrew Brown, Patrik Noomé, Amanda Chan, Nanang Santoso
The Morpholio Project's latest iPhone application, Morpholio Frame, "is like having a DJ booth for your photos." The application allows users to merge, crop, and filter photographs before posting them to social media outlets like Instagram, Facebook, and Twitter. Sounds typical, right? Not so fast.
The application gives users more control than most thanks to an interactive matrix approach. Users can select up to three filters and three related masks, creating an image with one of 64 million unique filter combinations. One of the most interesting filters for architecture fans is "sketch" – as seen in the image after the break.
Material Minds, presented by ArchDaily Materials, is our new series of short interviews with architects, designers, scientists, and others who use architectural materials in innovative ways. Enjoy!
Green, or living, walls have begun popping up and growing across commercial interiors everywhere over the last decade. To understand how a living wall functions, and how to design one, we went straight to a pioneer in the profession: Ms. Birgit Siber of Diamond Schmitt Architects in Toronto. The synthesis of natural systems and building systems had been in her mind since her days as a student, but the major break came in 2000, when her team constructed a massive living wall for The University of Guelph-Humbar. To understand how architects are closing the gap between interior and exterior via the living wall, read the full interview after the break.
The Draftery, a printed platform to "discuss the role of architectural drawing today", brings together a fascinating collection of images and words in a publication on three distinct platforms. Figures, Captions and Archive facilitate a multi-disciplinary conversation about how drawings are made and their role in the built environment. Now approaching their third anniversary, how far have they come and where is the project headed?
January 2013 saw the re-launch of The Draftery and the total reconstruction of the project. Their crisp publications now have a strong editorial thread which compliments the carefully curated collections of architectural drawings. Seeking to "demonstrate that drawing, more than mere representation, is a method of acting in the world", good drawings provide a moment of visual solice in a fast paced profession.
Studio Bark, a London based collaborative practice, are inviting students to join them for a summer workshop in order to develop a "prototype for environmental low-energy student led construction." In collaboration with TRADA, the Timber Research and Development Association, the organisers hope to begin to bridge the "enormous chasm between architectural education and the on-site application of architecture" through a live-build project. They plan to give participants an understanding of construction terminology, materials, or technical detailing, all through on-site practice.
This year at the 2014 Venice Architecture Biennale, KAAN Architecten will present a Collateral Event featuring PLANTA - a partially subterranean space that will be dedicated to multidisciplinary artistic production and built within the confines of the “La Plana del Corb” quarry in Balaguer (Lleida, Spain) by 2016. Designed for Grupo and Fundació Sorigué, PLANTA is not only a building, but a concept; a concept in which is the “culmination of the desire to give back, to return through a balanced tension between art, institution, knowledge, ecology and manufacturing.”
Chilean-German architecture practice GUN Architects' latest installation, accompanied by an exhibition in the AA gallery, brings the micro-climate of Chile to the UK. Using tree-like structures and pyramidal fabric ‘stalactites,’ the architects create a unique ecology that is at once natural and material. The architects' description of the installation, after the break...
With the recent news that Dutch practice Mecanoo, along with Penoyre & Prasad, have been selected for a £200 million new engineering campus at the University of Manchester, Amanda Baillieu of BDOnline argues that they "need to set their ambitions a whole lot higher." Alongside's Manchester's announcement, universities in Sheffield, Newcastle and Oxford also recently announced a big investment in their campuses. The trick, Baillieu suggests, will be in ensuring the architecture is not "safe and office-like" (which fits universities’ "business-like" mindset). As we enter a "golden age" in university capital investment, educational architecture will be playing a central role. Read the article in full here.