With high hopes of contributing to the reformation of Russia’s secondary schooling system, construction has begun on Smart School, a planned 31,000 meters square educational complex in Irkutsk, Siberia, which combines multi-use educational facilities, outdoor learning spaces, and housing developments for adoptive families. Designed by Danish firm CEBRA, the project was the winning proposal for the school’s international competition back in 2015, beating 48 other firms, including MVRDV and Sou Fujimoto Architects.
“Based on the program and principles of Smart School, an architectural concept has been developed which integrates buildings, a plot of land and the surrounding urban community into a complete, diverse and activating learning environment, a ‘school park’, explain the architects. “There is school life not only in specialized premises but also in open areas inside and around buildings."
Within the framework of the recent election of Malta to the Presidency of the Council of the European Union—a position that will be held through June 2017—architectural photographer Danica O. Kus has created a photo series detailing Renzo Piano Building Workshop’s Valletta City Gate in Malta.
Completed in 2014, the project is composed of four parts: the Valletta City Gate and site, an open-air theater “machine,” a Parliament building, and landscaped space. Experience the project in beautiful detail though the photo series, after the break.
Following the success of their highly intricate Arabesque Wall, Benjamin Dillenburger and Michael Hansmeyer have once again achieved new levels of ornamental eye candy – this time, with a full-scale 3D printed grotto created from seven tons of sandstone. Commissioned by the Centre Pompidou in Paris, the grotto is an example of how the spatial expression of computational technologies can make for remarkable architectural experiences.
“Digital Grotesque II is a testament to and celebration of a new kind of architecture that leaves behind traditional paradigms of rationalization and standardization and instead emphasizes the viewer’s perception, evoking marvel, curiosity and bewilderment,” state Dillenburger and Hansmeyer.
As a young boy, Santiago Calatrava's fascination with light in his native Valencia fueled his determination to draw, design, and eventually build. His Ciudad de Artes y Ciencias (City of Arts and Sciences) is a perfect example of the influence of the Valencian sun on the architect's work. The seven cultural buildings define a formal vocabulary all their own, with a dynamism between blanched curves and rhythmic visual patterns. So bright it almost glows on clear days, the materiality of the structures emphasizes the ability of light to outline the spatial relationships between Calatrava's shapes, and shift them as the sun moves through the sky.
In his most recent photo series, Sebastian Weiss has captured the tendency of the shapes of the City of Arts and Sciences to "complement each other and even merge to a harmonic unity," as the photographer himself puts it. The photos were originally featured on his Instagram, @le_blanc, and develop a new way of looking at the oft-photographed tourist spot. His images imagine the complex as a pulsating "light-space installation" of equally systematic and creature-like forms in constant conversation with one another. The series gives the sense of looking at different sections of a particularly beautiful beast—its ribs, underbelly, horns, etc.—captured within the complex's shallow pools.
HENN and C.F. Møller Architects, of Berlin and Aarhus respectively, have jointly won an international competition to extend the iconic University Hospital RWTH Aachen in Germany. The winning entry, chosen amongst twelve others, responds to RWTH Aachen's existing listed 1970’s hospital with a partially-underground extension embedded in the landscape, seeking to minimize visual impact whilst creating lush green parkland for patients, staff, and the public.
.jpg.jpg?1490953296)
Since 1953, the 160-mile (260 kilometer) strip of land along the Korean Peninsula's 38th parallel has served as a Demilitarized Zone between North and South Korea. The DMZ is more than a border; it's a heavily guarded, nearly four-mile-wide (6 kilometer) buffer zone between the two countries. Each military stays behind its own country's edge of the zone, perpetually awaiting potential conflict, and access to the interior of the zone itself is unyieldingly limited. Apart from the landmines and patrolling troops, the interior of the DMZ also holds thriving natural ecosystems that have been the subject of studies on what happens when wildlife is allowed to flourish in the absence of human contact.
In a competition that asked participants to design an underground bathhouse near the Kaesong Industrial Park, a (currently suspended) cooperative economic project that employs workers from both North and South Korea, research initiative Arch Out Loud imagined a DMZ that accommodates non-military structures that are typically seen as out of place in areas of such sensitivity and tension. The winning proposal by Studio M.R.D.O and Studio LAM utilizes the performative element of a bathhouse, where visitors are both audience members and actors, to the address the tensions—both geopolitical, from its surrounding environment, and personal, from the related emotions visitors carry with them—between both groups.
The following photo set by Fernando Guerra focuses on Boa Nova Tea House, a project by Portuguese architect Álvaro Siza Vieira. Completed in 1963, it was one of the first works done by the 1992 Pritzker Prize winner. Built on the rocks that hang over the sea in Leça da Palmeira, the tea house is in close proximity to another iconic project by the same architect, the Leça Swimming Pools, both classified as National Monuments in Portugal.
