Burgess Residence / John Dwyer Architect

Courtesy of

Architects: John Dwyer Architect
Location: , MN, USA
Architect In Charge: John Dwyer
Collaborators: Shelter Architecture, Colin Oglesbay, ro/lu
Area: 2,355 sq ft
Year: 2009
Photographs: Courtesy of John Dwyer Architect

Massimiliano and Doriana Fuksas to design Cultural Center in Chengdu

©

Massimiliano and Doriana Fuksas has been announced as winner of an international competition to design and construct the first cultural center in , China. In their winning proposal, Fuksas combined four, elliptical shaped buildings with a spiral structure to create an inclusive artist complex that offers a center for the performing arts, a cultural center, offices Writer and Literary Association, and an apartment building for artists.

Learn more about the Chengdu Tianfu Cultural and Performance Center after the break.

Chapel Schaufeljoch / AO Architekten

© Günter Richard Wett

Architects: AO Architekten
Location: Stubai Glacier, Tyrol,
Year: 2012
Photographs: Günter Richard Wett

Video: Gary Card, Designer Profile


Gary Card is an illustrator, set designer and prop-maker. His bright and broad aesthetic has lent itself to a wide range of high profile brands including Topshop, Comme des Garcons, Adidas, COS and Nike. For the festive season, Card designed an electric christmas tree, inspired by the Vauxhall Ampera, installed at King’s Cross filling station until January. While we get a glimpse of his studio, viewing a multitude of diverse past projects, Card debates the pros and cons of his work and delves into the origin of his odd affinity for the colour purple.

Courtesy of Luca Peralta Studio
Courtesy of Luca Peralta Studio

Helsinki Central Library Competition Entry / Luca Peralta Studio

Luca Peralta Studio… shared with us their design concept for the Helsinki Central Library competition. Their ‘three cubes on a leaf’ concept is designed with the intent of creating an animated light in the distance. As a result, their project

Architecture for the Apocalypse (Now)

The 2nd Prize winner of the New York Cityvision context envision a New York City as Heritage Site, protected from the elements with a barrier-wall. Image via Cityvision.

In 1945, the dropped 2 nuclear bombs on Hiroshima and Nagasaki. While the act devastated and destroyed these two Japanese towns, it also created an entirely new political climate, one based on apocalyptic fears. As tensions with Soviet Russia heightened, and the entered an age of potential nuclear destruction, the landscape itself adapted in response – becoming littered with bunkers and fallout shelters, the “concrete responses to the political social and existential anxieties of the atomic age.”

Fast-forward nearly seventy years, and we’re currently faced with a new apocalyptic scenario of our own. Assuming you’re reading this, we have all survived the Mayan Apocalypse. Congratulations. However, that’s not to say that out apocalyptic fears, and its resultant architecture, have come and gone. Our apocalypse is more based on the fear of – hurricane, tornado, viral disease, even infected-zombie-people – than nuclear attack, and our apocalyptic architecture is less of the bunker variety, and more of the vertical farm/fortress kind. Let’s call it ESD: Extremely Sustainable Design.

More on apocalyptic architecture of the 21st century, after the break…

Maldonado House / Matías Silva Aldunate Architect

Courtesy of Matías Silva Arquitectos

Architects: Matías Silva Aldunate Arquitecto
Location: Lago Riñihue, X Región,
Collaborators: Eduardo Guimpert
Technical Advisors: Octavio Morales
Area: 2011.0 m2
Year: 2010
Photographs : Cortesia de Matías Silva Arquitectos

Rendering / CLOG

Courtesy of

Every three months, the publication CLOG takes on “a single subject particularly relevant to architecture now.” It’s not a quick look at something trendy, but rather an in-depth look at the issues that are affecting – and will continue to affect – architecture as we know it today.

CLOG: is, in my opinion, the best issue yet. Through dozens of fascinating, concise articles and a handful of illustrative, quirky images, it takes on an enormous question often over-looked in the architectural world: what is a rendering? An alluring device to win over a jury or public? A realistic depiction? Or perhaps it’s an entity unto itself…

Rendering examines how the rendering has become a means of deception – not just for the public, but for ourselves – becoming an aesthetic end-product rather than the representation of an idea in-progress. But at the same time, the rendering is our best tool for entering into the “real” world, for communicating what we do to the public at large.

