Archicad 25 allows you to continue selections by switching between 2D and 3D views without reselecting items thanks to new and improved commands. Furthermore, you can also speed up your workflow by using overlapping elements and hiding the selected elements in the active view.
The Chicago Architecture Biennial has revealed the calendar for this year’s program of events, lectures, workshops and performances exploring how architecture shapes communities and cities. Titled The Available City, this edition aims to highlight the potential of vacant urban areas as community spaces, with the event debuting on September 17 at 12 sites across Chicago featuring 16 interventions that activate unused plots. The projects are complemented by a series of outdoor programming, as well as digital events that kick off on August 17.
UNHCR, the UN Refugee Agency, estimates that global forced displacement surpassed 80 million in 2020, which is more than one percent of humanity. Five countries account for 67 percent of people displaced across borders: Syria, Venezuela, Afghanistan, South Sudan, and Myanmar. Reasons can vary from war conflicts to economic, political, or environmental conflicts and crises.
Although it is a global phenomenon based on geopolitical, legal, and social dimensions, there is also a subjective dimension to this type of displacement, mainly because people use the symbolic systems surrounding them to build their identities. In other words, besides facing the hardships of leaving their homeland, refugees must also deal with the subjective effects aggravated by the condition of being a "foreigner," which means that they become marginalized by the established system of symbolic-cultural representations.
According to data from CRED (Centre for Research on the Epidemiology of Disasters) and UNISDR (UN Office for Disaster Risk Reduction), in a report released in 2016, the number of disasters related to the climate change has duplicated in the last forty years. The need for temporary shelters for homeless people is, as well as an effect of the climate crisis, is also one of the consequences of the disorderly growth of cities, which leads to a significant part of the world population living in vulnerable conditions due to disasters.
Too often buildings end up as waste at the end of their lifecycle. How can the built environment move towards a circular economy, and in turn, reimagine how valuable materials are tracked and recycled? Looking to address this issue, material passports are one idea that involves rethinking how materials are recovered during renovation and demolition for reuse. The result is when a building is ready to be demolished, it becomes a storage bank for useful materials.
Examining the work of Tokyo architect Toyo Ito (b. 1941) – particularly his now seminal Sendai Mediatheque (1995-2001), Serpentine Gallery (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), Tama Art University Library (Tokyo, 2007), and National Taichung Theater (2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.
The world's largest natural stone industry fair, Marble İzmir, seeks to transform the future of natural stone by combining sectoral changes and new business approaches. Join the Marble İzmir Fair, where thousands of varieties of Turkish natural stone are presented for investors, traders, and professional organizations to connect and appreciate their colors, textures, and patterns. The Fair will take place between August 25-28, 2021.
.jpg?1626309236 "Abeer Seikaly’s Structural Fabric Shelters Weave Refugees’ Lives Back Together. Courtesy of Abeer Seikaly")
Nacasa___Partners.jpg?1629103408 "Tod's Omotesando Building_interior. Image © Nacasa & Partners")
Kai_Nakamura.jpg?1629103497 "'Minna no Mori' Gifu Media Cosmos. Image © Kai Nakamura")
.jpg?1628809062 "The village, surrounded by urban development. Image © Zhuoying Wu")
.jpg?1628809223 "Relationship between southeast entrance and volume. Image © Zhuoying Wu")
.jpg?1628809348 "courtyard. Image © Zhuoying Wu")
.jpg?1628809455 "The lobby . Image © Zhuoying Wu")
