As part of their annual research for the World Architecture Top 100, Building Design (BD) has compiled a list of which architects are most admired by their colleagues from across the globe. Last year’s results were somewhat predictable, with Foster + Partners leading and Renzo Piano’s Building Workshop and Herzog + de Meuron close behind. According to BD, “this year saw a trend towards more commercial names.”
This year’s “most admired” list includes:
ArchDaily continually strives to be the ultimate source of inspiration, knowledge, and tools for architects around the world. Every potential initiative that we conjure up, we launch only if it aligns with our mission.
Which is why we’re so excited to introduce to you a fantastic new resource: ArchDaily Materials.
We know that many of you already browse our site for inspiration for your work – whether at the very beginnings of a project, when the design is still forming in your mind, or later on, as source references for details, facades, materials, etc.
However, once you’ve found the material that inspired you, you’re left to your own devices to procure it (maybe you even settle for something else along the way).
We’re still in the early stages and so will be fleshing out ArchDaily Materials with even more products and materials over the next few months; however, we invite you to explore this inspirational new resource and start integrating it into your everyday practice today. Enjoy!
The ArchDaily Team
The winners of the 2013 AR+D Awards for Emerging Architecture have been announced! The awards, presented by The Architectural Review and now in its 15th year, have seen “projects from locales as diverse as Bloomsbury and the Himalayas.” This year over 350 entries were discussed by four esteemed judges, including Sir Peter Cook, and have led to four winners who will share a prize fund of £10,000. See both the four winning entries and the ten highly commended schemes after the break…
Foster + Partners has joined forces with Heatherwick Studio to design the new Bund Finance Centre (BFC) in the heart of historic Shanghai. The mixed-use, waterfront destination will serve as the “end point” to the city’s most famous street, as well as a prime connection between the old town, the Bund, and the new financial district.
Location: São Paulo, Brasil
Partners: Greg Bousquet, Carolina Bueno, Olivier Rafaëlli e Guillaume Sibaud
Team: Pedro de Mattos Ferraz, Collaborators: Thiago Bicas, Ricardo Innecco, Luísa Vicentini, Sofia Saleme, Priscila Fialho, Murillo Fantinati, Natallia Shiroma, Nely Silveira
Photographs: Pedro Kok, Courtesy of Triptyque
This article by Chris Knapp, the Director of Built-Environment Practice, originally appeared on Australian Design Review as “The End Of Prefabrication”. Knapp calls for the end of prefabrication as a driver for design, pointing out its century-long failure to live up to its promise, as well as newer technology’s ability to “mass produce difference”.
Prefabrication – there is not another word in the current lexicon of architecture that more erroneously asserts positive change. For more than a century now, this industrial strategy of production applied to building has yielded both an unending source of optimism for architecture, and equally, a countless series of disappointments. This is a call for the end of prefabrication.
Read on after the break
Architects: Bonina Arquitetura
Location: São Paulo, Brazil
Project Team: Mauricio Takahashi (Author), Denise Hino, Rosa Fumie Satomi, Ana Paula Nemoto
Project Area: 318 sqm
Project Year: 2013
Photographs: Tony Chen
Architects: PAR Arquitectos
Location: Cachagua, Zapallar, Valparaíso Region, Chile
Project Architects: Pablo Lopez, Alvaro Cortés, Rafael Grez
Construction: PAR Arquitectos
Structures: Ingevsa, José Manuel Morales
Landscape: María José Rojas
Project Area: 1510.0 m2
Project Year: 2013
Photography: Diego Elgueta
Architects: Hombre de Piedra, Estudio Glorieta Arquitectos
Location: Calle Ubrique, 11510 Puerto Real, Cádiz, Spain
Architect In Charge: Juan Manuel Rojas Fernández, Laura Domínguez Hernández, Ernesto Martínez Rodríguez, Juan Manuel Gil Fernández, Felipe Martínez García
Structure: TZ Ingeniería
Installations: José Manuel Anelo
Area: 2918.0 sqm
Photographs: Jesús Granada
Solar panels are often an added bonus in design, becoming a means to an end. But why shouldn’t they be the star of the show? A recent article in Metropolis Magazine shows off the Kagoshima Nanatsujima Mega Solar Power Plant, the largest solar facility in Japan. A symbolic response to the 2011 Fukushima nuclear disaster, the power plant is but one project in Japan’s transition into one of the fastest growing solar markets in the world. Check out the full story here.