Dover Street Market has commissioned Zaha Hadid to design this site-specific installation to showcase in their London store during the 2012 Olympic and Paralympic Games. The concept behind “Aqua” references the formal language of Hadid’s London Aquatics Centre.
Zaha Hadid: “Designing for Dover Street Market is an exciting opportunity to install a piece inspired by the fluid geometries of the London Aquatics Centre: a wave of liquid, frozen in time, right in the heart of London.”
Continue after the break for more images.
The 2012 edition of Parckdesign, a biennial event dedicated to green space planning initiated by Brussels Environment and the Brussels Ministry for Environment, Energy and Urban Renovation, aims to reinterpret industrial wastelands, leftover spaces and interstices in Brussels. With this…
In our second segment of Thinking Past Day 17 – our series examining the larger implications of hosting the Olympic Games – we explore social issues London must address while creating the necessary infrastructure for the Summer Games.
The forty-five minute proposal London presented to the International Olympic Committee in Sinagpore was filled with amazing flyovers of natural terrain depicting the most challenging obstacles, walk-throughs of state-of-the-art athletic facilities, and planning overviews of accommodations for athletes amidst a city speckled with old and new cultural offerings. When the final votes were counted and London won the bid, it was time to turn those glossy virtual images into reality.
Of course, we are accustomed to the blankness of a site transforming into the awesomeness of a dynamic rendering, but an entire city? Where is all the available space coming from as London is the most populated municipality in the European Union with 8.17 million residents? And, more importantly, what was on the land before the Olympic transformation?
More after the break.
Designed by kit Architects, in collaboration with schibliholenstein architekten, the winning proposal for a 33 apartment housing development in Nuerensdorf, Zurich, Switerland consists of six buildings, which occupy the land equally. The loose alternating arrangement allows multiple connections to the open countryside in the north and to the garden framed single and multi-family dwellings in the immediate neighborhood. More images and architects’ description after the break.
Created by Paul Scales and Atelier Kit… for the 7th annual ‘Le Festival des Architectures Vives ’ in Montpellier, France, Reframe explores the theme of ‘surprise’ through the creation of an object that reframes the relation of the visitor to
Located in front of the Kamiari-mon gate in Asakusa, Kengo Kuma’s Culture Tourist Information Center serves as a beacon to the local area as well as housing programs to serve both tourists and the local community. This video via ja+u takes you through the 7 stacked volumes that make up the 8 internal floors that house a wide variety of programming ranging from meeting rooms to tourist information kiosks. The construction uniquely integrates HVAC equipment in the gaps between the stacked volumes. The interior structure of heavy timber members are left exposed which complement the dynamism of the vertical volumes, while the language of wood is continued onto the exterior by means of laminated timber louvers.
This week we want to introduce a film by one of the filmmakers that cannot be out of this list. We’re talking about Jacques Tati, the French director, writer, and actor that made his first color movie in 1958, ”Mon Oncle”.
Tati shows how the modern age affects and dramatically changes the way that people live. All the new technologies at that moment are incorporated in the scenes, were the interaction between this new concept of “modern spaces” and people is an element present in most of the movie.
What do you think about this approach of how modernity influenced (or still influencing) the way of living of our societies?
American retailer Coach has commissioned OMA to develop a new merchandising system that accommodates Coach’s wide diversity of products while returning to the clarity of Coach’s heritage stores. Since establishing its first workshop 1941, Coach has expanded from a specialist leather atelier to a global distributor of “democratized luxury goods”. This expansion has clouded the clarity of the brand’s original library-like stores, which used a rigorous organizational system that categorically sort projects inside minimal wooden shelving at assisted counters. OMA intends to create a flexible, modular system that embodies the clarity of the original stores and responds to the individual needs of locale.
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