Is there a way to marry these opposing characteristics? What should the future of rendering be? CLOG takes these questions head-on. More after the break…

Chasen Residence / In Situ Studio

© Richard Leo Johnson

Architects: In Situ Studio
Location: , North Carolina, United States
Contractor: Axiom Green Build
Cabinet Maker: Dopko Cabinetry
Energy Modeling: Prime Energy Group
Area: 1,451 sq ft
Year: 2012
Photographs: Richard Leo Johnson

Cadogan Café Winning Proposal / NEX

Courtesy of

NEX recently won the Cadogan Café design competition, organized by Malcolm Reading Consultants. The £2 million project for a new café, which will sit near the entrance to the Saatchi Gallery in Duke of York Square in Chelsea, is an organic coiled form. Their design features a roof terrace and incorporates an ingenious glass wall that rises and falls depending on the weather. More images and architects’ description after the break.

Mervau / Tetrarc Architects

© Stéphane Chalmeau

Architects: Tetrarc Architects
Location: ,
Project Director: Josselin Bourneuf
Project Manager: Claude Jolly
Client: VENDEE HABITAT
Area: 2,757.5 sqm
Year: 2012
Photographs: Stéphane Chalmeau

Courtesy of Tomas Ghisellini Architetto
Courtesy of Tomas Ghisellini Architetto

‘TIP-TOP’ Competition Entry / Tomas Ghisellini Architetto

Designed by Tomas Ghisellini Architetto…, the proposal for the new “Malga Fosse” refuge, which won an honorable mention, chooses the language of the rough and simple local construction scattered among the mountains. In doing so, their design builds up

What Categorize the City and Me / ON design partners

Courtesy of

Architects: ON design partners
Location: Chofu, Tokio,
Design Team: Osamu Nishida, Erika Nakagawa
Construction: ao-archi
Site Area: 98.47 sqm
Total Floor Area: 95.36 sqm
Area: 37.07 sqm
Photographs: Courtesy of ON design partners

Chapel In The Woods / Studio Zermani e Associati

© Mauro Davoli

Architects: Studio Zermani e Associati
Location: , Province of , Italy
Architect In Charge: Paolo Zermani
Design Team: Eugenio Tessoni
Collaborator: Emanuele Ghisi
Year: 2012
Photographs: Mauro Davoli

Courtesy of Josep Ferrando, David Reci, Rafael Aliende
Courtesy of Josep Ferrando, David Reci, Rafael Aliende

New Crematorium in the Hörnli Cemetary Competition Entry / Josep Ferrando, David Recio, Rafael Aliende

The proposal by Josep Ferrando, David Recio, and Rafael Aliende… for the new crematorium in the Hörnli cemetery respects the identity of the protected existing building while establishing a void between it and the upper street level, an

AV House / BAK Architects

© Gustavo Sosa Pinilla

Architects: BAK Architects
Location: Villa Gesell, Buenos Aires,
Architect In Charge: María Victoria Besonías, Luciano Kruk
Collaborators: Arq. Nuria Jover, Enzo Vitali
Area: 110 sqm
Year: 2011
Photographs: Gustavo Sosa Pinilla

Rabanua / DX Arquitectos

Courtesy of Sur-press Agency

Architects Office: DX Arquitectos
Location: Huentaleuquen, , Coquimbo Region,
Architects: Juan Luzoro, Federico Novoa, Diego Pitters
Contractor: Germán Alzerreca
Calculist: Jorge Díaz
Area: 280 sqm
Photographs: Courtesy of Sur-press Agency

Indoor Rock Climbing / W. Meraner & Lanz + Mutschlechner

© G.R. Wett

Architects: W. Meraner & Lanz + Mutschlechner
Location: Brixen, South Tyrol,
Year: 2012
Photographs: G.R. Wett