Behrokh Khoshnevis of the University of Southern California has won Grand Prize in the NASA Tech Briefs magazine’s “Create the Future” contest for his entry, "Robotic Building Construction by Contour Crafting.” The revolutionary construction method was awarded for being a “major innovation” that could potentially 3D print entire neighborhoods in half the time and at 30 percent less cost than traditional building methods.
Though some have visions of using Contour Crafting (CC) to sculpt the moon's first settlements, Khoshnevis primary desire is combat the world's housing shortage by using the automated construction method to rapidly deploy housing in impoverished and disaster areas.
More information and an interview with Khoshnevis on CNN, after the break.
The Rockwell Group takes advantage of a cross-disciplinary approach, with a diverse array of projects ranging from large-scale buildings to product and set design. In this article by Shannon Sharpe, originally posted on Metropolis Magazine as "The Rockwell Way"we learn seven ways that the Rockwell Group has achieved creative success. Read the full article below to discover what drives this particular firm and how it could serve as an inspiration to anyone in the field of design.
How does the magic happen at Rockwell Group? “Pixie dust,” quips Marc Hacker, the firm’s in-house “Thinker.” All jokes aside, there is some truth here. From the animated Quan Yin statue in TAO Downtown to the shifting set of Kinky Boots, to the child-directed free play of the Imagination Playground, a distinct sense of magic imbues every one of these projects. All of them are driven not so much by a look, or even a sensibility, but by the endlessly curious creative process that shaped them. “I know this sounds trite, but it’s not about what’s true now,” says founder and president David Rockwell. “It’s about asking, ‘what if?’” What if an architect could be as experimental as a chef? What if the stage set became a character? What if your environment could transform with every step?
In the Rockwell Group world, asking “What if?”—also the title of a new book being released by Metropolis Books in December to commemorate the firm’s 30th anniversary—has led to an embrace of design at all scales. “On a given day, we could be working on an exhibition, a park, a master plan, an airport interior, a children’s hospital, and a night-club,” Rockwell says. “That confluence of things is probably what makes us most unique.” The process behind these projects —the Rockwell way—is really a set of permissions to roam and explore.
In “Elements,” an exhibition and accompanying book for the 2014 Venice Architecture Biennale, Rem Koolhaas seeks to explore the omnipresent components of buildings that have never been intentionally articulated by architectural theory. Breaking down the history of architecture into its fundamental components, the text is divided into 15 volumes and functions as “a technophilic treatise on the state of architectural thinking in the twenty-first century.” Despite providing lessons in architectural history, does the book deliver a compelling synthesis of all its parts? In his full review of the book for Metropolis Magazine, Samuel Medina argues that Koolhaas "fails to unpack the language of his argument," resulting in a book that is "ambitious, overreaching, maddening" - much like the exhibition itself. Read the full review here.
Enric Miralles Benedetta Tagliabue (EMBT) and Bordas+Peiro have been announced as winner among five proposals of a two-stage competition to design the future Clichy - Montfermeil metro station in Paris. The competition, organized by the Société du Grand París, is part of the ambitious Grand Paris Express project which seeks to modernize the existing transport network and create an automatic metro that will connect new neighborhoods to the city.
In addition to the station's design, EMBT’s proposal will provide a new public square for the renewed neighborhood of Clichy-sous-bois that will serve as a symbol of change following the violent riots of 2005. “We want to transform this grey and abandoned area into a vivid and colorful plaza, that will inspire joy and optimism,” stated EMBT.
Global design and consulting firm Woods Bagot has revealed its plans to collaborate with Plenary Conventions New Zealand, a consortium responsible for the development of the new Christchurch Convention Centre. The consortium also includes international infrastructure firm Plenary Group, local firms Ngai Tahu Property and Carter Group, Warren and Mahoney Architects, and environmental design consultancy Boffa Miskell. Read on after the break to see additional images and learn more about the proposed plan.
The triumphant critical reception of the Yokohama International Passenger Terminal was the product of inventive architectural methodology and socially conscious thinking. Designed by Foreign Office Architects (FOA) in 1995, the futuristic terminal represented an emergent typology of transportation infrastructure. Its radical, hyper-technological design explored new frontiers of architectural form and simultaneously provoked a powerful discourse on the social responsibility of large-scale projects to enrich shared urban spaces.
The Battersea Power Station Development Company has revealed new images of the buildings on "Electric Boulevard," designed by Foster + Partners and Gehry Partners. As phase three in the development of the Grade-II* power station and its surroundings, the buildings will form the primary entrance to the site, connecting the planned Battersea Underground station with the power station and forming one of London's most distinguished high streets.
The released images show both the exterior and interior features of Foster's "Battersea Roof Gardens" Building (formerly called "The Skyline") and Gehry's "Prospect Place" and "Flower" buildings. Read on after the break to see all the images.
Pier Vittorio Aureli's collection of thirty 'non-compositional' drawings, exhibited as part of a series entitled The Marriage of Reason and Squalor, will open at London's Betts Project architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into "what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’." This term, referring to the work of art historian Yve-Alain Bois who was himself prompted by the ambitions of the constructivist artist Alexander Rodchenko, is used to describe works that "aspire to the abandonment of composition and even the self of the artist." This will be Aureli's second recent exhibition in London following Dogma: 11 Projects, which was presented at London's Architectural Association in 2013.