Capilla del Retiro by Undurraga + Devés, winner of the Premio Internazionale di Architettura Sacra Frate Sole
The Capilla del Retiro (Retirement Chapel) by Chilean office Undurraga + Devés has been announced as the winner of the prestigious Premio Internazionale di Architettura Sacra Frate Sole, now in its 5th edition.
The award, given by the Frate Sole Foundation every four years, has been conferred in the past to architects such as Tadao Ando (Church of the Light, Church in the Water, Church in Rokko, 1996), Alvaro Siza (Santa María Church, 2000), Richard Meier (Jubilee Church, 2004) and John Pawson (Novy Dvru Monastery, 2008).
With this recognition the small concrete chapel formed by 4 concrete beams floating over a rustic excavation in Auco, Chile, joins a group of iconic contemporary religious buildings, where the delicate balance of light and matter are the common denominator.
The chapel rises as a confirmation of the extraordinary geography that surrounds it, while respecting the axes established by the series of preexisting buildings. Concrete is the main material of the building’s structure. Its volume, strictly economical, rises up from a crosspiece of 4 beams in the shape of a cross that is supported with the least possible structural elements so that its relationship with the ground is slight but sufficient. Shape and structure here are an indissoluble synthesis.
Under the strict geometry of the concrete a patio was excavated, whose rustic stone wall rises hazardously up and around the chapel, compressing and expanding that space of light. As a counterpoint to the magnitude of the geographic surroundings, the interior was designed in the shape of a wooden box recycled from old railway lines. This box hangs from the concrete structure and lies 2 meters under the beams that support it, limiting the view of the emptiness outside.
Learn more about the Capilla del Retiro in our previous article at ArchDaily.
Kevin Roche: Architecture as Environment will be opening June 16th, 2012 at the National Building Museum in Washington, D.C. The exhibit, organized by Yale Institute, will celebrate Kevin Roche’s expansive portfolio, from his early days as Eero Saarinen’s “right-hand man” through the founding of his practice in the 1960s with John Dinkeloo (KRJDA). The exhibit will include images, drawings, interviews, models, as well as original slide presentations to clients. More on the exhibit after the break.
Since 1999, Architecture for Humanity has been putting Architects in service of those communities who need them most. After disaster strikes, AfH uses its expansive network of contacts to get well-designed buildings built – and fast. Today, AfH has built over 2,000 structures that have positively impacted about 2 million people worldwide.
Co-founders Kate Stohr and Cameron Sinclair (you can find our interview with Sinclair here) also run design competitions, manage the Open Design Network, WorldChanging, and have published the best-selling books Design Like You Give a Damn and Design Like You Give A Damn . Together, and with the Architects who work for them, they are redefining the role of Architecture and Design: to truly make an impact on our world.
Thanks to the courtesy of Lars Müller Publishers, we are giving you the chance to win one of these two great books: Scale and Color Light Time, two of Steven Holl’s latest publications (see our review here). We have three copies of each book and all you have to do to participate is become a registered user (if you’re not one already) and answer the following question in our comments:
Steven Holl uses watercolors. With all the technology available today, what are the advantages or benefits of the analogue process of creating architecture?
You have until Tuesday 19 to submit your answer. Winners will be announced and contacted next Wednesday 20. Good luck!
While many buildings try to go Green these days, few attempt to do so literally.
Last week, York Minster Abbey, one of the largest Gothic Cathedrals in Europe, was decked out with 1,500 square meters of – what else - grass.
The occasion for the makeover, the York Minster Rose Dinner to celebrate Queen Elizabeth II’s Diamond Jubilee (which we marked with a post on Britain’s Built Legacy), hosted about 900 people to raise funds for the York Minster Fund. And with £150-a-head tickets, sold months in advance, perhaps we’ll start seeing other Gothic Cathedrals turn green too (and not just with envy).
Story via The Huffington Post UK. More photos after the break…
Cristobal Palma brings to life Pezo von Ellrichshausen Architects‘ Cien House. Nestled on top of a grassy hill in Concepcion, Chile, this beautiful home and large workshop were designed with the concept of “decisive coincidences”, for the architects themselves. This video allows us to experience a day in Cien House, taking note of each nook and detail. Enjoy!
More videos by Cristobal Palma at ArchDaily:
The Chinese are well-known for their penchant for knock-offs, be it brand-name handbags or high-tech gadgets, but this time, they’ve taken it to a whole other level.
A small Unesco-protected village in Austria, Hallstatt, has been recreated, brick for brick, in the subtropical district of Guangdong, China. While Hallstatt residents were at first unhappy with this clone, most have come around to the idea (aided in large part by the influx of Chinese tourists now making their way to this small Austrian site).
As odd-ball as this cloning idea may seem, it’s highly possible that Hallstatt will only be the first of many. When you consider ever-improving 3D Printers and the increasingly-common open sharing of “physible data” (digital data that has the potential to become physical objects), it’s not so difficult to imagine that – one day – cities will be downloadable and reproducible all over the globe. Perhaps in the future, Architects will work purely in the conceptual realm, designing plans that consumers will then produce.
If that’s the case, can there be any doubt that China will lead the way?
Check out a video, after the break.
While all eyes may be locked on the Shard’s latest push toward the sky, Renzo Piano is preparing for his first major Spanish project to officially break ground in about one week in Santander. The Botín Foundation, the largest private foundation in Spain, will invest over 150 million USD for the construction and programming of a new Botín Center that will become an international reference in culture and education for the development of creativity through art. The building will inform a new cultural axis to connect the best art circuits in Europe and will serve as a cultural catalyst to bridge the community with art. Emilio Botín, President of the Botín Foundation, is confident the Center will establish a new community space and link the city with the bay. ”To accomplish it, we have called on the best architect in the world. The architect, who best knows how to link cities to the sea, to build urban spaces, and to generate magical places where art may be enjoyed,” explained Botín.
More about the project after the break.
The second film by Sofia Coppola was acclaimed by the critics, and with fair reasons. It shows in a subtle but deep way the contrasts between Japanese and American cultures, utilizing the amazing city of Tokyo as a background for this.
Characters are immerse in a quite different environment, which atmosphere is shown through the scenes where they interact with the foreign surroundings. This atmospheres are represented in a way beyond the typical approach of other films, trying somehow to really understand how this spaces are perceived.
As always, we wait for your comments about the movie and specifically about this culture shock concept and architecture.
Danish architect Peter Sand… recently received the 4th prize in the open urban international competition for a new city center in Klaksvik on the Faroe Islands. The new master plan, which is composed of 21,000 new square meters in the
A couple of years ago, we mentioned an interesting documentary about Parkour, and how such contemporary discipline is able to make reading the urban space in a different way.
The film was recorded mainly in Copenhagen, using locations such as the Mountain Dwellings designed by BIG. It also includes some conversations with Bjarke Ingels, discussing about his understanding of urban space. It has been selected as part of the films program of the RIBA 2012. If you’re in London, you will have the chance to watch it next June 26th.
More info after the break