BIG + Paris-based architects OFF, engineers Buro Happold, consultants Michel Forgue and environmental engineer Franck Boutte is the winning team to design the new 15.000 m2 research centre for Sorbonne’s Scientific university University Pierre et Marie Curie in Paris. More images and complete press release after the break.
Exhibit in Tokyo: Architectural Environments for Tomorrow: New Spatial Practices in Architecture and Art
The computerization and urbanization of the 21st century is creating new lifestyles and forms of public space. Architectural Environments for Tomorrow presents the spatial experiments of 23 architects and artists from around the world responding to the transformation of their surroundings. “The metaphors of the world-views suggested by the artists resonate with the practical proposals of the architects, presenting images of future humanity from a variety of different angles.” Architects featured include Toyo Ito, Frank O. Gehry, Sou Fujimoto and many more.
Continue reading for a complete list of the participants and more information on the exhibit.
Andrew Zago presents Zago Architecture’s transformation of Rialto, California “defaulted” subdivisions, suggesting a new species of urbanism that grows from the existing American suburb. Zago Architecture is one of five interdisciplinary teams participating in “MoMA’s Foreclosed: Rehousing the American Dream.” Each team is challenged to re-imagine struggling American cities and suburbs, seeing the current economic crisis as an opportunity to evolve.
The first prize winning proposal for the Nursing & Retiree Home, designed by Firma d.o.o., was directly influenced by the characteristics of the immediate surroundings of the plot. Through detailed site analysis, they concluded that the most important aspects of the context are the landscape and the extreme impact of the rural environment. Therefore, the proposed residence for the elderly, apart from fulfilling all functional prerequisites, must be consistent with those surrounding features. More images and architects’ description after the break.
The winning proposal for the new Panama City Hospital, designed by TASH, is based on the design of ecological protections and passive bioclimatic strategies. The project is configured as a city, it is in no way a single building but a complex, keeping the capacity of total intercommunication between different buildings in a way that benefits from the different synergies, general systems, logistics, production systems, waste disposal, etc, avoiding element duplicities and improving the general performance of the complex, thus giving sense to the concept of a hospital city that is at the core of the project. More images and architects’ description after the break.
Visual Workshop… shared with us their proposal for the Hotel Liesma competition. The aim of their concept is to make a new landmark of the surrounding neighborhood as a contemporary, sustainable and functional hotel. More images and brief description after
Australian studio INDEX Architecture… has completed a proposal for a new hotel on the beach side of a resort in Jurmala, Latvia. The design is located a short walk from the beachfront and includes 130 rooms, a restaurant, conference and
If you are in the Chicago area, Jeanne Gang, 2011 MacArthur Fellow and lead architect of Studio Gang Architect, will be joined by Henry Henderson, Midwest Program Director of The Natural Resources Defense Council (NRDC), to discuss the new book, Reverse Effect: Renewing Chicago’s Waterways. The book explores the importance of the Chicago River and the possibilities for its 21st century transformation.
The program is moderated by WBEZ’s Steve Edwards and is presented in partnership with NRDC.
The event starts at 6PM (CST) at the Harold Washington Library Center in the Cindy Pritzker Auditorium.
Registration is not required. Seating is available on a first come, first served basis.
Architects: atelier alassoeur architecture(s) / Emmanuel Alassoeur
Location: Saint Maur, Indre, France
Client: Ville de Saint Maur
Collaborating Architect: Ludovic Biaunier
Electrical Consultant: Etelec Potron
Mechanical Consultant: BETh Taupin
Project Year: 2011
Project Area: 549 sqm
Photographs: Brice Desrez
There wasn’t much time to reflect on the accident. The casualty was taken away in the hot daylight. There was an awkward group moment following. The instructor said a few words of encouragement and caution to the assembled and then chuckled a little to himself like he know what that was like, or like he had almost lost some fingers, too, at some moment in time. He then shook his head and said, Well…. But he said nothing further for a moment as he glanced around the little blood-spattered scene.
For an instant, Dean made the sickening association with the Reservoir Dogs warehouse. He couldn’t help looking at the machine with the slippery fluid on it’s clean steel. They didn’t belong together. That was one of the secrets to Reservoir Dogs and the whole Tarantino oeuvre, he thought. It wasn’t a new thing, but it was something familiar taken for a spin in a twisted way. Something irreconcilable. A little manipulative, he thought. But, he couldn’t stop the gaze. The scene in the car. Black suit, white seat, red blood. It had the effect of making the person disappear, turn into a stand-in. The kid with the paddle for a hand would now march through life with a deformity. His fingers would be found in the sawdust but it would be too late for them. The girl who found the one finger was endlessly rubbing her hands with anti-bacterial hand-gel. Everybody was fucked mentally. Just like Paul Auster had surmised the Greatest Generation was actually insane because of all the killing and destruction and broken homes from WW II. Their kids were the ones who launched the sixties. Most of Dean’s peers were born out of the sixties to seventies, which meant that all their parents were fucked up by their parents who were fucked up by the war in one way or another. Seems like there is always a war to fuck up a whole generation or a good group of them, anyway. Dean was pissed that he had to witness that and keep that awful paddle image in his mind. He wasn’t pissed at Tarantino, but he was pissed at the stupid kid for making him more fucked up than he already was.