Designed by Fabiano Ravaglia, Liebert Rodrigues, Vinícius Philot, Fernanda Marx, Tiago Mendonça, and Karen Novaes…, the DAF: Designing for Adaptable Futures competition proposal focuses on expansion and flexibility to create a new way of thinking about Brazilian social
ANDO | Andalucía Office…, composed by five young architects from the University of Seville, shared with us their 2nd prize winning proposal in the Fourth edition of the “International Mock Firms Skyscraper Competition” organized by Chicago Architecture Today. Their
The “Line, surface, space“ installation, by Kawahara Krause Architects…, is displayed as part of the architectural triennale in Hamburg this summer. Erected on the plan of three interlocking twisted squares of different sizes, the threads of the outer square
Share your creative responses in the comment section below:
The house, located in Arcadia, Arizona, was purchased earlier this year by developers who plan to demolish the site – unless a buyer steps forth within the next 30 days.
The circular house is rather unique for Wright as an architect, and holds special significance for the Wright family. As Frank’s great-granddaughter, Anne Wright Levi, who often visited the house growing up, shared with 3TV: “This house is a piece of history, it represents a piece of Arizona that Frank Lloyd Wright loved so much. [...] This house was the community before the community was here, and it should be saved.”
So, how much will this piece of history cost you? Well, the developers bought the property for $1.8 million, so you can expect to dish out at least the same. But what’s a couple million when it comes to preserving a piece of architectural history?
Story via Yahoo News
Architect: Cook+Fox Architects
Location: 401 West 14th Street
Client: Taconic Investment Partners
Size: 37,030 sqf
Completion Date: 2008
When we received an amazing photo from our friends at Cook + Fox of their 14th Street project during the Manhattanhenge sunset, we just had to share it with you. A few years ago, Cook + Fox completed the renovation of this industrial mercantile warehouse situated in the Meatpacking District, turning the badly-weathered structure into viable commercial space (currently the space functions as an Apple retail store). In order to retain the building’s historic Arts and Crafts character, Cook + Fox worked to replaced every element while preserving the integrity of the whole.
More about the project after the break.
In his architectural review of the Ronald McDonald House, a home for families with children at the nearby Children’s Hospital, Blair Kamin came up against a moral dilemna:
How can you criticize a building whose cause is so much better than its architectural form?
As Kamin says: “Criticize anything in such building and you’re bound to sound insensitive, as if aesthetics mattered more than cancer. Yet all urban buildings, no matter what their purpose, are obliged to appeal to a broader constituency — namely, the people who pass by them every day. [...] To say [it's no prize-winning work of architecture] isn’t to deny the good that’s done there. It’s to wish that the building excelled equally at raising the quality of the cityscape.”
Ultimately, Kamin’s quandary comes down to a central architectural question: to what extent must a building, even one which serves a higher purpose, improve the context in which it finds itself? At the end of the day – are form and function equally important?
Designed by J. MAYER H., the ‘Schaustelle’ or ‘show site’ will be a temporary pavilion and platform for the four collections housed at the Pinakothek der Moderne in Munich, Germany. The temporary closure has been seen as an opportunity that will give rise to a makeshift exhibition building – the Schaustelle. Set up to hold exhibitions, workshops, talks, performances, film screenings and video installations, and much more, the scheme has been initiated by the Pinakothek der Moderne Foundation. More images and architects’ description after the break.