The MAS (Museum by the river), a must seen building itself, is currently exhibiting the Founder Pavilions, which give curious spectators a look at the here and now and into the future. In close cooperation with the Founders, Crepain …
Detail recently sent us Net Zero Energy Building from their Green Books series. Like everything Detail does, this books takes a thorough look at the technology surrounding this specific subject. It also, as always, gives great examples from the Virginia Tech Solar House to the Adam Joseph Lewis Center for Environmental Studies at Oberlin College.
Description: Net-zero energy buildings, equilibrium buildings, or carbon-neutral cities depending on location and underlying agenda, the statistics vary. The variety of terms in use indicates that a scientific method is still lacking which poses a problem not just in regard to international communication, but also with respect to planning processes as a response to energy challenges. The clarification and meaning of the most important terms in use is extremely important for their implementation. Since October 2008 a panel of experts from an international energy agency has concerned itself with these topics as part of a project entitled Toward Net Zero Energy Solar Buildings. The objective is to analyze exemplary buildings that are near a zero-energy balance in order to develop methods and tools for the planning, design, and operation of such buildings. The results are documented in this publication. More than just a showcase presentation of select projects, the focus of this publication is on relaying knowledge and experience gained by planners and builders.
Designed by Bernheimer Architecture for Syracuse University, the football practice facility along with a larger strategic masterplan for the Lampe Athletic Campus situated about 3 miles south of the Main Campus seeks to create an identity for this new “middle campus” by making an assemblage of disparate buildings into a strong collection. By creating an environment that would enhance the practice session, the architects stay true to one of Vince Lombardi’s favorite quotes, “Practice does not make perfect. Perfect practice makes perfect”. More images and architects’ description after the break.
Architects: Canvas Arquitectos
Location: Salamanca, Spain
Collaborators Architects: Marta Gonzalez Antón, Iñigo Pericacho Sánchez, Jesús Domínguez Miñambres, Carmen Figueiras Lorenzo, Jaime Pérez Linares, Claudia Henao Ocampo, Miguel Angel Zarzoso, Luis Ferreira Villar, Eduardo Dorado Díaz, Iñigo Pericacho Sánchez
Client: Fundacion Parque Cientifico Usal
Built area: 4,800 sqm
Photographs: Luis Asín
Architects: X-TU – Anouk Legendre & Nicolas Desmazieres
Location: Saint-Denis, France
Design Team: Roel Dehoorne, Gaelle Leborgne, Melanie Bury, Ingrid Manger
Client: Ministery of Interior
Cost: 5,790,000 € TTC with tax
Total Floor Area: 3,857 sqm shon
Engineering: Estair L. Labrousse
Photographs: JM Monthiers
Prior to becoming a Pritzker laureate, Italian architect Renzo Piano was commissioned to design the Menil Collection in a quiet inner-city neighborhood of Houston, Texas. Since celebrating its opening in 1987, the museum has expanded, adding Renzo’s second commission, the Cy Twombly Gallery (1995), along with the permanent, site-specific installation at Richmond Hall by minimalist sculptor Dan Flavin and the Byzantine Fresco Chapel (1997-2012) by owner Dominique de Menil. Surrounded by ample amounts of open space, the long-term master plan of the museum’s campus has been under the review of architect David Chipperfield.
Now, after an extensive international search to select the architect for the campuses new major addition that will house the Menil Drawing Institute (MDI), the architecture selection committee has announced the four architects under consideration. Once completed, MDI will be the first freestanding facility in America dedicated to modern and contemporary drawing, and one of the most advanced in the world.
Continue after the break to find out the finalists.
Architect Matthew Grzywinski gives Crane.tv a tour of the Lower East side boutique establishment, Hotel on Rivington. Offering panoramic views of New York’s skyline through its floor-to-ceiling windows, this chic hotel plays part in the gentrification of the district du jour, the Lower East Side, once the city’s poorest and grittiest of areas.
With the guidance of their instructor Matthias Hollwich, students Andreas Tjeldflaat and Greg Knobloch from University of Pennsylvania’s School of Design have proposed an alternative to the traditional prisons seen throughout the United States. The innovative high-rise penitentiary acknowledges the fact that nearly two-thirds of the 14,000 inmates released annually from New Jersey correctional facilities will return to prison within five years. 499.SUMMIT offers a solution that intends to reverse that statistic and help inmates successfully transition back into society.
Continue after the break for more.
Breaking Ground: Chinese American Architects in Los Angeles (1945-1980) at the Chinese American Museum (CAM) is an exhibition that focuses on four Chinese American architects that have transformed parts of Los Angeles with iconic buildings and distinct design styles. The work will be on display until June 3rd 2012 and feature architects such as Eugene Choy, Gilbert Leong, Helen Liu Fong and Gin Wong.
Breaking Ground is part of Pacific Standard Time, a collaboration created by Getty in which sixty cultural institutions will tell the story of the birth of LA art scene over the course of six months beginning October 2011. Breaking Ground at CAM LA tells the story of the skyline and the changing built environment through the perspective the four prominent Chinese American Architects.
More after the break.
I once saw a video of David Hockney discussing a Chinese landscape scroll. A provocative little art-geek film (or so it seemed at the time) entitled, ”A Day on the Grand Canal With the Emperor of China (or Surface Is Illusion but So Is Depth)”.
On the surface, the film’s subject is a 17th-century Chinese scroll painting. The depths, however, are personal and make the film more about the artist himself, a target for his projection. So, if surface is illusion but so is depth, then what we have is an interesting problem.
In this sense, he wasn’t trying to lay down any absolute truth or theory about Chinese landscape painting, or even himself. But merely his understanding at that moment in time—a moving target exploring another moving target. What would Hockney say about the scroll now?
When I first noticed Moby blogging about architecture, this film, long-buried in my art history memory, was one of the first reference points that came to mind. Like Hockney with the scroll, Moby is seemingly unrolling Los Angeles and winding his way through it’s weird little buildings and spatial complexities. The hills–and one does not always associate hills with Los Angeles–are uncannily similar to the hills in the Chinese scroll.
Architect: Architects Tillmann Ruth Robinson
Location: Quinte West, Canada
Principal-in-Charge: Scott Robinson
Design Architect: Scott Robinson
Collaborators: Smith and Andersen Consulting Mechanical Engineers
Client: Ron Riddell General Manager
Completion: May 2009
Project Size: 49,920 sq.ft.
Final Cost: $ 11,000,000
Photographs: Shai Gil
Designed by GRAFT Architects, Vertical Village is a residential, hotel and entertainment development in Dubai that harnesses the most powerful renewable energy source in the desert, the sun. Organized to reduce solar gain and maximize solar production, the buildings are massed as self-shading slabs at the north of the site on the east-west axis to reduce low-angle sun penetration. At the southern end of the site, a vast solar collector array optimally angles itself toward the sun and faces the main public strip as a potent gesture to the developments sustainable intent and minimum LEED Gold rated performance. More images and architects’ description after the break.