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Highly desirable in contemporary projects, seamless surfaces symbolize the search for a unified and uninterrupted visual experience, without any noticeable gaps or interruptions. This simple and clean aesthetic demands meticulous attention to detail, emphasizing precision in craftsmanship and execution to achieve an immaculate and flawless finish.

French architecture studio Coldefy and Italian architecture practice CRA-Carlo Ratti Associati have unveiled ‘Theatrum Naturae’, or ‘Theatre of Nature,’ the project selected as France’s national pavilion at Expo Osaka 2025. The proposal welcomes both natural and artificial habitats, aiming to illustrate how design can connect human and non-human worlds while showcasing France’s contribution to culture and the natural environment. In the exhibition, the visitors will be invited to explore France’s multiple ecosystems and rediscover a connection to nature.

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As a landscape architect, Dan Kiley has significantly contributed to the world of design. The designer worked with influential architects such as Louis Kahn, I.M. Pei, and Eero Saarinen. Influenced by the timeless landscapes of André Le Nôtre, most of his designs are well-known for their manner of merging grids and allées, striking a balance between natural and organized beauty.

Opening January 18th, “The Landscape Architecture Legacy of Dan Kiley” exhibition is a traveling photographic exhibition honoring one of the most critical Modernist landscape architects. Curated by The Cultural Landscape Foundation, the display aims to explore and spread awareness of the architect’s profound impact. Showcased at The Exhibition Space @ ABC Stone in Brooklyn, the show offers a captivating journey through 27 carefully chosen designs by Dan Kiley.

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The historical journey of construction also tells the story of humanity. The enduring examples from the past reveal insights into their specific contexts, and the remnants that have survived the elements and decay narrate the development of human technology. In the early days of construction, the common (and often the only) practice available to humans was to use locally available raw materials. For many, this meant building with clay.

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