A rock like marble is usually light in color when formed through a process involving the heat and pressure of limestone. Carrara marble, for example, became famous for having good workability for sculptures, but also for its extremely uniform appearance. Under skillful hands, rough stone could become works of art such as Michelangelo's Pietá or David, among many others. But if during the rock formation process there are impurities such as clay minerals and iron oxides, the resulting stone may acquire bluish, gray, pink and black hues. Something that would make its use in a sculpture unfeasible can be seen as the real beauty of the piece, and how the passage of time was printed on it. Likewise, it is very difficult to predict exactly how zinc or copper will oxidize over time, and its patina effect takes on beautiful greenish, reddish or grayish tones, depending on the conditions to which they were exposed.

Admiring the unpredictability of materials and observing the beauty of the unexpected can bring surprising results to architectural projects. Through constant research, Apavisa has been able to develop modular ceramic pieces that combine strength and versatility, reproducing in detail the materials that our environment gives us. The strength of stone and metal with their oxidative processes, the roughness and timelessness of cement or the beauty of marble with its different veins, shades and patterns.  

Grimshaw Architects, Archipel Generalplanung AG, and landscape architects LAND have won the competition to design the masterplan for University of Bern's Muesmatt campus in Switzerland. The winning design was selected from a shortlist of 26 participants, and was commended for how it opens up Bern's quarter and re-establishes urban and visual connections.

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MVRDV has recently completed the Idea Factory, transforming a disused factory into a creative hub with an important community-oriented focus. Located in Shenzhen's urban village of Nantou, the adaptive reuse project refurbishes the existing structure to accommodate offices while adding a new layer of public space. The latter takes the form of a rooftop bamboo landscape packed with activities and amenities that provides a new leisure space for the historically disadvantaged neighbourhood.

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Videos

In this new collaboration, originally titled Cartografías del Metaverso (Cartography in the Metaverse), Spanish architects and founders of the blog MetaSpace, Enrique Parra and Manuel Saga, explore the potential of mapping in video games. Mapping can sometimes go beyond the mere role of orientation, as in the Diablo sequel, and become a very important element of the game, as in Civilization and World of Warcraft.

The cartographic and planimetric language of architecture is also common to the world of video games. Many video games base much of their experience on interaction with one or more maps, through which users orient themselves to find out where they are and where they are supposed to be.

One example is the Civilization saga, a series of empire management games created from 1991 to date. All versions are played on a map, a geographical view of the world that represents different areas, available resources, geopolitical balance, and other factors. These variants are the rules of the game, the situation the player faces; the map becomes a dynamic fabric, ie, the interface that makes up the game.

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Henning Larsen and Ramboll have revealed the design of Marmormolen, a large timber building in Copenhagen. The building, which is expected to be one of the largest contemporary wood structures in Denmark, features office, retail, and commercial facilities on the Nordhavn waterfront with a green plaza, rooftop gardens, promenades, and a waterfront park.

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